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With a little luck, this week I’ll finish up another chapter, one I have been slogging away on for FAR too long. As is plainly clear to anyone who even casually reads this blog, I am not one of those writers who is able to just jump in and dash off page after page of text. I spend days thinking through scenes, how they integrate into the overall story. I’ll spend hours researching stuff which seems just completely tangential to the narrative, because I want everything to actually fit together properly. And I’ll often labor over a couple hundred words of text, trying to capture just the right tone. Whether I accomplish those goals in the end is another matter altogether.
So, for me at least, and for most of the time, writing is just hard work. And as I have noted both here and in personal communications, there are times I fear I have lost my way completely. That I am fooling myself to think that anyone will ever have the slightest interest in plowing through all that text. I’ve felt that way a lot over the last year. Gah.
And then, there are days like yesterday.
When, in about 90 minutes, about 1200 words just flowed out of me and onto the screen. When months of set-up and research all came together. Here’s a bit of that:
The back doors of the van were open, and there, cradled by her mother, was a little girl, about 8 years old. Her rich Indian coloration couldn’t hide the fact that there was already a blueish hue to the skin of her face and hands. With no hesitation, Megan stepped forward, glanced at the mother, and asked “how long has she had this color? The cyanosis?”
“Not long,” she said, in a plain Midwestern American accent. “Maybe 15 minutes.”
Megan looked to Darnell. “They didn’t give us any oxygen. About the only thing we have which might help are A.C.E. inhibitors, and I have no idea where those are in the crates they loaded. And they take too long to really work.”
Darnell studied her face, then turned to Joey. He started to say “I’m not sure …”
“Dar, wait,” said Megan. She looked at the girl, then at her parents. “There may be something else we can do.”
“What?” asked both Darnell and Joey, at the same time.
“Llangelynnin isn’t far,” said Megan.
“We passed through there just half a mile or so back,” said the girl’s mother. “But there’s not much there.”
“Not the town. The old church, up in the hills above. It’s about two kilometers,” replied Megan, looking from face to face. “It was a place of healing. Particularly for healing children.”
And the next bit, which I wrote today? It went back and referenced something I had planted in a scene 11 chapters ago. And which ties in to a critical scene in Communion of Dreams that I wrote about a decade ago. Even better, all of that was intentional — pieces of a much larger puzzle, finally falling into place.
Writing a novel is just brutal hard work. At least it is for me, most of the time.
But I no longer feel like I have lost my way.
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