Communion Of Dreams


Remember “Earthrise”?

That was the iconic photo taken during the Apollo 8 mission, widely considered to be one of the most beautiful, and touching, images ever. This video, titled “Cities at Night”, has something of that quality:

It is a series of images taken from the ISS, using an improvised barn-door tracking system to stabilize their digital cameras relative to the speed of the station, allowing for images good to a resolution of about 60 meters. And it had a similar effect on me from watching it as seeing “Earthrise” did for the first time (I remember that, back in 1968), even with my poor monitor and via YouTube.

Light pollution is a problem, as I have mention previously. But it is hard to look at these images and not be struck with just how beautiful even the evidence of our sprawl and overpopulation can be. And seeing our city lights from 200 miles up is inspirational, a glimpse in how we can indeed someday transcend our problems and limitations. We need not be Earthbound, not now, not for the future.

Jim Downey

(Via MeFi.)



The Magic Bus.

I’ve written previously about how the early NASA space program filled my youth and fueled my imagination, and how that enthusiasm persisted through the cynicism of young adulthood and even into the more resigned reality of my middle years. To this day, movies such as The Right Stuff and Apollo 13 trigger an upwelling of that excitement, that pride.

Some of the most iconic images from those movies is the actual launch sequence - the ignition of the rocket engines, of brave astronauts riding fire into space. Well, via Phil Plait, here is a wonderful video of the inside of the flight deck of Shuttle Endeavour during the final countdown and into low orbit of STS-123. As the Bad Astronomer says:

You can see three astronauts in their suits preparing for the mission, and it’s really remarkable how they act. They’re clearly excited, but mostly all business. During the actual launch, they seem to be very nonchalant, simply doing what they need to do; it doesn’t look much different then I must look as I fasten my seatbelt, adjust the rear view mirror and pull out of my driveway in my car.

It’s a really odd juxtaposition! All the usual words we hear when we watch a launch are there, but somehow I expected the astronauts to be more animated, more excited. Instead, they mostly just sit there. They look like they’re taking the bus downtown, not a multi-billion dollar rocket into space!

He’s right - but what a magic bus it is! It isn’t nearly as dramatic as the movies noted above make it look to be - it’s actually more like the sort of casual acceptance of spaceflight found in SF. Because for these people, it is reality.

The video is just under 24 minutes long - and most of the ‘action’ takes place during the first five minutes or so (the three minutes before launch, then the first two minutes of flight). Because of our conditioning by movies and television, you might find yourself getting bored by it all - reality seldom comes with dramatic music. But if you sit back, and try to let it sink in that this is actually happening (well, has actually happened, almost two weeks ago), there is almost a sense of awe that sinks in. At least there is for me.

Jim Downey



A culture of ruins.
I’m also interested in human culture, what we do, where we have been, what we have left behind. Ruins are windows into human histories, they tell tales of the past through the architecture and things left behind. Memories are inscribed on the walls and in the discarded objects; the silent rooms and dust covered furniture recall moments when these places were occupied. Ruins are the containers of events played out, still vibrant and surprisingly alive with the memories of the past. These places are true living museums, preserving the past in its unpolished and raw form. The aging surfaces bear the etched marks of former times.

There is a layered meaning in these places, random pieces of a historic and social puzzle are clumped together, confused by years of decay. These ruins are an archaeology of our culture, they reveal unexpected artifacts of a past that seem distant and foreign. Archived in these ruins can be found the collective memories of a changed culture, the forgotten pieces of the past being preserved as if in a time capsule. Modern ruins exist in the fringe landscapes of our cities, places that were once hardwired to the center of the social and industrial infrastructure, place once the cutting edge of technology and manufacturing, now they have become faded shadows hidden behind cyclone fences on the outskirts, along old canals and abandon rail lines. They map an old system of industrial landscapes now encroached upon by office parks, expanding suburban sprawl and shopping malls.

That’s from the intro on Shaun O’Boyle’s site Modern Ruins, containing his photographic essays from numerous locations. Working primarily in black & white, his images capture the stark beauty of decay. It’s worth spending some time to explore his work.

I got directed to O’Boyle’s site via a thread on MeFi about his recent photos from the Kennedy Space Center at Cape Canaveral. That set mostly covers artifacts from the Apollo Program era there at the KSC, but has other images from the NASA manned space program as well. I love this stuff, always have - and O’Boyle brings a nice artistic sensibility to capturing the images of these artifacts. The image of the Saturn V F-1 engines at the bottom of this page is one of the most iconic images from the early space era. When my finances are a little more stable I will have to order a couple of his prints to have, just for inspiration.

