Communion Of Dreams


Happy Thanksgiving! (Some assembly required.)

First and foremost, allow me to extend best wishes to one and all for a great Thanksgiving (if you’re here in the US. Otherwise, have a great Thursday just ’cause.)

For long-time readers, you know the many twists & turns in my life over the last 5+ years, particularly those related to the ostensible reason this blog was started: to document and explore the process of getting Communion of Dreams published. And I want to tell you, and all the others who have joined us along this trek: thank-you for sticking with me. Communion of Dreams was downloaded something like 35,000 times in the earlier .pdf incarnation, and has been downloaded or purchased in paperback about 20,000 times this year in the current version. And I am grateful to everyone who contributed to make that a reality.

Last week I documented the latest amusing bit of the saga, how we wound up with printed sheets for a “backwards” book, which should have been the sheets for the limited edition handbound hardcover version.

Well, yesterday we got the corrected sheets. Here’s a shot:

Yay!

From initial checking, everything looks good to do the limited edition. And I want to mention that the printer did everything I could reasonably ask or expect to make right the initial mistake — which shouldn’t be unusual, but is all too often these days. So, thanks to the folks at PrintLynx for not only correcting the error, but doing so quickly and with zero hassle. I’ve used them for a decade or longer, and have every reason to continue to use them for the foreseeable future.

I have another big conservation job to focus on in the short term, but soon I hope to have some initial samples of what the handbound hardcover edition of Communion of Dreams will look like. And as for being ‘tempted‘, well, let’s just say that soon I also hope to have an interesting announcement to make. When life gives you lemons …

But for now, I want to again wish you and yours a great Thanksgiving. And to say that I am thankful for all my friends and fans, who have conspired to make this a wonderful year.

 

Jim Downey



“Involved, Intense, and Very Thought-Provoking”

Just a few quick notes to share…

First is a new review up on Amazon. Here’s an excerpt:

The author deftly crafts a tale of a group of humans who endeavor to understand more about this artifact and in the process make some profound discoveries. The characters, both real and virtual, are well crafted and the story is well written with very few (I think I noted one) flaw in the text.

It is a mind-boggling tale with some tie-backs to present time.

As always, I’d ask anyone who has read Communion of Dreams to please consider doing a review, or at least rating/liking the book on Amazon, Good Reads, or elsewhere — honest reviews really do help.

A quick follow-up to Friday’s post: in case you didn’t see the additional note, the printer realized that they’d made an error with the job, and are going to do a complete reprint. It means a bit of a delay, but nothing serious — and I really respect that they’re going to make things right. So many businesses might try to weasel their way out of that responsibility.

I’ve decided that I like the Scrivener software, so am going to be using it for the bulk of the initial writing of St. Cybi’s Well. I’ll probably post further thoughts on it as I get deeper into the actual writing, but I really like that I can use it for collecting research as well as jotting notes/scenes in a way which is fairly intuitive and seamless to use. Not exactly like having my own Seth around to help me, but …

Have a good Monday!

 

Jim Downey



Tempted.

So, last night I posted about the fiasco with the print job for the special edition of Communion of Dreams. I thought this morning I would explain just exactly what the problem is.

Typically, inexpensive paperbacks are made using a process called “perfect binding” where the stack of individual pages are glued up along the spine and a cover is slapped on. The cover at the spine provides a backing to the adhesive used. It’s a process which can be completely mechanized, and is fast & cheap, providing decent value for the money. It’s how the paperback copies of Communion of Dreams are printed.

However, more expensive machine hardcover books, and most varieties of hand-bound books, are done using sheets which are folded and sewn. A folded sheet is called a folio, and a gathering of such folded sheets is called a signature (or section, or quire). How many folios are in a signature varies greatly, from single sheets up to about a dozen, depending on the thickness of the paper and how the book is designed. To make the book ‘work’ properly, the book designer has to make sure that the individual pages are laid out such that when the signatures are gathered together the sequence of pages is correct.

Chances are, most of the physical books you’ve read conform to what we in the West think of as ‘normal’: they have the spine of the book on the left side, pages are numbered with odd numbers on the right and even numbers on the left. To read the book, you turn pages from right to left.

But if you think about this for a moment, it is not the only way a book could be arranged. You could have the spine at the top, for example, and have the ‘book’ work like a typical calendar, turning the pages from bottom to top.

Or you could have the spine on the right side. This orientation would then have you turn pages from left to right.  This, in fact, is how traditional Hebrew Bible books are printed, and the same convention is used with Japanese books.

And it’s the way they printed Communion of Dreams, which we discovered when we started looking at the sheets last night.

Here’s an image of the center folio of the proof they sent us:

Correct.

