Filed under: Connections, Promotion, Publishing, Science Fiction, Writing stuff
There’s a fascinating article in the current New Yorker on the story of Quentin Rowan, who last fall was revealed to have largely plagiarized the much-vaunted spy novel Assassin of Secrets. What is curious about the plagiarism is that Rowan had used passages from a very large number of other works, blending them together to create his novel. From the article:
Like a spy hiding in plain sight, “Assassin of Secrets” appeared to be a bizarre aberration: an homage to Bond that plagiarized Bond. Jeremy Duns, alerted by the Bond forum, began checking the text, plugging phrases into Google Books. He found a sentence from the American spy writer Charles McCarry, and another from Robert Ludlum, the author of the “Bourne” books. “I quickly realized that the whole novel was ‘written’ this way,” Duns wrote on his blog. He informed the book’s British publisher, and on November 8th, five days after the book’s publication, Little, Brown recalled all sixty-five hundred copies and issued a press release: “It is with deep regret that we have published a book that we can no longer stand behind.”
By then, Edward Champion, the editor of the culture Web site Reluctant Habits, had joined the hunt. Champion had exposed plagiarism before, and he told me that “generally people stick with one source, or two or three.” In “Assassin of Secrets,” he found thirty-four instances of plagiarism in the first thirty-five pages, taken from sources ranging from multiple Bond continuation novels to James Bamford’s 2001 nonfiction book about the National Security Agency to Geoffrey O’Brien’s 1988 account of the nineteen-sixties, “Dream Time.”
How did this come to happen? Well, the article goes into considerable depth exploring that question and Rowan’s answers. It’s an excellent and insightful psychological profile, and well worth the time to read it.
But what interests me is how Rowan managed to get the book published in the first place. Again, from the article:
At first, Rowan described “Spy Safari” to me as “pretty much my own,” but after a minute he admitted that he “must have” lifted some passages from pulp novels, “just because it was such a deeply ingrained thing.” He sent the manuscript to an agent named David Vigliano—a former student of Rowan’s father, at Friends—who was known for representing memoirs by celebrities such as Jessica Simpson. Vigliano passed the book along to one of his employees, a twenty-six-year-old agent named David Peak.
He knew someone. He had a connection to an agent. That agent handed the manuscript off to an employee. That employee placed the book a few months later with a publishing house. The rest of the story spun out from there.
One of the things I have written about here over the years is my belief that conventional publishing is essentially broken. Almost five years ago I wrote about the experience of David Lassman, then the director of the Jane Austen Festival in Bath in the UK, who ran an experiment to see what would happen if he submitted the work of Jane Austen under his own name to a bunch of established publishers and agents. All the submissions were rejected, and only one even recognized the work. Mr. Lassman, you see, didn’t have an old student of his father’s handy.
Now that Communion of Dreams is self-published, and slowly selling as word of it spreads, you might think that this is a moot point, or should be. Perhaps that’s true. Perhaps I should just ignore things like this, focus on concentrating on doing my own promotional stuff and selling copies of my novel here and there.
But the truth is that while I can at least point to the book getting some distribution, some positive reviews and word-of-mouth, I do not have the kinds of resources that even a minor publishing house has for advertising and promotion. Luck still plays a huge part. And that is either blind luck, or the kind that comes from having connections.
I don’t have that kind of luck. But perhaps you do, and will put in a good word for me with the right person. I promise that Communion of Dreams is all my own work. Really.
Jim Downey
Heard a particularly interesting interview on NPR yesterday, as I was quietly working away in the bindery. Here’s a bit from their website about it:
In the 1940s and ’50s the message to most Americans was: Don’t be shy. And in today’s era of reality television, Twitter and widespread self-promotion, it seems that cultural mandate is in overdrive.
Boy, howdy.
Yeah, it’s about introverts, and how our culture today considers extrovertism not only the default, but that there is almost something *wrong* with you if you’re not an extrovert. As I noted yesterday, just doing the online promotion of Communion of Dreams over the weekend was psychologically exhausting for me.
Because yeah, I’m an introvert. In taking the little quiz that NPR has up, all but two of my answers clearly point to my introvert tendencies. (Any guess which two I answered the other way?*) Which makes it all that much more difficult for me to step into the limelight and demand attention from the world – even though this is exactly what is needed to be a successful author in this day and age.
Which is part of the reason why I ask people for their help. For each and every person who tells a friend about the novel (or the care-giving memoir), or who posts a review somewhere, that’s one small straw I don’t have to carry, and makes life much more enjoyable. If you’re not an introvert, this may not make a lot of sense – but believe me, it matters a great deal, and is part of the reason why I am so appreciative of any such help.
