Communion Of Dreams


Coming back online.

You may have noticed that some of my posts have gotten a little longer over time, at least in the last couple of months.  I haven’t been doing word counts or anything, but that is my sense of it, looking back over the archives.  This is because I am emerging from the exhaustion of caring for Martha Sr, slowly but surely.

And as this progresses, it is interesting to see how certain aspects of my life are starting to come back to me.  My wife and I have started to resume something that can be called a social life, getting together with friends for lunch or dinner, having people over.  I finally got that book review of the Matheson Companion done – that had been hanging over my head for a while.  I’m putting together the stuff for the ballistics testing, and figure that we’ll have the website for that up next month some time.  I got my garden in, and am harvesting strawberries.  This is good.

And I’m starting to get a creative itch again.  No, not the low-level sort of creativity that goes with this blog and my conservation work.  I’m thinking about the next novel.  I’ll probably toss out what I have written of St. Cybi’s Well, and just start fresh – those first couple of chapters were so long ago that I barely remember what I intended to do with them.  It takes (me, anyway) a lot of mental energy to juggle all the various threads in a decent novel, and I’m not ready just yet to tackle that.  But I am thinking about it, and that is a very good sign.

And I have another idea for something completely and totally unrelated, which would also be a lot of fun.  But I have to wait to get a new computer system for that – this old thing just doesn’t have the capabilities which would be required.  I would also need to learn some new software programs.  From these facts you can guess that this idea would have something to do with the ‘net, and you would be right, but that’s all I’ll say for now.

Oh, yeah, and I need to learn survival Spanish sometime before going to Patagonia in October.

It’s nice to feel this way again.

Jim Downey



Extraordinary, indeed.

This is a review written for the Columbia Tribune, as drafted. If and when they use it, I will link and/or copy the finished version here.

– Jim

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Pulp writers – those hacks who churn out Science Fiction and Fantasy, Horror and Westerns – have rarely received much in the way of respect from the academic community.

So it is remarkable that among the William Peden Short Story Collection at the University of Missouri – Columbia there is just such an author. An author who was one of Dr. Peden’s students, and who grew to become a friend, corresponding with Dr. Peden for more than thirty years. That author is Richard Matheson.

Dr. Peden developed the Creative Writing Program at MU. He established the University of Missouri Press. He was the co-founder of the Missouri Review, which still bestows an annual fiction prize in his name. He was widely respected as a scholar of writing, and as an author in his own right. And he said this about a young Richard Matheson, writing a friend who was a publisher:

“A former student of mine [is] going to call you within the next few days and I think you might be interested in talking with the boy . . . The chap’s name is Richard Matheson and I really believe he has possibly an extraordinary future ahead of him.”

I would not have known this were it not for The Richard Matheson Companion (ISBN-13: 9781887368964, available from major booksellers). And it wouldn’t be in there except through the efforts of another Columbian, Paul Stuve, who is one of the editors of that book. It turns out that Stuve has one of the most complete collections of Matheson’s work in the world.

I contacted Stuve and asked him what got him interested in Richard Matheson.

“The first time I knew I was a Matheson fan was in high school, but the fact is I was a fan long before that. Through his Twilight Zone episodes mostly, and then Duel, and even the dreadful Omega Man (which was adapted, very badly, from Matheson’s modern-day vampire novel “I Am Legengd). But the first time I connected a name with the work was while watching The Legend of Hell House on TV with my dad one night. I promptly set about trying to find the book, and in the process I discovered who he was. I’ve been collecting him ever since.”

And how did he get involved in the Matheson Companion?

“When Matthew Bradley (whom I knew from another project) was asked to assist Stanley Wiater with the Companion, I volunteered to help with the detailed bibliographies and filmographies that were going to need to be compiled. I have a nearly complete collection of all the first published appearances of Matheson’s writings (and the limited editions, and the, well, it goes on and on…), and it seemed like it would be a fun task. As the project wore on, I became more and more involved (the lists themselves are nearly 200 pages long), and during the process I was made an associate editor, and finally a full editor.

What was the most rewarding part of the project, for you?