Arthur C. Clarke’s notion of “industrial archeology” has long intrigued me, and was one of the primary reasons that I included the character of Arthur Bailey in Communion of Dreams. Reading through O’Boyle’s writings about his interest in ruins, I can easily see him being just this kind of character - someone who brings a unique perspective on the subject of how our artifacts tell the story of our culture. Very interesting stuff.

Jim Downey



“Yes.”

I have a special place in my heart for Scott Simon, the host of NPR’s Weekend Edition Saturday program. Oh, I’ve long enjoyed his reporting and work at NPR, but in particular it was the experience of being interviewed by him in 2001 for my “Paint the Moon” art project which endeared him to me. As it was just at the beginning of the media coverage of that project, and most people as yet didn’t understand what I was trying to do with the project, it would have been easy to mock the idea and portray me as something of a fool - but Simon was kind and considerate in his interview with me (which took almost an hour to do from my local NPR station facilities), and the end result was an interesting and insightful segment for his show.

Anyway, I go out of my way to try and catch the broadcast of Weekend Edition Saturday each week, and today was no different. One of the segments this morning was an interview with Pat Duggins, who has covered over 80 shuttle launches for NPR and now has a new book out titled Final Countdown: NASA and the End of the Space Shuttle Program. In the course of the interview, Simon asked the following question (paraphrased; I may correct when the transcript of the show is posted later): “Are Americans unrealistic in the expectation of safety from our space program?”

Duggins paused a moment, and then gave an unequivocal “Yes.”

I had already answered the question in my own mind, and was pleased to hear him say the same thing. Because as I have mentioned before, I think that a realistic assessment of the risks involved with the space program is necessary. Further, everyone involved in the space program, from the politicians who fund it to the NASA administers to aerospace engineers to astronauts to the journalists who cover the program, should all - all - be very clear that there are real risks involved but that those risks are worth taking. Certainly, foolish risks should be avoided. But trying to establish and promote space exploration as being “safe” is foolish and counter-productive.

I am often cynical and somewhat disparaging of the intelligence of my fellow humans. But I actually believe that if you give people honest answers, honest information, and explain both the risks and benefits of something as important as the space program, they will be able to digest and think intelligently about it. We have gotten into trouble because we don’t demand that our populace be informed and responsible - we’ve fallen very much into the habit of feeding people a bunch of bullshit, of letting them off the hook for being responsible citizens, and treating them as children rather than participating adults. By and large, people will react the way you treat them - and if you just treat people as irresponsible children, they will act the same way.

So it was good to hear Duggins say that one simple word: “Yes.”

What we have accomplished in space, from the earliest days right through to the present, has always been risky. But for crying out loud, just going to the grocery store is risky. None of us will get out of this life alive, and you can be sure that for even the most pampered and protected there will be pain and suffering at times. To think otherwise is to live in a fantasy, and to collapse at the first experience of hardship.

I think that we are better than that. Just look at all humankind has accomplished, in spite of the risks. To say that Americans are unwilling to accept a realistic view of death and injury associated with the exploration of space is to sell us short, and to artificially limit the progress we make. I think it *has* artificially limited the progress we have made.

One of the most common complaints I get about the world I envision in Communion of Dreams is that the exploration of space is too far along to be “realistic”. Nonsense. Look at what was accomplished in the fifty years that lead up to the first Moon landing. In a world filled with trauma, war, and grief, some risks are more easily accepted. In the world of Communion, post-pandemic and having suffered regional nuclear wars, there would be little fixation on making sure that spaceflight was “safe”, and more on pushing to rapidly develop it.

We can go to the planets, and then on to the stars.  It is just a matter of having the will to do so, and of accepting the risks of trying.

Jim Downey



“X” marks the (new) spot.

As I mentioned the other day, news of the new Google Lunar X Prize organized by Peter Diamandis is getting a fair amount of attention, and appropriately so. It’s good to see Diamandis pursuing his dream, as I wrote about in this post about the Heinlein Centennial Gala:

And then Peter Diamandis‘ brilliant, inspiring presentation about how he considered Heinlein to have written not just visionary fiction, but had actually mapped out a functional business plan with The Man Who Sold the Moon. Diamandis said his dream, his goal, was to be there to welcome NASA back to the Moon when the Constellation Program vehicle arrives. This brought a standing ovation and cheers.

Indeed. And with the new Google Lunar X Prize, there’s a fair chance that could actually happen. If private space companies can land a remote-operated vehicle on the Moon under the prize guidelines by 2013 (most people are of the opinion that it’ll happen sooner), then I’d bet that scaling up the tech used to accomplish that to have people - perhaps even Diamandis himself - on the Moon before NASA’s target date of 2020 for Constellation is certainly possible. Remember, we went from having barely function sub-orbital craft to the Apollo 11 Moonshot in just 8 years.