And now I need to go get some writing done. Some nice, quiet, introspective, introverted writing.
Jim Downey
*7, 20.
Filed under: Kindle, Marketing, Promotion, Publishing, Science Fiction, Writing stuff
So, thanks for all who weighed in on the cover design question the other day. We’re going to go with a slightly modified version (dropping the “by”) of #7 – this one:
And Lyriel won the drawing for a copy of the printed book.
Now, another question for everyone, and this time I will hold a drawing from those who comments/sends me an email with feedback for a Kindle copy of the book. The question is how I should price the Kindle version?
Here are the choices, and a bit of explanation behind the strategy behind each:
- $7.99. This is a popular price-point for a lot of Science Fiction/Fantasy books, just from casually browsing through that category on Amazon. Yeah, there’s pricier stuff, but it is usually newer books by well-established authors. I am not well-established, and some 35,000 .pdf copies of Communion of Dreams have already been downloaded over the last 5 years. But there is also something to be said for the message of “this is a quality book, you can tell by the price.”
- $4.99. Another popular price-point for the genre. Gets it into the “under five bucks – why not?” category.
- $2.99. Another pretty common price-point, particularly for a lot of much older work or stuff from unknown authors. And at this price perhaps a lot of people who read the .pdf version in the past might say “yeah, I’m willing to pop three bucks for an updated/more Kindle-friendly copy.”
***
***
I could go lower, but that would shift the book into the ‘35% royalty’ category, which is a huge disincentive for me. It also strikes me that this is saying that I don’t value the book highly enough.
So, of those three choices, I would like to know which one you would go for. And if you would like to explain your reasoning, I would love to hear your thoughts. Thanks!
Edited to add: Please get your comments/choices to me by noon Monday.
Jim Downey
Filed under: Art, Emergency, Flu, Government, Pandemic, Publishing, Science Fiction, Survival, tech, Violence, Writing stuff
As we’re closing in on having Communion of Dreams ready to go out in both digital and print form, I’ve been thinking about changes in story-telling formats. And I’ve just seen an exceptional example of just that, even though I’ve never been fond of horror movies/books, and the zombie genre in particular. It’s brilliant, though some of the images are disturbing.
Be sure to start down at “Day 1”. http://www.reddit.com/user/Vidzilla/submitted/
Jim Downey
(Via MeFi.)
Filed under: Art, Marketing, Promotion, Publishing, Science Fiction, Writing stuff
Take a look at the top of this blog. See that wonderful image of the McBaine Burr Oak by Peter Haigh? I’ve always loved that image, and Peter has been kind enough to grant me use of his image for my blog, for the Communion of Dreams website, and now, for the cover of the book.
So, my wife and I have gone over different cover designs, and have decided that we like the idea of having the image over the entire cover, slightly offset so that all of the trunk of the tree is on the front of the book, with the rest wrapping around. But now I would like your help in deciding the final cover design.
Below you’ll find seven different versions of the cover, titled 1 – 7. Take a look, and let me know in comments how you would rank them, in order, from favorite to least favorite. If you want to offer other thoughts or feedback, that’s OK too. I reserve the right to make the final decision, but I would really appreciate your feedback.
So, here we go:
So, there ya go. Everyone who comments/sends me an email with feedback will be entered into a drawing for a signed copy of the book. Deadline this time tomorrow.
Thanks!
Jim Downey
Filed under: Alzheimer's, Ballistics, Bipolar, Depression, Failure, Guns, Marketing, Promotion, Publishing, Science Fiction, Writing stuff
I recently told someone that Communion of Dreams had just been on the verge of publication when the publisher went belly up.
That’s what I hoped happened. I wasn’t exactly sure if it was true.
* * * * * * *
As noted, last year was . . . rough.
I was left hanging by the Publisher Who Shall Not Be Named, who stopped answering my queries about the status of when CoD was going to be out.
In frustration over that, I threw myself into the other projects I had pending. First, the big sequences of BBTI tests. Then getting Her Final Year ready for publication. Then the launch of HFY. Then working on the complete revamp of the BBTI site, and getting *that* launched.
* * * * * * *
Through it all, from one big project to the next, I hoped to strike paydirt. To assuage my frustration over the seeming failure (once again) with Communion of Dreams with success elsewhere.
* * * * * * *
I think Gore Vidal was very insightful:
It is not enough to succeed. Others must fail.
* * * * * * * *
I recently told someone that Communion of Dreams had just been on the verge of publication when the publisher went belly up.
That’s what I hoped happened. I wasn’t exactly sure if it was true.
Yesterday, with some trepidation, I looked to see whether it was.