“For me, the real coup of the project was when I wandered over to the MU library
one day to see if I could turn up anything that Matheson wrote while he was a
student here in the late 1940s. I was expecting perhaps a letter or brief item
in the student newspaper, but I wound up discovering a file folder of nearly 30
years of correspondence between Matheson and William Peden, his advanced writing
professor at Mizzou.”

Some of those letters are reproduced in The Richard Matheson Companion, the most comprehensive collection of information about this versatile author, which also contains reflections and tributes by those who knew and worked with him, along with a previously unpublished novella by Matheson. It is a phenomenal resource. As co-editors Stanley Wiater and Matthew R. Bradley write in the Introduction to the book:

“Matheson is one of the most acclaimed and influential fantasists of our time. He and his work have won the Hugo, Edgar Allen Poe, Golden Spur and Christopher Awards, plus multiple World Fantasy (“Howard”), Bram Stoker, and Writers Guild of America Awards, including Lifetime Achievement awards from the World Horror and World Fantasy Conventions.

Yet, quite amazingly we think, there has never been a legitimate biography of the man, or a writer’s companion to his work. It is the latter that we have striven to create – the last word on the millions of words produced by Richard Matheson in a career that has already gone beyond the helf-century mark, with no signs of ending anytime soon.”

The recognition of Matheson’s contribution to the literature and popular culture of the second half of the 20th century will only grow with time. He was an inspiration to the likes of Stephen King, Chris Carter, and George A. Romero. It may yet be a while before he becomes of ‘scholarly interest’, but it was already clear to Dr. William Peden over fifty years ago that Matheson was a writer who was worthy of consideration and respect.

Jim Downey



Sequel, sequel, who has a sequel?

I can’t say that I’ve gotten terribly excited about io9, the relatively new site that describes itself as “Strung Out on Science Fiction”.  Simply, so much of the content there seems directed at current TV shows that I’m not watching, it just doesn’t seem to make sense to plow through it all.

But every once in a while I’ll come across something posted elsewhere that links to io9, and will go take a look.  Like this piece, via MeFi:

7 Reasons Why Scifi Book Series Outstay Their Welcomes

Why do so many amazing novels sprawl into so-so trilogies? Let alone blah tetralogies, or dull ten-book series? Blame “Herbert’s Syndrome,” in which a great writer gets tempted to keep writing about a popular universe, like Frank Herbert’s Dune, long after its expiration date. (The Fantasy Review coined the term “Herbert’s Syndrome” back in 1984, so Brian Herbert didn’t enter into it.) Here’s a handy guide to the symptoms and causes of Herbert’s unfortunate ailment.

It’s a bit interesting to see what the author has to say on the subject.  But honestly, the discussion in the MeFi thread is more complete and insightful (which isn’t too surprising – a quick blog post is meant to provoke thought, not complete it).

I mention it because I often have people ask me whether I will be writing a ‘sequel’ to Communion of Dreams.  I think people naturally want to know ‘what happens next?’  But I like leaving the ambiguity where it is,  to make people wonder.

Which isn’t to say that I don’t plan on writing other books in the same ‘universe’ as Communion of Dreams.  I have mentioned previously that I have started St. Cybi’s Well, which is set at the time of the first outbreak of the Fireflu (about 2012 in that alternate time line).  As I recover from the last couple of years of being a care-giver, I will once again be returning to writing that book.  I also have an idea for a book set in the 2030s, in the Israeli colony on the Moon, which would feature an artist as the main character, but that is not very well developed yet.  It is possible that I could come up with other books which would fit within my alternate time-line, but I have no plans to just crank out a dozen books in such a series.  I respect those authors who have a single vision, a single story, which naturally plays out over the course of multiple books – but I have little respect or interest in those who just wish to cash in on a popular work.

Anyway, thought you might enjoy that discussion.

Jim Downey



Convergence.

When I went away to college in 1976, I took with me the small black & white television I had received for my eighth birthday. Mostly my roommates and I would watch The Muppet Show before going off to dinner. Otherwise, I really didn’t have the time for television – there was studying to do, drugs and alcohol to abuse, sex to have.

