Filed under: Art, Humor, Jupiter, Man Conquers Space, Paleo-Future, Predictions, Science Fiction, SETI, Space | Tags: humor, predictions, Science Fiction, space, travel
It’s been a while, how about a little “paleo-future” fun?
Frank R. Paul was an illustrator of US pulp magazines in the science fiction field. He was born in Vienna, Austria… Frank R. Paul was influential in defining what both cover art and interior illustrations in the nascent science fiction pulps of the 1920s looked like.
That’s from a post a couple years ago which is quite delightful — though a bit dated (they even include Pluto as a planet, imagine!) — that you should check out: http://ubersuper.com/retro-futurism/
Jim Downey
Filed under: Apollo program, Art, Comics | Tags: Apollo, art, comics, jim downey, Randall Munroe, xkcd

If you’d like a zoomable version that’s much easier on the mouse/trackpad, here’s about the best one I’ve seen.
Thanks, Randall.
Jim Downey
Filed under: Amazon, Art, Book Conservation, Brave New World, Connections, Feedback, General Musings, Kindle, Marketing, Predictions, Promotion, Publishing, Science Fiction, Writing stuff | Tags: Amazon, art, blogging, Communion of Dreams, direct publishing, free, jim downey, Kickstarter, Kindle, Latin, literature, promotion, Science Fiction, St. Cybi's Well, Wikipedia, writing
Well.
The Kickstarter has launched:
St. Cybi’s Well – a prequel to Communion of Dreams by Jim Downey
Prequel to the popular novel Communion of Dreams. Get an early release download or a hand-bound copy in your choice of cover material.
I was surprised a bit yesterday when one of my friends — an artist, even — asked what “Kickstarter” is. I guess I’ve been so wrapped up in paying attention to it for the last year or so that I had just assumed that it was something commonly understood. But if you’re not sure, here’s the basic description from Kickstarter:
What is Kickstarter?
Kickstarter is a new way to fund creative projects.
We believe that:
• A good idea, communicated well, can spread fast and wide.
• A large group of people can be a tremendous source of money and encouragement.
Kickstarter is powered by a unique all-or-nothing funding method where projects must be fully-funded or no money changes hands.
There’s a lot more there on the site. But basically, it is a way to crowd-fund a creative project. In my case, I’m trying to use it as a substitute for a traditional “advance” from a conventional publisher by generating advance sales of my next novel. But since I also have a fairly unusual set of skills as a bookbinder, I’m also able to offer something fairly unique: a limited edition of hand-bound books. This edition will be printed differently, in a manner which will allow for me to fold and then sew actual signatures rather than relying on machine ‘perfect binding’ as you typically find in paperbacks. These book will also be in hardcover, with a variety of different selection of covering material and design. The full information is there on the Kickstarter page.
This is a big deal for me. I’ve been thinking about doing this since early this year, as I watched the response to Communion of Dreams. It was clear that many people enjoyed that book, and one of the most common things which showed up in reviews and discussions was when/whether my next book would be available.
There are many challenges for me here. One is just seeing what the actual level of support for my writing is, which to some extent is expressed by how successful the Kickstarter is. Another is pushing me to actually concentrate on completing St. Cybi’s Well, and proving to myself and the world that Communion of Dreams wasn’t some kind of fluke. Doing the bookbinding won’t be a problem, but it still needs to be attended to. And there are the ongoing promotional matters which require time, energy, and the willingness to engage as something of a public person — no small feat for someone who is as much an introvert as I am.
Yesterday I said thanks for helping me get to this point. And I mean that, most sincerely. Any further help you can give by sharing news of the Kickstarter would be greatly appreciated. And likewise, anyone who wants to kick in some money on the Kickstarter will earn my personal gratitude above and beyond whatever ‘rewards’ they choose.
Now we’ll see how the game plays out.
Jim Downey
*Full explanation here. I choose this version rather than the more common one precisely because in this instance it isn’t a matter of a single roll of the dice being cast, but rather of the game being started.