Why trepidation? Because if the PWSNBN had gone belly up, then that wasn’t a judgment on the quality of CoD. It wasn’t yet another rejection. Like I said, 2011 was a rough year.
Well, the PWSNBN still exists, in some nominal sense, as they are trying to push a new software product for publishers. But they haven’t published any other books, and seem to only be making a half-hearted effort at supporting the ones they had published previously. So I guess I at least dodged the bullet of having CoD tied up with that mess.
I was a little surprised that I took no real satisfaction in this. Because last year I had a lot of bitterness about the whole thing. Bitterness which spilled over into other areas of my life, as you can plainly see, and at times got wrapped up with my cyclic depression.
Oh, I am completely capable of schadenfreude. It just seems that in this case I am ready to move on.
Got about one-third of the way through proofing the manuscript yesterday. Hope to finish the work today or tomorrow. Still need to do the forward and acknowledgements and so forth. Then it will be ready for a print-proof of the hard copy version.
Yeah, moving on.
Jim Downey
*This, of course.
Filed under: Kindle, Marketing, NPR, Predictions, Publishing, Science Fiction, Writing stuff
I mentioned a month ago that I was going to be moving to self-publish Communion of Dreams. I just wanted to note that we’re actually moving to accomplish that goal – I need to do a close read-through of the prepped text for the hardcopy version, and when that is done then my Good Lady Wife will work to create a html version for the Kindle edition. When that is done, then we’ll ‘launch’ the book officially – perhaps even yet this month. We’ll see how everything comes together, and whether the 35,000+ downloads of the pdf version of the book is an indication that people will actually buy a copy of the book or not.
If not? Perhaps I’ll take up writing ‘paranormal romance’…
Jim Downey
Filed under: Alzheimer's, Ballistics, Failure, Guns, Health, Marketing, Predictions, Promotion, Publishing, Science Fiction, Writing stuff
. . . looking over my New Years post last January is just mostly painful. Because 2011, while it had some good things about it, was mostly just painful. Literally. In many regards, I’d just as soon forget the bulk of it.
But this look-back is something of a tradition, so let’s get it out of the way.
Total downloads of Communion of Dreams dropped off a fair bit in 2011, with just an additional 5,444 versions of the book zipping across the aether. I have long since lost track of the exact number of downloads that makes, but it’s something in excess of 35,000. Yay.
What also dropped off was my focus on the book, as I waited for The Publisher Who Shall Not Be Named to return any of my emails or calls, and turned my attention to other projects. Like getting Her Final Year published. And doing the big BBTI tests and site revamp. And doing a bunch of writing for Guns.com. So it’s not too surprising that interest in CoD waned a bit.
So, not a great year, particularly since most of my other projects didn’t work out like either I hoped or predicted. Still, I stubbornly refuse to learn from my failures, and hope to have a self-published version of Communion of Dreams available “soon.” Maybe even “real soon.” We’ll see.
Meanwhile, let’s all work to make 2012 a better year. Deal?
Jim Downey
Filed under: General Musings, Humor, Mark Twain, Religion, Science, Science Fiction, Society, Writing stuff
Hold onto your hats: I’m about to say something nice about religion.
Don’t worry, I promise not to over-do it.
* * * * * * *
I don’t watch TV, but I have seen enough clips of the stand-up comic Louis C.K. online to be something of a fan of his stuff. News about his recent self-distributed, no DRM concert show raising over a million dollars in a matter or days brought him back to attention recently. And it was while reading about that massive success that I found an interesting essay that got me to thinking about some other things.
That essay is “Louis CK’s Shameful Dirty Comedy” and I recommend you read the whole thing when you get a chance. It’s an interesting exploration of this moment in our cultural history, and is quite insightful. But what in particular got me thinking along different lines was this bit about the nature of Louis C.K.’s comedy style:
Someone once asked Allen Ginsberg how one becomes a prophet, and he simply replied, “Tell your secrets.” Lewis Hyde’s done a bit of writing on shame in his book Trickster Makes This World, and he says that “Uncovering secrets is apocalyptic in the simple sense (the Greek root means ‘an uncovering’). In this case, it lifts the shame covers. It allows articulation to enter where silence once ruled.” CK’s comedy does the job of finger-placing our dirty, shameful thoughts. It doesn’t validate them, but it does recognize and identify them, and in their airing, we have to consider and deal with the lines that separate how we are expected to behave and think, and the shameful dirt of this world.
* * * * * * *
Shame. A staple of religion. Has been for the bulk of whatever passed for human civilization at any point in our history.
I don’t particularly want to write about shame. Not now, at least. But I want to touch on something related to it, which I have had kicking around in my head for a couple of years*, and which I think deserves a little attention. It’s called “moral license.”