Post college I had a massive old console color TV I had inherited. But given that I lived in Montezuma Iowa, reception was dismal. I found other things to do with my time, mostly SCA-related activities and gaming. I took that console set with me to graduate school in Iowa City, but it never really worked right, and besides I was still busy with SCA stuff and again with schoolwork.

For most of the ’90s I did watch some TV as it was being broadcast, but even then my wife and I preferred to time-shift using a VCR, skipping commercials and seeing the things we were interested in at times when it was convenient for us.

This century, living here and caring for someone with Alzheimer’s, we had to be somewhat more careful about selecting shows that wouldn’t contribute to Martha Sr’s confusion and agitation. Meaning mostly stuff we rented or movies/series we liked well enough to buy on DVD. I would now and then flip on the cable and skip around a bit after we got Martha Sr. to bed, see if there was anything interesting, but for the most part I relied on friends recommending stuff. And besides, I was busy working on Communion of Dreams, or blogging here or there, or writing a newspaper column or whatever.

Now-a-days we don’t even have cable. There’s just no reason to pay for it. I’d much rather get my news and information online. So, basically, I have missed most every television show and special event in the last thirty years. There are vast swaths of cultural reference I only know by inference, television shows that “define” American values I’ve never seen. I don’t miss it.

And you know what? You are becoming like me, more and more all the time.

* * * * * * *

Via Cory Doctorow at BoingBoing, this very interesting piece by

Gin, Television, and Social Surplus

* * *

If I had to pick the critical technology for the 20th century, the bit of social lubricant without which the wheels would’ve come off the whole enterprise, I’d say it was the sitcom. Starting with the Second World War a whole series of things happened–rising GDP per capita, rising educational attainment, rising life expectancy and, critically, a rising number of people who were working five-day work weeks. For the first time, society forced onto an enormous number of its citizens the requirement to manage something they had never had to manage before–free time.

And what did we do with that free time? Well, mostly we spent it watching TV.

We did that for decades. We watched I Love Lucy. We watched Gilligan’s Island. We watch Malcolm in the Middle. We watch Desperate Housewives. Desperate Housewives essentially functioned as a kind of cognitive heat sink, dissipating thinking that might otherwise have built up and caused society to overheat.

And it’s only now, as we’re waking up from that collective bender, that we’re starting to see the cognitive surplus as an asset rather than as a crisis. We’re seeing things being designed to take advantage of that surplus, to deploy it in ways more engaging than just having a TV in everybody’s basement.

OK, I try and be very careful about “fair use” of other people’s work, limiting myself to just a couple of paragraphs from a given article or blog post in order to make a point. But while I say that you should go read his whole post, I’m going to use another passage from Shirky here:

Did you ever see that episode of Gilligan’s Island where they almost get off the island and then Gilligan messes up and then they don’t? I saw that one. I saw that one a lot when I was growing up. And every half-hour that I watched that was a half an hour I wasn’t posting at my blog or editing Wikipedia or contributing to a mailing list. Now I had an ironclad excuse for not doing those things, which is none of those things existed then. I was forced into the channel of media the way it was because it was the only option. Now it’s not, and that’s the big surprise. However lousy it is to sit in your basement and pretend to be an elf, I can tell you from personal experience it’s worse to sit in your basement and try to figure if Ginger or Mary Ann is cuter.

And I’m willing to raise that to a general principle. It’s better to do something than to do nothing. Even lolcats, even cute pictures of kittens made even cuter with the addition of cute captions, hold out an invitation to participation. When you see a lolcat, one of the things it says to the viewer is, “If you have some fancy sans-serif fonts on your computer, you can play this game, too.” And that message–I can do that, too–is a big change.

It is a huge change. It is the difference between passively standing/sitting by and watching, and doing the same thing yourself. Whether it is sports, or sex, or politics, or art – doing it yourself means making better use of the limited time you have in this life.

* * * * * * *

And now, the next component of my little puzzle this morning.

Via MeFi, this NYT essay about the explosion of authorship:

You’re an Author? Me Too!

It’s well established that Americans are reading fewer books than they used to. A recent report by the National Endowment for the Arts found that 53 percent of Americans surveyed hadn’t read a book in the previous year — a state of affairs that has prompted much soul-searching by anyone with an affection for (or business interest in) turning pages. But even as more people choose the phantasmagoria of the screen over the contemplative pleasures of the page, there’s a parallel phenomenon sweeping the country: collective graphomania.

