Filed under: Comics, Failure, Fermi's Paradox, Humor, Science, Science Fiction, SETI, Space, tech
Ah, yes, xkcd gets the point across perfectly, once again:

Editing continues to go well with CoD, though this week has been slow due to other demands. Now done with Chapter 7, have trimmed a total of 11,086 words.
Jim Downey
Filed under: Art, Comics, Publishing, Science Fiction, Space, Writing stuff
Sent a note to a friend, who had asked whether it is painful editing CoD:
Nah, I can be pretty ruthless when I need to be.
And it’s true. Unfortunately, when I get into the necessary detached and critical headspace for this kind of work, it tends to slop over into a lot of how I see everything. So, let’s just say my cynicism level is high, and rising.
But it is working. I’m through Chapter One and about 1/3 the way into Chapter Two, and have already cut out about 1,400 words. And after doing the preliminary read-through of the rest of Chapter Two, I can say that a lot more is going to come out of that. Stuff I like, but doesn’t really do much other than back-fill history – too much “explaining of the events and the technology”, as the readers from the publisher put it. So it’ll get the chop.
Like I said, ruthless.
But this is somewhat interesting: moon town. And hey, they have my Paint the Moon idea (which prompted my wife to send me the strip), so it can’t be all bad.
Back to work.
Jim Downey
Who hasn’t dreamed of a chicken that can shoot lasers out of its eyes? I mean, really?
OK, for those who wonder what the vid is before watching it, from the source:
The Chickening is a video game about a chicken who shoots lasers. Out of his eyes. Flying pizza shot out of evil cat heads from Paris, France, Uranus have invaded Earth and transformed the President of The United States of Mexico, Robot Abraham Lincoln, into a piece of broccoli. From the center of the earth the Pentagon desperately dispatches their best agent: Agent 69-420 aka The Chickening. His mission: Destroy Everything and Save the Broccoli!
SAVE THE BROCCOLI!
Jim Downey
(OK, now I need some serious drugs to calm down from that . . .) (Oh, and: Via MeFi.)
The nasty bit of lower GI gak I mentioned earlier this week has been an ongoing joy since. Yes, I saw a doctor yesterday. No, it is nothing to worry about. Just a bug, probably viral, which has kept me more grumpy and less productive than usual.
But this news made me smile:
‘Alien’ prequel takes off
Ridley Scott attached to return as director
Twentieth Century Fox is resuscitating its “Alien” franchise. The studio has hired Jon Spaihts to write a prequel that has Ridley Scott attached to return as director.Spaihts got the job after pitching the studio and Scott Free, which will produce the film.
The film is set up to be a prequel to the groundbreaking 1979 film that Scott directed. It will precede that film, in which the crew of a commercial towing ship returning to Earth is awakened and sent to respond to a distress signal from a nearby planetoid. The crew discovers too late that the signal generated by an empty ship was meant to warn them.
Well, that last paragraph is a rather pathetic summation of the original film. Here’s the original trailer:
Which doesn’t explain much, granted, but sure captures the feeling a whole lot better.
Anyway, having Scott involved should be good for the project. We’ll see.
Jim Downey
(Via MeFi.)
Filed under: Apollo program, Failure, Government, NASA, Science Fiction, Society, Space
I mentioned the other day that I would provide some further recollections about the Apollo 11 landing and Moon walk, but yesterday after all other coverage of the event that I read and heard, I wasn’t really sure what to add. You can find a brief description of how I experienced that historic “small step” at UTI, if you’re interested.
But last night, after thinking about the whole thing a considerable amount, I decided to pop open the new NetFlix disc that arrived in the mail yesterday. Another in The Invaders! series I wrote about in June. And on it was an episode titled “Moonshot“.
Well, of course I had to watch it.
And I was . . . rather amazed.
Oh, it was the typical formula for the show: something happens that seems to indicate alien involvement, and the star of the show hears about it and comes to the site to investigate. There he meets up with someone else who has suspicions about the aliens, and together they try and thwart whatever evil plot is being cooked up (sometimes successfully, more often not – this is a series in which the good guys win at best marginal victories).
But this was different. Not because of the formula, or acting or anything. But because of *when* it first aired: April 18, 1967.
What is significant about that date? Well, because it was just three months following the Apollo 1 disaster. And the episode is all about how the aliens are killing off the astronauts selected for the first manned Moon mission.
I’d bet the episode was already “in the can” by the time of the Apollo 1 tragedy. Maybe not. But either way, it is rather astonishing that they decided to run the episode so soon after that event. Most people now don’t remember, or don’t appreciate, the impact that Apollo 1 had – it has been subsumed into the greater glory of the subsequent successful launches. But at the time, it was quite traumatic.
I’m just old enough to remember the series, as I mentioned in my June post. So I don’t remember any controversy around the airing of this particular episode. If anyone does and can shed some light on it, I would appreciate it.