Filed under: Alzheimer's, Amazon, Art, Ballistics, Book Conservation, Connections, Emergency, General Musings, Health, Kindle, Marketing, Music, Preparedness, Promotion, Publishing, Science Fiction, Survival, Writing stuff, YouTube | Tags: Alzheimer's, Amazon, art, ballistics, BBTI, blogging, book conservation, care-giving, Communion of Dreams, direct publishing, firearms, guns, health, hospice, jim downey, John Bourke, Kickstarter, Kindle, Legacy Bookbindery, literature, memoir, promotion, Science Fiction, St. Cybi's Well, stroke, The Beatles, video, writing
My wife answered the phone. I could tell just from her facial expression that it was bad news.
“Oh, no!” she said. “What happened?”
* * * * * * * *
As part of putting together the Kickstarter project for St. Cybi’s Well, I need to explain *why* I want people to hand over their hard-earned money. I mean, I don’t need to buy materials or hire someone to do research for me. I don’t need operating capital for renting a studio, there’s no up-front printing costs to speak of. Why not just write St. Cybi’s Well on my own time, at my own pace, the way I wrote Communion of Dreams and co-authored Her Final Year?
Writing such an explanation — writing anything, really — is the perfect way for me to clarify my thoughts, to push past vague thinking and distill my understanding. You’ll see the finished product in a few days, but this passage from a blog post a month ago is a pretty good insight:
I recently turned 54. And I have accomplished a number of things of which I am justly proud. I have friends and family I love. I have a wonderful wife. I have written books and articles which have brought joy, knowledge, and solace to others. I have helped to preserve history in the form of books & documents. I have created art, sold art, made my little corner of the world a slightly better place. I’ve even helped expand the pool of ballistics knowledge a bit. Frankly, I’ve lived longer and accomplished more than I ever really expected to.
But I have more yet to do. Time to get on with it.
* * * * * * *
My wife answered the phone. I could tell just from her facial expression that it was bad news.
“Oh, no!” she said. “What happened?”
She listened for a moment, then got up to go into her office. I heard her talking some more. When she came back I looked at her quizzically.
“Tanna had some kind of accident. John was calling to see if I had any ’emergency contact’ info from the Directory he could pass along to the hospital.”
A couple years ago, my wife and I put together this Directory for our neighborhood association. We’d included this option for people to list if they wanted. Tanna was one of our nearby neighbors, a nice semi-retired woman who we see almost daily on our walks.
I looked at her. “Anything?”
“Yeah, I told him what we had.”
“So, what happened?”
“She evidently had a stroke while out walking her dog. Just collapsed. John and a couple of other neighbors saw her go down, went to check on her, called an ambulance.”
“Wow.”
“Yeah.” My wife looked at me. “She’s only a couple years older than you are.”
Jim Downey
Filed under: Amazon, Art, Book Conservation, Connections, Feedback, Kindle, Marketing, Promotion, Publishing, Science Fiction, U of Iowa Ctr for the Book, Writing stuff | Tags: Amazon, art, blogging, book art, bookbinding, Communion of Dreams, direct publishing, jim downey, Kickstarter, Kindle, literature, promotion, Science Fiction, St. Cybi's Well, writing
As I’ve been discussing recently, work continues on setting up everything for my upcoming Kickstarter project.
If you’re not familiar with how Kickstarter works, it might be worth checking out sometime. But basically the idea is that it exists to crowd-fund creative projects, allowing for people to gauge support for a project and finance it. A Kickstarter project runs for a specific length of time, working towards a given funding goal. If the goal is achieved, then the financing goes through and everyone is committed to success. If it doesn’t, then no one is left at risk.
Part of this is establishing “rewards” for promised funding from backers. Usually this includes a copy of a book or album or artwork which is the reason for the Kickstarter project, but people also include all manner of other items which are more personal. I mentioned earlier that one of the things I was going to be offering would be hand-bound copies of my books, bringing into the mix my bookbinding skills.