One of the things I find particularly interesting is a bonus possible under the Google Lunar X Prize guidelines. Here it is:

• BONUSES: An additional $5 million in bonus prizes can be won by successfully completing additional mission tasks such as roving longer distances (> 5,000 meters), imaging man made artifacts (e.g. Apollo hardware), discovering water ice, and/or surviving through a frigid lunar night (approximately 14.5 Earth days).

That one bit right there in the middle that I bolded is what I’m talking about. It simultaneously nods to the accomplishments of NASA and also thumbs its nose at the agency. It perfectly sums up the mixed emotions many in the private sector feel about the government’s involvement in space exploration and development: respect for what was accomplished in the past, yet a burning desire to prove that the private players can do more, do it faster, and do it for less money.

I haven’t begun work on it yet, but one of the ‘intervening’ novels of my future history series (between Communion of Dreams and the prequel I’ve started titled St. Cybi’s Well) would be set sometime in the 2030s at one of the Israeli colonies on the Moon. The main character would be an artist who is on sabbatical there, exploring how the space environment effects an aesthetic sensibility. And one of the scenes I’ve envisioned would have him visiting the site of the first Lunar Landing, which has been carefully secured to preserve it as it was left by Armstrong and Aldrin, in order to use the site as inspiration. I must admit, I sort of hate the thought that there would be additional rover tracks there in order that someone could claim a bonus for the X Prize.

Jim Downey



Death wins.

This morning, when I went to check on her after hearing some stirring, my mother-in-law looked at me and asked if I knew where her toothbrush was.

“Yes. I know where it is. When you get up, we’ll be sure to use it.”

This simple reassurance allowed her to get back to sleep, and when we got her up at her usual time about 45 minutes later, she had completely forgotten the whole thing. See, she is well into the arc of Alzheimer’s, and has slipped to the point where she doesn’t really know where she is or who is around her most of the time. But little things like knowing that she has her own toothbrush, and she can use it, seem to make her happy, give her a measure of security. I don’t try to understand it. I am too exhausted for that. I just try to roll with it.

***********************

Last night a friend sent me the first news reports of the explosion at Scaled Composites, indicating that two people had died and others were injured, evidently during a test of one of their rocket engines. After reading the brief news item, I replied:

Well, shit.

But as everyone involved said during the Centennial - this is going to happen. And while we have to work to take precautions, we can’t allow it to stop the future.

My friend responded to this with:

Yes. If people say we should stop, I have just two words for them:

Apollo One.

My parents knew the astronauts. And if we’d let that fire stop the space program, well……..

***********************

I met Brian Binnie at the Heinlein Centennial. If you don’t recognize the name, that’s OK. Brian was the pilot of SpaceShipOne for the two flights which won the Ansari X Prize. He works for Burt Rutan of Scaled Composites. During his inspiring presentations and discussions at the Centennial, he conveyed a simple, honest love for what he did. He made no pretense that he was a brilliant engineer or scientist (though he holds a couple of advanced degrees), and poked fun at his own public speaking skills. He came across as a regular guy, highly skilled in flying test vehicles, and more than a little amazed to have been involved in making history. I like regular guys, people who are smart and extraordinary but don’t take that too seriously.

I hope Brian wasn’t one of the people hurt in the explosion. But even if he was, I bet that his attitude won’t change, and he’ll still be convinced that private spaceflight is worth the risk. On one of his test flights ofSpaceShipOne , the ship was badly damaged and he could have easily been killed. Obviously, that didn’t stop him then. I’m sure Brian, and all the others at Scaled Composites, will be going over the data from the test to see what happened, and how to avoid it in the future.

7/28/07 Update:  Scaled Composites named those killed in the blast:  Eric Dean Blackwell, 38, of Randsburg; Charles Glenn May, 45, of Mojave; and Todd Ivens, 33, of Tehachapi.  No word on the injured.
***********************

Panel Finds Astronauts Flew While Intoxicated

Jul 26, 2007

A panel reviewing astronaut health issues in the wake of the Lisa Nowak arrest has found that on at least two occasions astronauts were allowed to fly after flight surgeons and other astronauts warned they were so intoxicated that they posed a flight-safety risk.The panel, also reported “heavy use of alcohol” by astronauts before launch, within the standard 12-hour “bottle to throttle” rule applied to NASA flight crew members.

You know, if you were going to strap me as cargo to the top of a chemical rocket with a 1-in-50 chance of catastrophic failure, I might well be still a little drunk, too. Oh, not if I was going to be responsible for flying the damned thing. But if I was just along for the ride? Yeah, I can see getting drunk before hand.

But that’s no way to run a space program.

***********************

One day last week a steam pipe ruptured in New York City, killing one person and injuring many others. Each day in the US over 100 people are killed in vehicle accidents, and about half that number are murdered.