And here’s an image of the same center folio from the sheets we picked up yesterday:

Incorrect.

Note that even the page numbers are now in the wrong locations, being in the center rather than the outside of the pages. The entire book — the entire print run — is done this way. If I wanted to, I could actually bind the book so as to read ‘backwards’ like a Hebrew Bible, though the page numbers are all in the wrong location for that.

I must admit, I’m tempted, just for giggles.

But we’ll get things sorted out with the printer, and get the proper printing done.

Edited to add on Friday afternoon: Yeah, so I think after the printer saw this blog post, and went back over their own records, they realized where & how they had screwed up. They’re now going to reprint the whole order.

Which is what they should do, but it is nice to have a business who is willing to make good without much of a fuss. I can only compliment them on their business practices, and will be happy to use them again in the future.

 

Jim Downey



Grrr.

Well, *that’s* annoying.

Printer called, said that the job was done and we could pick it up, a bit earlier than we expected. So we decided to pop over to Sedalia (about 75 miles) to get it. First, there was an error on the bill, which took them a while to sort out. We did a quick check of the print run, saw that the paper was correct, the grain running the right way. Then, when we got home we discovered that they managed to screw up the pagination – even though it was correct on the proofs they sent us. So I now have $904.70 worth of scrap paper sitting in the bindery.

We’ll get it sorted out in the morning when they re-open. But it’s damned annoying.

Jim Downey



Yeah. Like that.

Wow — this hits close to home: Making Things.

We should pick up the printed sheets for the special edition of Communion of Dreams tomorrow. I’ll post pix!

Now, back to work for me.

 

Jim Downey



Against the grain.

Typically, there are many ways to accomplish a given task. Usually, some are better than others. Maybe they’re more efficient. Or less expensive. Or just work better.

And usually it seems like I always manage to find all the worst ways before finally stumbling on one of the better ones.

* * * * * * *

*against the grain 

1. Lit. across the alignment of the fibers of a piece of wood. (*Typically: be ~; Cut ~; go ~; run ~; saw ~.) You sawed it wrong. You sawed against the grain when you should have cut with grain. You went against the grain and made a mess of your sanding.
2. Fig. running counter to one’s feelings or ideas. (*Typically: be ~; go ~.) The idea of my actually taking something that is not mine goes against the grain.

* * * * * * *

We got the proofs back from the printer! Here’s some pix:

Cover sheet.

Text pages.

* * * * * * *

grain [grān]

(materials)

  • The appearance and texture of wood due to the arrangement of constituent fibers.
  • The woodlike appearance or texture of a rock, metal, or other material.
  • The direction in which most fibers lie in a sample of paper, which corresponds with the way the paper was made on the manufacturing machine.

* * * * * * *

Typically, there are many ways to accomplish a given task. Usually, some are better than others. Maybe they’re more efficient. Or less expensive. Or just work better.

And usually it seems like I always manage to find all the worst ways before finally stumbling on one of the better ones.

But fortunately, I was taught early on at the University of Iowa Center for the Book about the “grain” of paper, and how it makes a crucial difference in how a book works. This was something which actually took papermakers and printers a while to figure out, back when new mechanized papermaking techniques were developed. That’s because typical western hand-papermaking didn’t really impart much of a ‘grain’ to paper used in printing presses for the first several centuries.

But back in the middle of the 19th century papermaking was mechanized, and this left a distinct alignment of the paper fibers. And that changes how this paper behaves. Simply put, you have to make sure that the grain is aligned with the spine of the book, or the paper doesn’t drape or move properly, leading to the book being mechanically ‘unfriendly’ to the hand. Most printers these days know about this and pay attention to it, but every once in a while someone will try and cut corners and use paper stock with the wrong grain orientation, and the consumer will wind up with a book which feels very stiff and hard to open/turn the page. As a bookbinder, this is something I *very* much have to pay attention to for small edition binding, and I always caution clients about it, since most normal people don’t have any idea that paper grain matters at all.

So the first thing I noticed when I took the proof sheets out of the box was that the grain ran the wrong way.

Oops.

Turns out it was just a small miscommunication with the printer, and they’ll make sure to have the actual printed sheets for the book with the grain running the right way. My Good Lady Wife just talked with them, confirming that and giving final approval for the print run. The sheets should be ready for us to pick up the end of next week. Exciting!

Jim Downey

PS: Just a note – the usual convention with paper is to mark it “grain long” or “grain short” on the wrapping for a ream. Sometimes this is also indicated by underlining one of the numbers in the dimensions.