Jim Downey
Filed under: Apollo program, Art, Astronomy, Bad Astronomy, Buzz Aldrin, Government, NASA, Neil Armstrong, Science, Society, Space, tech, Travel
. . . I decidedly *do* remember this, but it is a blast to see the pix again! From Phil Plait:
You just knew The Big Picture would take on the premier space event of the 20th century now, didn’t you?
Whoa. Head on over there for high-res spacey goodness! Many of those images made me a little choked up, in fact. Sigh.
I couldn’t agree more.
Further recollections on the 20th.
Jim Downey
Filed under: Climate Change, Fermi's Paradox, General Musings, H. G. Wells, Science Fiction, Scientific American, Society, Space, Survival, Writing stuff
OK, this was kicking around in the back of my head when I wrote the post the other day, because I have had a page from the June 6th Economist sitting on my bench for the last several weeks, waiting for me to get around to writing about it.
About what? Us clever monkeys. Well, more accurately, our genes, but for purposes of discussion here I will say the two are functionally the same over the time span I wish to address. (Which, when you think about it, is a rather profound notion. No, this is not my idea.)
The idea discussed in the article is this: that the development of modern human culture was dependent not on intelligence, but on something more basic – survival. Specifically, on population density:
In their model, Dr Thomas and his colleagues divided a simulated world into regions with different densities of human groups. Individuals in these groups had certain “skills”, each with an associated degree of complexity. Such skills could be passed on, more or less faithfully, thus yielding an average level of skills that could vary over time. The groups could also exchange skills.
The model suggested that once more than about 50 groups were in contact with one another, the complexity of skills that could be maintained did not increase as the number of groups increased. Rather, it was population density that turned out to be the key to cultural sophistication. The more people there were, the more exchange there was between groups and the richer the culture of each group became.
Dr Thomas therefore suggests that the reason there is so little sign of culture until 90,000 years ago is that there were not enough people to support it. It is at this point that a couple of places in Africa—one in the southernmost tip of the continent and one in eastern Congo—yield signs of jewellery, art and modern weapons. But then they go away again. That, Dr Thomas suggests, corresponds with a period when human numbers shrank. Climate data provides evidence this shrinkage did happen.
Now, this is a fairly old trope in Science Fiction: that some cataclysm can result in the complete collapse of society, to the extent that most if not all knowledge and technology is lost. Just look at The Time Machine to see how far back this idea goes – and it has been used countless times since. I play off this trope for Communion of Dreams in a couple of ways, of course, using it as both back story for the novel and for the eventual revelation at the end of the book.
It is interesting to see this intuitive idea borne out by some science (though it sounds to me like there’s still a fair amount of work to be done to establish that the theory is correct). And not just because it addresses some curious discontinuities in the archeological record. Rather, it says that intelligence has considerable staying power, at least in our species. Sure, it may not be a sufficient factor in supporting true civilization, but knowing that at least in our case it can last some 100,000 years gives one hope for it lasting for a while elsewhere, even if those civilizations do not.
Jim Downey
Man, this stuff never gets old:
I am happy that I lived at the right time to see this whole technology develop. Amazing stuff.
Jim Downey
PS: That’s footage from the STS-125 mission. More available here, naturally.
Some weeks ago, I came across a reference to a TV show from my childhood I had almost completely forgotten about: The Invaders. I checked, and NetFlix had it, so I added it to my queue. This weekend the first disk arrived.
It starts with classic 1960s graphics and ‘dramatic’ music, something like a cross between The Avengers and The Fugitive.
Then you get this introduction (taken from Wikipedia):
The Invaders, alien beings from a dying planet. Their destination: the Earth. Their purpose: to make it their world. David Vincent has seen them. For him, it began one lost night on a lonely country road, looking for a shortcut that he never found. It began with a closed deserted diner, and a man too long without sleep to continue his journey. It began with the landing of a craft from another galaxy. Now David Vincent knows that the Invaders are here, that they have taken human form. Somehow he must convince a disbelieving world that the nightmare has already begun.
And you’re off and running.
OK, a couple of things. The special effects are about on a par with the original special effects used in classic Star Trek (not the remastered version), which is to say “not great, but acceptable”. Except that introductory sequence, which makes the Moon look like a giant ball of mashed potatoes that has been lightly toasted. Seriously – it’s bad. And you can’t excuse that, since by the time the series was made, we’d already sent a number of probes around and onto the Moon, and it was well known what even the “dark side” of the Moon looked like.
Anyway, I’m just four episodes into the thing (I do intend to watch it all the way through), and I usually cut most TV shows a little slack at first, to find their footing and allow people to settle into their roles. But already the sense of paranoia is more sophisticated than I expected. It isn’t, as most of the comments I have seen about the show, just a rehash of Cold War paranoia a la Invasion of the Body Snatchers or other classic 1950s SF. Rather, it has elements of the counter-cultural distrust of government itself in it – the sort of thing which would come to play such a crucial role in The X Files almost thirty years later, and was considered ground-breaking then.
Looking for something old? You might want to give The Invaders a try.
Jim Downey