In 2007, a whopping 400,000 books were published or distributed in the United States, up from 300,000 in 2006, according to the industry tracker Bowker, which attributed the sharp rise to the number of print-on-demand books and reprints of out-of-print titles. University writing programs are thriving, while writers’ conferences abound, offering aspiring authors a chance to network and “workshop” their work. The blog tracker Technorati estimates that 175,000 new blogs are created worldwide each day (with a lucky few bloggers getting book deals). And the same N.E.A. study found that 7 percent of adults polled, or 15 million people, did creative writing, mostly “for personal fulfillment.”

* * *

Mark McGurl, an associate professor of English at the University of California, Los Angeles, and the author of a forthcoming book on the impact of creative writing programs on postwar American literature, agrees that writing programs have helped expand the literary universe. “American literature has never been deeper and stronger and more various than it is now,” McGurl said in an e-mail message. Still, he added, “one could put that more pessimistically: given the manifold distractions of modern life, we now have more great writers working in the United States than anyone has the time or inclination to read.”

An interesting discussion about this happens in that thread at Meta Filter. John Scalzi, no stranger at all to the world of blogging and online publishing, says this there:

I see nothing but upside in people writing and self-publishing, especially now that companies like Lulu make it easy for them to do so without falling prey to avaricious vanity presses. People who self-publish are in love with the idea of writing, and in love with the idea of books. Both are good for me personally, and good for the idea of a literate society moving forward.

Indeed. And it is pretty clearly a manifestation of what Shirky is talking about above.

I’ve written only briefly about my thoughts on the so-called Singularity – that moment when our technological abilities converge to create a new transcendent artificial intelligence which encompasses humanity in a collective awareness. As envisioned by the Singularity Institute and a number of Science Fiction authors, I think that it is too simple – too utopian. Life is more complex than that. Society develops and copes with change in odd and unpredictable ways, with good and bad and a whole lot in the middle.

For years, people have bemoaned how the developing culture of the internet is changing for the worse aspects of life. Newspapers are struggling. There’s the whole “Cult of the Amateur” nonsense. Just this morning on NPR there was a comment from a listener about how “blogs are just gossip”, in reaction to the new Sunday Soapbox political blog WESun has launched. And there is a certain truth to the complaints and hand-wringing. Maybe we just need to see this in context, though – that the internet is just one aspect of our changing culture, something which is shifting us away from being purely observers of the complex and confusing world around us, to being participants to a greater degree.

Sure, a lot of what passes for participation is fairly pointless, time-consuming crap in its own right. I am reminded of this brilliant xkcd strip. The activity itself is little better than just watching reruns of Gilligan’s Island or Seinfeld or whatever. But the *act* of participating is empowering, and instructive, and just plain good exercise – preparing the participant for being more involved, more in control of their own life and world.

We learn by doing. And if, by doing, we escape the numbing effects of being force-fed pablum from the television set for even a little while, that’s good. What if our Singularity is not a technological one, but a social one? What if, as people become more active, less passive, we actually learn to tap into the collective intelligence of humankind – not as a hive mind, but as something akin to an ideal Jeffersonian Democracy, updated to reflect the reality of modern culture?

I think we could do worse.

Jim Downey



Quick update.
April 24, 2008, 9:04 am
Filed under: Feedback, Marketing, Predictions, Promotion, Publishing, Science Fiction, Writing stuff

In the month or so since I posted this, there have been more than an additional 800 downloads of Communion of Dreams.  Meaning that we’re now approaching 9,000 downloads altogether.  This tends to happen in ‘clumps’ for some unknown (to me) reason, where there will be a baseline of 5 – 10 people a day downloading the thing and then it will suddenly jump to a seventy-five or a hundred or a couple hundred downloads for a day or two.

Anyway, it’s likely that sometime in the next month or two, total downloads will cross the 10,000 mark.  Going to 5 digits seems like a cool threshold, and I’m thinking that I should do something to note/celebrate/mark the occasion.  But I have no idea what.  So if anyone has any suggestions, leave a comment or drop me a note, OK?