The more I thought about this, the more I’ve decided to have some fun with it. Specifically, by offering some very limited special rewards. Like custom bindings in cloth, calfskin, and goatskin. Here’s one such “reward”:
Wow – Goatskin! Double Set: Get a personally handbound leather hardcover copy of *BOTH* “St. Cybi’s Well” and “Communion of Dreams”. The books will be numbered, also signed & inscribed to the recipient. Binding will be in full premium goat with a nice embossed label spine. Your choice of leather color and endpapers. Also includes download copy of both books. (For international shipping, please add $20.)
I’ve decided to get copies of the handbound books printed up in a different run than the usual paperbacks being offered through Createspace. These will be done using the exact same printing files, but will be printed on folded sheets so that they can be properly handsewn and then bound. Because if you’re going to do the thing, might as well do it right.
And after all, how many competent authors are also kick-ass book artists? I might as well play to my strengths.
Jim Downey
Filed under: Amazon, Art, Book Conservation, Connections, Feedback, Kindle, Marketing, movies, Preparedness, Promotion, Publishing, Science Fiction | Tags: Amazon, art, blogging, book conservation, bookbinding, Communion of Dreams, direct publishing, jim downey, Kickstarter, Kindle, Legacy Bookbindery, literature, photography, promotion, Science Fiction, St. Cybi's Well, video, writing
As I keep discussing, I’m working through multiple small components of getting ready to launch a Kickstarter for the next novel. I’ve got two things to mention today.
The first is a request for some help. Part of the normal Kickstarter project is to have a video. As they put it on their website:
A video is by far the best way to get a feel for the emotions, motivations, and character of a project. It’s a demonstration of effort and a good predictor of success. Projects with videos succeed at a much higher rate than those without (50% vs. 30%).
Now, I’m sure that my wife and I can cobble something together which would vaguely meet the “have a video” criteria for the project page. But I would really prefer to have something decent. Something original. Something put together by someone who has more than a vague idea of what they’re doing.
If you are such a person, or if you *know* such a person, and would be interested in working with me on this, please leave a comment or send me an email. And note that I say “working with me” rather than “do this for me” — for the very simple reason that I respect the artistic talents of others and see this as a collaboration rather than just a technical problem to turn over to someone else. And I’m not asking for someone to do it for just “exposure” either — compensation will be offered, and we can work out an equitable arrangement. Please think about it, and get back to me soonish.
The other item I want to mention today is that we’ve given my bookbinding website something of a facelift, updating information on it, modernizing the look & operation a bit. Check it out when you get a chance.
What does this have to do with a Kickstarter project for St. Cybi’s Well?
Well, I’m glad you asked. It has something to do with St. Cybi’s Well because some of the premiums for pledges to my Kickstarter will include hand-bound copies of the book. As well as hand-bound copies of Communion of Dreams. In hardcover. In hardcover covered with premium bookcloth. Or full calfskin leather. Or even in full goatskin leather.
These will be very rare, possibly unique books. And how many other writers that you know have my professional bookbinding skills?
*That’s* why we updated the Legacy website. To show off my bookbinding talents a bit. Well, and because I’ve added a photo series of restoring a 1633 Danish bible that was a lot of fun earlier this year and I wanted to share that.
So, two more pieces of the puzzle start to fall into place.
Jim Downey
Filed under: Amazon, Art, Kindle, Marketing, Preparedness, Publishing, Science Fiction, Writing stuff | Tags: Amazon, art, Communion of Dreams, direct publishing, jim downey, Kickstarter, Kindle, literature, photography, promotion, Science Fiction, St. Cybi's Well, writing
So, I’m starting to get geared up to do a Kickstarter project tied to the next novel, and that means (among other things) getting the necessary infrastructure put into place. One big component of this is having a unified visual design — a ‘brand’, if you will.