I was orphaned in early adolescence, one parent murdered and then the other dieing about 18 months later in a car accident. I came to understand death much earlier than most people in our country do. I’ve had a few close calls myself, all of them stupid and unexpected things that had my luck gone just a little differently, I would have died. Now, at middle age, I’ve got the typical health risks for a man which could mean an early and unexpected death.

But I don’t worry about that. Death wins. Every time. None of us gets out of here alive. We are all going to die, sooner or later. The only real thing that matters is that we live life as completely as possible, loving, creating, building the future. Brian Binnie understands that, and I’d bet that the others at Scaled Composites do too. I like to think that my parents understood that. My mother-in-law, who may not understand this on an intellectual level, still experiences life, still worries about her place in the world, still wants to make sure that she can brush her teeth.

Jim Downey

(Cross posted to UTI.)



Heinlein Centennial

I don’t get out much - being a full time caregiver for someone with Alzheimer’s is very demanding, and my wife and I are both careful not to leave all the responsibilities in the other’s lap for any real length of time (like over a weekend). If this was just a short-time thing, it wouldn’t be much of an issue. But we’ve been caregivers in this capacity for four years now, and we could easily have several more years ahead of us. You have to think long-term. This is the reason why I ignore the advice given to all unpublished authors to attend conventions - getting away is almost impossible for me at this time.

But as it happens, she has a concert scheduled with the North American Welsh Choir the weekend of July 7th in Kansas City, and made arrangements some months back to have her sister in from California to take care of my mother-in-law, in order that I could also attend the concert if I wanted. Otherwise, she would be here to help make sure that I didn’t carry an undue burden for the several days my wife would be away.

Then I heard about the Robert A. Heinlein Centennial celebration occuring at the same time - also in Kansas City!

Heinlein hasn’t really been a direct influence on my writing; I haven’t tried to emulate any of his style, or pay homage to his ideas. But few can deny that he was a huge influence in Science Fiction last century. And I certainly read a lot of his stuff when I was young - it helped shape and inform my world view, to some extent. Even to this day, I consider him to have been visionary on a number of points, and going back and rereading some of his classics is a good exercise for any writer - his stuff holds up surprisingly well, even 40 - 50 years after it was published.

Besides, this will be about more than just Heinlein’s legacy. A number of luminaries from the history of space exploration will be there, not to mention lots of science fiction writers and people involved in the publishing industry (check out the list of attendees!). It will be interesting, and a phenomenal opportunity to do some serious networking.

So, I’m going. Given that the big Gala Dinner is being held at the same time as my wife’s concert, I’ll be missing the concert altogether. I’m lucky to have such an understanding spouse.

See you there?

Jim Downey



Walter Shirra, R.I.P.
May 4, 2007, 10:07 am
Filed under: Apollo program, General Musings, NASA, Press, Space, Walter Shirra, Writing stuff

I don’t remember much of my childhood.  The sudden deaths of my parents, just 18 months apart when I was on the verge of adolescence, was such a shock that most of my childhood was just lost to me.

But I remember the space race.  I remember watching the early manned launches.  And I remember Walter Shirra, admittedly more for his time working with Walter Cronkite commenting on the news during launches late in the 60s than as an astronaut himself.

Rest in Peace, Mr. Shirra.  And thank you for your bravery and intelligence.

Jim Downey



Jamesburg Earth Station

It’d be fun to include this little gem into any future revision of Communion. From an article in Aviation Week:

Space History Buffs Try to Save Sat Dish

A chance reading of a “for sale” advertisement in a weekly newspaper has launched a group of 30 space history buffs on a mission to save the 30-meter Jamesburg AT&T/Comsat satellite dish about an hour from Monterey, Calif.

The dish was built in 1968 to support the Apollo 11 moon landing a year later. Besides its commercial duties, it also played a role in capturing and distributing images of the 1989 Tiananmen Square protests, says Pat Barthelow, an avionics technician from Sacramento who first noticed the ad in the Carmel (Calif.) Pine Cone and quickly put out the word.The weekend restorers worked over the past four months to get the dish running. The 10-story high dish is housed in a 20,000 square foot building, both of which are in excellent shape, Barthelow said.

[Mild spoiler] This would make for a perfect reference about ‘industrial archeology’ for Arthur Bailey to make at any of several junctures in the book. I love the notion that people are now starting to realize that the NASA era contains valuable historical artifacts that are outside our usual scope of consideration. Sure, someday there will be a dome covering the site of the Apollo 11 landing, where Niel Armstrong and Buzz Aldrin walked. But places like the Jamesburg Earth Station are just as valuable from the perspective of understanding the tech behind our first ventures into space.

(Via BoingBoing.)

Jim Downey