A higher level of order.*

Sometimes I feel like this bit from Chapter 17 of Communion of Dreams:

“It’s all right, Jon, I’m awake,” said the scientist, still not opening his eyes.

“Tops says . . . ”

“Probably that I’m acting a little strange. It’s true. I came to a little while ago, but my head has been spinning. Not with any sense of vertigo, but with ideas. Like some kind of wild holographic sculpture of equations, moving and changing, solving themselves and giving rise to new ones, flowing, growing, gleaming from within. It’s easier for me to keep my eyes closed, so I can follow all that they’re doing, I hope you don’t mind.” All of this came pouring from the small man at a pace so quick that Jon almost missed some of it. He continued, “I’m going to have to discuss with Duc whether this is how he perceives his artwork before translating it into a form that the rest of us can see. For me it is like for the first time having direct, conscious access to my subconscious. You know that the human brain is capable of truly phenomenal computational power, but it usually happens below the threshold of awareness. I feel like right now, for this time, I can witness the full glory of the mind at work. No matter. I wanted to see you because I have come to realize what was bothering me before.”

We just placed the order for the special edition printing of Communion of Dreams. And yesterday I ordered several hundred dollars of archival bookbinding materials to execute the cloth hardcover bindings. Exciting — I love these kinds of beginnings!

Jim Downey

*Chaos theory. The ‘scientist’ in the quote above is Robert Gish, a central character in the book, and something of an alter-ego for me.



Not bad.

So, yesterday’s promotion was a moderate success. Nothing stunning, but certainly not disappointing. We had a total of right at 700 downloads, all told, including 49 from Britain and one each in France & Germany. I’m still waiting for the first download in Japan …

Anyway. Those downloads pushed Communion of Dreams to #3 in the “High Tech SF” subcategory, to #13 in overall Science Fiction, and to #327 on the entire free Kindle store rankings. It may have even done a bit better, since there were another 100 downloads after I crashed last night.

Not bad. Not bad, at all. Thanks everyone!

Last month also saw a decent uptick in overall visits to the Communion of Dreams site, to some 1,200. That’s about a 30% increase over what is typical.

This afternoon I’m mailing off the bulk of the signed paperback copies of CoD from the Kickstarter rewards, and we’re waiting to hear back from the printer about the final tally on the Limited Edition copies. I haven’t made too big a deal out of that special edition here yet, because right now we’ve just got generic examples of my book arts work on the page — but once we have the actual pages, I’ll make up some examples of what the finished book will look like, so people will have a better idea of what they’ll be getting. However, it is not too early if you want to reserve your copy — there are at present only 44 copies remaining available.

And yes, I am now shifting the bulk of my creative energy over to thinking about St. Cybi’s Well, to exactly how I want to lay out the plot and all the characters/scenes/themes. As I noted last week, this is all really exciting.

Cheers!

 

Jim Downey



Phase II.

OK, the site updates are now live — you can now order a limited edition copy of Communion of Dreams, and place your advance order to reserve a limited edition copy of St. Cybi’s Well.

I’d like to make several notes about these pages …

First is that currently the images of the different bindings are just representative, to give you some idea of what the types of cover materials look like. We’ll soon be ordering the special print run of Communion of Dreams, and once those pages are done and back to me, I’ll make up some actual copies of the books to show what the finished products will actually look like.

Second is that these edition numbers are “hard”: once all the books are claimed, that’s it — there will be no more. The edition for Communion of Dreams is just 53 copies (plus two Author’s/Artist’s Proof copies). 8 of the copies have already been reserved. The edition for St. Cybi’s Well is just 101 copies (plus two Author’s/Artist’s Proof copies). 11 of those copies have already been reserved.

Lastly, because of logistics using Paypal, there are some limitations in how we set up payments. Downpayments can be taken directly through Paypal for each selection, but you can also just email me to arrange different amounts or payments on account. If you want to send a personal check to order a copy of either limited edition (or both of them), that’s perfectly fine. For help with any of this, just contact me via email: jim@communionofdreams.com

As I’ve noted before, I’m really jazzed about writing St. Cybi’s Well. But even beyond that, I’m excited about combining two of my creative skills: my writing and my bookbinding. Being an accomplished craftsman and artist doesn’t usually blend with also being a writer. This is probably the single best thing to come out of the Kickstarter project for me: thinking in these terms.

Thanks, everyone!

Jim Downey



The quiet ones.

I’ve mentioned before that I am intensely introverted — but that I have “good extrovert batteries”. Meaning that while I in many ways dread large gatherings and over-stimulating environments, I can usually function pretty well in them for reasonable periods of time.

Anyway, saw this item this morning, thought I would share it:

Hope to have news about the site updates later today!

 

Jim Downey




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