For Communion of Dreams, I always knew I wanted to use Peter Haigh’s stunning “Burr Oak at Twilight” image as part of this branding component. That’s the image at the top of this page, on the book’s website, and on the cover of book (more evident on the paperback than the Kindle edition). I use a small version of it as an icon/avatar where appropriate.
But curiously, the final design of the book cover didn’t happen until this past January. That was largely due to the fact that for the longest time I was hoping to have the book conventionally published, and I knew that any publisher would likely have some strong opinions on the matter of the book design. Hell, I was worried that I would have to fight just for my choice of title for the book.
This time, planning on publishing the next book myself changes the whole order of things. Particularly since I am hoping that a successful Kickstarter will help make the process of getting the book written and prepared for publication go much faster/easier. As a result, we’re starting with the cover design, and will be working to incorporate that into the rest of the visual ‘brand’ of the book. And here it is:
I really like the way this hints at certain elements of the story. Hehehehe.
Jim Downey
PS: Speaking of Kickstarters, some friends of mine are doing one currently to expand their jewelry-smithing. It’s a very cool project, and they are definitely people who will make good use of the new tools and skills. Check it out, support it if you can — I have — there’s 10 days left, and they’re just a bit over $4,000 from their goal: Ancient Metalsmithing Made Modern, or Perfecting Pressblech
Filed under: Architecture, Art, Ballistics, Blade Runner, Connections, Guns, Italy, movies, Religion, Travel, Weather | Tags: blogging, Campo de' Fiori, Carravagio, firearms, Italy, jim downey, Leonardo da Vinci, movies, Piazza Navona, Roman, Roman Holiday, Rome, travel, Trevi Fountain
We left the villa early on Monday morning, since it was a drive of some hours back to Rome and we needed to get there about noon to allow some members of the group to make travel connections.
There had been rain overnight. When we left, this was the view of the sea from the villa:
Taking the inland interstate-style highway, we got to see part of the country we hadn’t before.
And I discovered that the rest stops in Italy are much like rest stops anywhere, complete with baffling toys…
…and various products to help you stay awake:
Actually, I bought some of the “pocket espresso” things – and they weren’t bad. About an ounce of high-density caffeine with a lot of chocolate, in liquid form like an extra-small juice box.
* * * * * * *
We got to Rome, dropped off several people at the main train station. Most of the rest of us were back in the hotel we had stayed in the first few days of the program. We got checked in, dropped off bags and then made plans for the afternoon.
Most of the remaining group were leaving the next morning, just a few staying on to Wednesday. The bulk of the group made plans for dinner together that evening. But Steve & Amy needed to get a number of things done to wrap up the trip (and plan for the next one), so they were inclined to not join in on another big dinner.
In all honesty, I think they were also tired of being “in charge” and just wanted a little down-time. I know that when I have been in such a role for a week or two, I feel wiped out, and no offense to the people in the group but I am usually ready for a break.
So we spent the afternoon hitting a couple of different sights, mostly giving Steve and Amy time to do something of a post-mortem on the workshop – discussing what worked, what didn’t go so smoothly, how to perhaps change the schedule. I mostly kept my mouth shut, though occasionally I was able to offer some perspective as a tag-along. We had coffee & conversation on the Piazza Navona, then eventually Amy went off to take care of some errands and Steve and I went to see the Carravagio paintings (The Calling of St Matthew, The Inspiration of Saint Matthew, The Martyrdom of Saint Matthew) at the nearby San Luigi dei Francesi. Naturally, I had seen reproductions of these pieces, but seeing them actually in the space they were intended for was breath-taking.
Following this, we wandered back to the hotel room. We both wanted a chance to rest and shower before getting back together with Amy for drinks and dinner that evening.
Dinner that night was worth mentioning: a place which specializes in dishes with porcini mushrooms. We ate heartily, washed the food down with some local artisanal beer. According to Amy & Steve, such beer is a relatively new thing in Rome – but it was quite good, though it was odd to have it served in what was basically a champagne bottle.