Oh, and that contact of the agent mentioned in the post a month ago?  Still haven’t heard back from them.  Because of other things I’ve mentioned being busy with here, I haven’t gotten around to contacting any other agents.  I suppose I should do that.  Ah, well.

Jim Downey



“I changed it to be a memoir . . . it’ll be more marketable that way.”
April 14, 2008, 5:45 am
Filed under: Comics, Humor, Marketing, Promotion, Publishing, Science Fiction, Writing stuff

The 4/13 Non Sequitur nails it.

Jim Downey



Annoying, yet exciting.

Gah. I am either having a relapse of the very stubborn flu that had me laid low last month, or am fighting some new bug with similar (yet still considerably less severe) symptoms. This is highly annoying.

So, I’m about to go take a nap. But first a couple of quick notes, and then a bit from Phil Plait’s blog about a recent discovery that is very exciting.

Note one: downloads of the .pdf of Communion of Dreams have crossed 8,200 and downloads of the audio version continue to climb as well. That’s exciting.

Note two: heard nothing yet from the agent I mentioned contacting the other day. No surprise – I expect that it will take a month or so to hear from them. But I needed something else to note.

Now, about the news from space . . .

I have written previously about the Cassini probe’s 10 year mission to Saturn, and how there have been a lot of great images and information coming back to scientists about that planet and its moons. Information that helps to confirm what we knew when I was first writing Communion (since most of the action of the book takes place on and around Titan.) But there is news which would potentially require me to revise the novel slightly – not about Titan, but about its sibling Enceladus. You may have heard something about this, but I’ll go to the Bad Astro Boy himself for the news:

Life’s cauldron may be bubbling underneath Enceladus

A few days ago I wrote about how the Cassini Saturn probe dove through water ice plumes erupting from the surface of the icy moon Enceladus. The pictures were incredible, but it may very well be that the other detectors got the big payoff.

They detected organic compounds in the plumes.

Now remember, organic molecules don’t necessarily mean life. What Cassini detected were heavy carbon-based molecules, including many that are the building blocks for making things like amino acids and other compounds necessary for life as we know it.

Edited to add: Carolyn Porco, imaging team leader for Cassini, says:

[…] it is now unambiguous that the jets emerging from the south polar fractures contain organic materials heavier than simple methane — acetylene, hydrogen cyanide, formaldehyde, propane, etc. — making the sub-surface sources of Enceladus’ dramatic geological activity beyond doubt rich in astrobiologically interesting materials.

Whoa. I mean, *whoa* . Seriously. It ain’t life, nor even proof of life – but it is *damned exciting*.

Now, a nap.  All this excitement makes me tired.

Jim Downey



Wish me luck.
March 25, 2008, 12:11 pm
Filed under: Failure, Feedback, Marketing, Promotion, Publishing, Science Fiction, Writing stuff

Well, there’s been another surge of interest in the book the last few days, and now there have been over 8,100 downloads of it.

As I told my wife on our morning walk today, saying “over eight thousand” sounds like a lot. I mean, it’s not just some kind of flash-in-the-pan interest thanks to one posting on a SF discussion forum or something. Over the last thirteen or so months, there has been a continued interest in the novel. And one of the most interesting things is that it largely seems to be due to word-of-mouth – I can only track about 1,200 downloads back to people visiting from other sites (and that is being generous in figuring that just because someone visits from a link on a site they decide to download the book.)

So, I decided to take a step I have been putting off for a long time: this morning I sent a query to a literary agency. In fact, I sent it to one of the agencies I had selected as being a good fit a year ago – they were one of only three who even bothered to respond to my query (of 9 or 10). And they turned me down, saying that they thought the book sounded interesting but were “insufficiently excited” about it. Here’s an excerpt from what I sent them today:

About a year ago, I contacted you concerning the possibility of representing me and my work. Your assistant at the time kindly declined on your behalf. But a lot has happened in the intervening year, and I would like you to reconsider. Given your long history working with science fiction authors, I still think that you are the agent for me.

My finished novel is discussed below. But first allow me to explain briefly why I think you may want to reconsider representing me.