What do I mean by “moral license”? Here’s a good discussion of the term, in light of some studies conducted a couple of years ago:
Sachdeva suggests that the choice to behave morally is a balancing act between the desire to do good and the costs of doing so – be they time, effort or (in the case of giving to charities) actual financial costs. The point at which these balance is set by our own sense of self-worth. Tip the scales by threatening our saintly personas and we become more likely to behave selflessly to cleanse our tarnished perception. Do the opposite, and our bolstered moral identity slackens our commitment, giving us a license to act immorally. Having established our persona as a do-gooder, we feel less impetus to bear the costs of future moral actions.
It’s a fascinating idea. It implies both that we have a sort of moral thermostat, and that it’s possible for us to feel “too moral”. Rather than a black-and-white world of heroes and villains, Sachdeva paints a picture of a world full of “saintly sinners and sinning saints”.
This is intuitively true to me. And, I think, to most of us. We formulate a mental “bank”, which allows us to make trade-offs: if I work out a bunch at the gym this morning, this evening I can have an extra serving of ice cream. If I scrimp by taking lunch each day rather than buying it from the corner cafe, then I can indulge myself with that new Kindle. If I spend time playing with the kids on Saturday, I can kick back and watch the game on Sunday. And so on.
Much of our whole modern culture is predicated on this kind of trade-off, this kind of license. Studies have even shown the impact it has on how we behave environmentally, or in making decisions to donate to charity, or how we interact with others.
One interesting aspect of this is the danger of praise, whether it be external or internal. From the “General Discussion” conclusion of the aforementioned study:
In three experiments, we found that priming people with positive and negative traits strongly affected moral behavior. We contend that these primes led participants to feel morally licensed or debased. To compensate for these departures from a normal state of being, they behaved either less morally (moral licensing) or more morally (moral cleansing). We measured moral behavior by soliciting donations to charities and and by looking at cooperative behavior in an environmental decision-making context. In Experiment 2, we also showed that moral behavior or the lack thereof is related to changes in how individuals perceive themselves. Participants showed the moral-cleansing or -licensing effects only when they wrote about themselves, and not when they wrote about other people.
* * * * * * *
And here is where religion enters the picture, in two ways.
The first is the “moral cleansing” aspect: doing penance for some kind of moral wrong. This can take the form of confession & saying the rosary, or going on a pilgrimage, or paying a fine, or even a literal rite of cleansing such as washing away sins in the Ganges or through baptism.
The other way gets back to where we started: shame. Many religions inculcate a belief that the individual is “not worthy” of whatever grace or blessing the religion has to offer. Promoting such a belief would tend to offset the ‘credit’ in your moral bank, and so reduce the tendency towards moral license.
* * * * * * *
Of course, you don’t have to be religious to draw this moral lesson. Mark Twain’s famous The Man that Corrupted Hadleyburg story deals with this exact issue: people who think that they are moral, who have led moral lives, are willing to exercise the moral license which would allow them to claim a fortune they haven’t earned. It is only after they have had their moral failings put on display that they learn the danger of thinking of themselves incorruptible, and then seek to challenge this assumption of themselves regularly.
* * * * * * *
And I think that this insight explains a phenomenon widely recognized in association with religious leaders. It seems that often, those who have the greatest religious ‘power’ – who hold high offices within a church or other such organization, who are some kind of ‘moral authority’ for their followers – are people who have great moral failings behind the scenes. It may come directly from a rationalization: “I’m a good person, therefore while what I am doing may raise some moral questions, my intent is good.” It may come from the moral licensing effect: “I accomplish great good for others, so it’s OK if I lapse a bit in this one small way.” Or it may even come from an unconscious attitude, as noted by one of the above authors:
When I read about these effects, I can’t help but think of Jesus’ warning about giving to the needy:
Beware of practicing your righteousness before other people in order to be seen by them, for then you will have no reward from your Father who is in heaven…But when you give to the needy, do not let your left hand know what your right hand is doing, so that your giving may be in secret. And your Father who sees in secret will reward you.
Of course, it could work the other direction just as well – that since these people have these moral failings, they try and “do good work” to right the scales in their mind. And chances are, it’s a mixture of both – a feedback loop that encourages and reinforces both a moral failing and attempts to compensate for it.
* * * * * * *
See? I told you I wouldn’t over-do it. Gotta balance these things out, after all.
Jim Downey
*There’s actually a lot of this stuff kicking around in the undertones of Communion of Dreams, though manifest in terms of philosophical discussions of ontology and epistemology. Yeah, it’s something I have been interested in for a long time. And I guess that makes the joke on me, since the whole question of the book ‘being made manifest’ has been such a contentious one for going on five years now . . .