* * * * * * *
The next morning we mostly went our separate ways. Steve & Amy needed to check out a couple different museums for the next program. I was tired of “Roman Stuff” and opted to do a bit of exploring on my own.
Starting with a completely delightful exhibit I had noted on previous wanderings: Leonardo da Vinci’s “Big Machines”. I had seen that there was a traveling version of this show which made it to the US, but I hadn’t had a chance to see it for myself. Here are a few images of the fun items in the exhibit:

OK, this *was* shown to be a fake entry – but it’s still fun to see it produced in da Vinci’s style.
This was mostly geared towards kids, but it was still fun to see actual mock-ups of a number of da Vinci’s drawings. And one thing which was completely new to me was the octagonal closet which was completely lined with floor-to-ceiling mirrors. You stepped into this closet, closed the door, and were able to see an infinite regression of images – like being in a room with two facing mirrors. Except that in this case, because of the placement of all 8 mirrors, you were able to see yourself from every angle – and it is a very odd thing to see your own back full size, in real time. What’s most impressive about this is, of course, that during da Vinci’s time it was impossible to make mirrors of sufficient size or quality to demonstrate this effect – he had done it all through basic knowledge of optics, applied as a thought-experiment. Very cool.
* * * * * * *
I got some lunch from a street vendor, then decided to go see this:

Yeah, the Trevi fountain. I’d promised a friend I would toss a coin in for her, and fulfilled that promise.
Two things I want to note about seeing the Trevi fountain: one, it was crazy with crowds. Seriously, just a block away there were few tourists. But in the square with the fountain it was packed. Nuts. Worst crowds I had seen anywhere in Rome.
And two, I had gotten to know my way around Rome well enough that it was pretty easy for me to dead-reckon with minimal reference to a street map. This got me to and from the Trevi fountain with minimal problems. This made me inordinately happy.
* * * * * * *
I made my way back to where the hotel was, stopping by once again to just stand inside the Pantheon. It was the sort of place I could probably visit a hundred times.
Along the way back to the hotel, I noted this interior courtyard:
No idea what that was. But it was cool.
* * * * * * *
After dropping off my bag at the hotel, I popped over to the Campo de’ Fiori – the little market square I mentioned previously. I got a beer and some snacks, sat down to write some notes and just observe what was going on in the square.
And what was going on was the take-down of the market stalls and subsequent clean-up:

One thing in particular I want to point out:

That’s one of those little motor-cycle carts as seen in “Roman Holiday”. I was a bit surprised to see that they’re still very much in use in Rome, since that movie is even older than I am. But quite a number of the different merchants had them, and they seem quite practical for such use given the narrow winding streets in the heart of the city.
* * * * * * *
Dinner that evening was again just the three of us: myself, Steve, Amy. We ate at a place not far off the Campo, which is to say not that far from the hotel. This was by design, since we had to be up early to catch a private van to the airport.
Which we did the next morning, leaving about 6:30. My flight was later than the other’s, but it made the most sense for me to just get to the airport a bit early.
Of course, as it turned out, things all ran late at the Rome airport for me, and I could have gone over much later in the day. And the delays meant missed connections and the usual travel-foo. But I got in to St. Louis eventually, and in time to catch the shuttle home.
Yes indeed, “I’ve seen things you people wouldn’t believe.” I almost don’t believe it, myself.