When I set out to find an agent early last year, I also decided to put my novel online, available as a free download in .pdf form. Since then, over 8,000 people have downloaded the book. Some of this has been due to mention of the book in various forums, but that only accounts for about 15% of the downloads, according to my server statistics. The vast majority seems to have come about entirely because of word-of-mouth. And those numbers of downloads have continued to slowly grow. In the last week alone, almost 350 people have downloaded the book.

Shortly after posting the book online, I also started a related blog. The numbers there are not huge, but typically run about 100 visitors per day. Comments pertaining to the novel are almost uniformly very positive. Many people indicate that they are eager to buy the book in conventionally printed form. One person who produces audio books as a sideline was so enthusiastic about the book that he produced an unabridged audio version and made it freely available to me to use – this has just been added to my website in recent days.

Over the past year, as I was the primary care-provider for a family member with Alzheimer’s living here at home (culminating in her death last month), I also wrote about the experience of being a male care-giver for my blog. When I cross posted those entries to other forums, they always received a very enthusiastic response. That series of blog posts runs to about 40,000 words, and I am now planning on developing them into a book on the subject – a memoir, if you will.

So, we’ll see – see whether that is sufficient to entice them to represent me, or if I just get another rejection. Rejection hurts, kicks you right in the ego, there’s no doubt about it. But it is a necessary part of the process. And all of you who have downloaded the book, who have told others about it (and my blog), who have sent me comments and feedback – you all have made it easier to face the prospect of rejection. Thank you.

I’ll keep you posted. This is just the first step – in coming days, I will probably spend some time to select a couple of other agencies and contact them as well. We’ll see what happens.

Jim Downey



Well, duh.
March 21, 2008, 8:54 am
Filed under: Cory Doctorow, NPR, Predictions, Press, Promotion, Publishing, tech, Writing stuff

NPR this morning had a segment on how publishers are starting to figure out that having electronic books posted for free download actually helps them sell conventional printed books.

Well, duh.

No, that’s not directed at NPR. It’s a comment directed towards the publishing industry in general, and a number of the large publishing houses in particular. As the NPR story indicates, there has been plenty of evidence that this works for at least several years, yet getting a large corporation to realize that their business model and mindset have been surpassed by technology is never easy. Just ask Cory Doctorow about his experiences in getting this done with his writing.

Anyway, I’m glad to hear that things are starting to sink in to the conventional publishing world. Downloads of Communion of Dreams are now approaching 8,000 – almost entirely by word of mouth. That has got to help my chances in finding a conventional publisher. And I have you all to thank for that!

Jim Downey



Gobsmacked!

A good friend – the one who actually got me started in book conservation (and has written a brilliant book on her time in the UICB program) – was by to visit for the first time in a long while. No discredit to her, we were just unable to have guests for the last year or two of caring for Martha Sr.

Anyway, last night, over a glass of wine and chatting, she handed over a wrapped package. “Your Christmas gift.”

(We’ve always been close enough friends that such things can be done whenever the timing works out, rather than obsessing over calendar pages.)

I unwrapped it. A small CD/DVD travel case. I unzipped it – and saw the first disc labeled “Communion of Dreams by James T. Downey.”

I was stunned. Gobsmacked, the Brits say.

My friend’s husband (also my friend – I’ve known them since they were first married) does custom audio books. He’d read Communion of Dreams last year, and really liked it. And together they conspired to produce the book as an unabridged audio production. 12 CDs worth.

I’m not sure yet just how long that is – I’m guessing about 20 hours. I just listened to the first chapter last night – and it was brilliant! A wonderful adaptation of the text, with some fun interpretations of the characters. Over the next few days I’ll get nothing much else done, I’m guessing, as I listen to the thing. Wow.

And here’s the best part: I have permission to use the MP3 versions that also came along with the gift as podcasts!

My good lady wife is starting to do the work of adapting my CoD site to host the MP3 files, and once we have all the details worked out, those will be available as a free download as well.

This is really cool – and really exciting! Just this past weekend downloads of the text of the book surpassed 7,750. I was just starting to think of contacting agents/publishers again – now having the podcasts of the book available will really help to promote the thing and make it easier to arrange conventional publishing.

Very, very cool!

Jim Downey




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