Jim Downey
Filed under: Architecture, Art, Emergency, Italy, Mark Twain, Predictions, Preparedness, Religion, Science, Survival, Travel | Tags: art, blogging, ghosts, Herculaneum, Innocents Abroad, Italy, jim downey, Mark Twain, Mount Vesuvius, Naples, photography, Pompeii, predictions, pyroclastic flow, Roman, science, travel, volcano
“Finally we stood in a level, narrow valley (a valley that had been created by the terrific march of some old time irruption) and on either hand towered the two steep peaks of Vesuvius. The one we had to climb – the one that contains the active volcano – seemed about eight hundred or one thousand feet high, and looked almost too straight-up-and-down for any man to climb, and certainly no mule could climb it with a man on his back. Four of these native pirates will carry you to the top in a sedan chair, if you wish it, but suppose they were to slip and let you fall, – is it likely that you would ever stop rolling? Not this side of eternity, perhaps. We left the mules, sharpened our finger-nails, and began the ascent I have been writing about so long, at twenty minutes to six in the morning. The path led straight up a rugged sweep of loose chunks of pumice-stone, and for about every two steps forward we took, we slid back one. It was so excessively steep that we had to stop, every fifty or sixty steps, and rest a moment. To see our comrades, we had to look very nearly straight up at those above us, and very nearly straight down at those below. We stood on the summit at last – it had taken an hour and fifteen minutes to make the trip.”
Mark Twain, Chapter 30 of The Innocents Abroad.
* * * * * * *
Yeah, it isn’t quite that bad climbing Mount Vesuvius today. There’s now a very good path which switchbacks a couple of times, then winds around the mountain a fair amount, making for a longer walk but one which is still fairly steep, climbing the final 200 meters of elevation from the parking lot. Take a look:
Then once you’re to the top, you can walk about a third of the way around the lip of the crater. On one side, you look down into the crater, on the other out over the volcanic plains to the Bay of Naples:

There’s a dark patch of green surrounded by buildings directly above the corner post: that’s Pompeii.
At the top – at the very end of the public trail – there’s a little hut selling refreshments and souvenirs. And the prices are more reasonable than you might expect. But I decided that I didn’t really need either an ashtray or a skull carved out of black pumice.
Standing there on what’s left of Vesuvius, looking out over the plains below, I felt a bit melancholy. It could have just been the exertion to climb to the top. Or that I knew the trip was coming to a close. But looking out over the misty cities, it was easy to picture another eruption. There are millions of people within potential reach of the volcano. Naples – a city of some 4 million – is conceivably at risk. In the immediate area around the volcano some 600,000 people are subject to possible pyroclastic flows. Current scientific models indicate that there would probably be two to three weeks of warning before a serious eruption, but no one is entirely confident of that. And at best, it would take 5 -7 days to evacuate those most at risk.
* * * * * * *
We came down off the mountain, but in some sense didn’t leave it. It lurked there on the skyline as we went to Herculaneum.
I said that visiting Pompeii was “sobering,” but the primary thing that going there did for me was to help me envision what a Roman city was like.
Herculaneum was different. It was even more immediate – more “real.” That’s because of the way the city was destroyed.
When Vesuvius erupted in 79 AD, Herculaneum was mostly out of the immediate ash cloud. In Pompeii, the city was largely buried by ash and small rock debris to a depth of several meters in the first few hours. This caused roofs to collapse, and entombed people in ash after they suffocated or died from blunt trauma.
Not so in Herculaneum. They only got a few inches of ash initially. This meant that they had a lot more time for the city to be evacuated. But when the blow came to Herculaneum, it came very swiftly – in the form of a pyroclastic flow of molten rock and debris moving at 100 mph and at a temperature of over 900 degrees Fahrenheit.
Those who were in the city died almost instantaneously, their flesh vaporized in the heat. All that was left was bone.
Likewise, structures were encased in the molten mass, and it happened so quickly that wood didn’t burn – it was carbonized, turned to charcoal, sealed in super-heated rock. Roofs didn’t collapse, as the structures were filled inside as well as covered over on the outside. Eventually, the entire city was covered to a depth of more than 20 meters. The result was a city which was even better preserved than Pompeii. Better preserved, and because of that more tangible. You couldn’t help but walk the streets, enter the houses, and feel like you were in a living city, one which had just misplaced its populace. The ghosts were still close here:

Wooden screw press, now carbonized and behind glass. This was probably used in the making or cleaning of cloth.
* * * * * * *
It was our last night at the villa. Usually this is something of a party night for everyone, and for much of the group this was true. But somehow I just wasn’t really in the mood.
Jim Downey
PS: there’s an excellent collection of additional images from this trip, taken by Angie Bohon, another member of the group. They can be seen here, here, and here.
Filed under: Architecture, Art, Connections, Italy, Music, Religion, Travel | Tags: Arc of a Diver, art, blogging, Greeks, Italy, jim downey, music, Paestum, photography, Roman, Steve Winwood, Temple of Athena, Temple of Hera, Tomb of the Diver, tomb paintings, Tony Wright, travel
It’s funny the connections that your mind makes.
More on that later.
* * * * * * *
Saturday, July 21, was an all-day outing. This in large part due to the fact that to get to the site we were visiting required a couple hours on the bus.
So we had breakfast, gathered our things, picked up a picnic lunch prepared for us by the villa staff, and headed to Paestum, about 50 miles the other side of Naples. But to get there isn’t simple and involved dealing with a huge amount of “beach traffic.”
I don’t have a great deal to say about Paestum itself. Which is surprising, because I found it to be a pretty damned impressive site. The Wikipedia article linked above covers everything better than I could off the top of my head, and the simple facts of the place are pretty basic: settled by the Greeks sometime around 550 BC, with a strong Oscan influence/component. The Romans took the city over about two hundred years later, and made it their own (mostly by leveling the extant city and starting over – but doing so by covering over the older city, and leaving the three major temples). The city survived until the early Middle Ages, then was lost for about a thousand years.
What’s impressive – striking, even – is that those three temples are so damned BIG. Seriously, you look at something like this:
and it’s hard to get a handle on the scale of the thing. But here’s the same structure with people in front of it:
And it’s the same with the other temples. Which were all built from 550 BC to 450 BC. That’s 2,500 years ago.
Damn.
I also just didn’t know that Paestum existed. I thought I would have to go to Greece to see such temples. That also impressed the hell out of me.
So, without further ado, here are some images to share from the site:
* * * * * * *
We finished up on the archeological site of Paestum, and then went across the street to the museum. There’s a lot in there to see, but we were primarily there to see an incredible collection of tomb paintings dating back to about 470 BC. These are notable for several reasons, including being some of the earliest renderings depicting gladiatorial games. One painted tomb in particular stands out: the Tomb of the Diver.
Here are a series of images from the collection, starting with my pictures of the Tomb of the Diver paintings:
* * * * * * *
After spending a nice long while sweating in the museum (this is Italy, remember, and the place was without any real climate control. Hell, most of the galleries only had one or two working lights on the track lighting systems, with another 20 – 30 bulbs burned out. Given that this included the tomb paintings, which have to be somewhat light-sensitive, I wasn’t too upset.) We were free to do a bit of souvenir shopping, and this was a good place for it. Near the museum/across from the archeological site there were a whole series of shops offering all manner of stuff ranging from the worst kind of kitsch to better kinds of kitsch to some actually halfway decent items. I completed some small purchases, then went off in quest of a beer.
Several other members of the group had the same idea. And before long we had a nice chat & drink session going across the parking lot from where the bus was to pick us up.
There was a lot of snoozing on the way back to the villa.
Jim Downey
~ ~ ~ ~ ~ ~ ~
Addendum: So, odd connections.
When I first saw the images of the Tomb of the Diver, it rattled something deep in my memory. It took me a while, but in poking around online after I got back, I sorted out what it was. This:

Now, Winwood’s Arc of a Diver came out in 1980. The album cover was the work of Tony Wright.
Did Wright see the main image from Tomb of the Diver, and so draw inspiration from it? No idea. But the discovery was made in 1968, and so it is certainly possible. And while the album cover is clearly in a different style, there are some similarities I find curious. Note the stylized human form. The depiction of the plant limbs. The general orientation of the diver.
It’d be fun to ask Wright, see if he remembers.
























































