Communion Of Dreams


Convergence.

When I went away to college in 1976, I took with me the small black & white television I had received for my eighth birthday. Mostly my roommates and I would watch The Muppet Show before going off to dinner. Otherwise, I really didn’t have the time for television – there was studying to do, drugs and alcohol to abuse, sex to have.

Post college I had a massive old console color TV I had inherited. But given that I lived in Montezuma Iowa, reception was dismal. I found other things to do with my time, mostly SCA-related activities and gaming. I took that console set with me to graduate school in Iowa City, but it never really worked right, and besides I was still busy with SCA stuff and again with schoolwork.

For most of the ’90s I did watch some TV as it was being broadcast, but even then my wife and I preferred to time-shift using a VCR, skipping commercials and seeing the things we were interested in at times when it was convenient for us.

This century, living here and caring for someone with Alzheimer’s, we had to be somewhat more careful about selecting shows that wouldn’t contribute to Martha Sr’s confusion and agitation. Meaning mostly stuff we rented or movies/series we liked well enough to buy on DVD. I would now and then flip on the cable and skip around a bit after we got Martha Sr. to bed, see if there was anything interesting, but for the most part I relied on friends recommending stuff. And besides, I was busy working on Communion of Dreams, or blogging here or there, or writing a newspaper column or whatever.

Now-a-days we don’t even have cable. There’s just no reason to pay for it. I’d much rather get my news and information online. So, basically, I have missed most every television show and special event in the last thirty years. There are vast swaths of cultural reference I only know by inference, television shows that “define” American values I’ve never seen. I don’t miss it.

And you know what? You are becoming like me, more and more all the time.

* * * * * * *

Via Cory Doctorow at BoingBoing, this very interesting piece by

Gin, Television, and Social Surplus

* * *

If I had to pick the critical technology for the 20th century, the bit of social lubricant without which the wheels would’ve come off the whole enterprise, I’d say it was the sitcom. Starting with the Second World War a whole series of things happened–rising GDP per capita, rising educational attainment, rising life expectancy and, critically, a rising number of people who were working five-day work weeks. For the first time, society forced onto an enormous number of its citizens the requirement to manage something they had never had to manage before–free time.

And what did we do with that free time? Well, mostly we spent it watching TV.

We did that for decades. We watched I Love Lucy. We watched Gilligan’s Island. We watch Malcolm in the Middle. We watch Desperate Housewives. Desperate Housewives essentially functioned as a kind of cognitive heat sink, dissipating thinking that might otherwise have built up and caused society to overheat.

And it’s only now, as we’re waking up from that collective bender, that we’re starting to see the cognitive surplus as an asset rather than as a crisis. We’re seeing things being designed to take advantage of that surplus, to deploy it in ways more engaging than just having a TV in everybody’s basement.

OK, I try and be very careful about “fair use” of other people’s work, limiting myself to just a couple of paragraphs from a given article or blog post in order to make a point. But while I say that you should go read his whole post, I’m going to use another passage from Shirky here:

Did you ever see that episode of Gilligan’s Island where they almost get off the island and then Gilligan messes up and then they don’t? I saw that one. I saw that one a lot when I was growing up. And every half-hour that I watched that was a half an hour I wasn’t posting at my blog or editing Wikipedia or contributing to a mailing list. Now I had an ironclad excuse for not doing those things, which is none of those things existed then. I was forced into the channel of media the way it was because it was the only option. Now it’s not, and that’s the big surprise. However lousy it is to sit in your basement and pretend to be an elf, I can tell you from personal experience it’s worse to sit in your basement and try to figure if Ginger or Mary Ann is cuter.

And I’m willing to raise that to a general principle. It’s better to do something than to do nothing. Even lolcats, even cute pictures of kittens made even cuter with the addition of cute captions, hold out an invitation to participation. When you see a lolcat, one of the things it says to the viewer is, “If you have some fancy sans-serif fonts on your computer, you can play this game, too.” And that message–I can do that, too–is a big change.

It is a huge change. It is the difference between passively standing/sitting by and watching, and doing the same thing yourself. Whether it is sports, or sex, or politics, or art – doing it yourself means making better use of the limited time you have in this life.

* * * * * * *

And now, the next component of my little puzzle this morning.

Via MeFi, this NYT essay about the explosion of authorship:

You’re an Author? Me Too!

It’s well established that Americans are reading fewer books than they used to. A recent report by the National Endowment for the Arts found that 53 percent of Americans surveyed hadn’t read a book in the previous year — a state of affairs that has prompted much soul-searching by anyone with an affection for (or business interest in) turning pages. But even as more people choose the phantasmagoria of the screen over the contemplative pleasures of the page, there’s a parallel phenomenon sweeping the country: collective graphomania.

In 2007, a whopping 400,000 books were published or distributed in the United States, up from 300,000 in 2006, according to the industry tracker Bowker, which attributed the sharp rise to the number of print-on-demand books and reprints of out-of-print titles. University writing programs are thriving, while writers’ conferences abound, offering aspiring authors a chance to network and “workshop” their work. The blog tracker Technorati estimates that 175,000 new blogs are created worldwide each day (with a lucky few bloggers getting book deals). And the same N.E.A. study found that 7 percent of adults polled, or 15 million people, did creative writing, mostly “for personal fulfillment.”

* * *

Mark McGurl, an associate professor of English at the University of California, Los Angeles, and the author of a forthcoming book on the impact of creative writing programs on postwar American literature, agrees that writing programs have helped expand the literary universe. “American literature has never been deeper and stronger and more various than it is now,” McGurl said in an e-mail message. Still, he added, “one could put that more pessimistically: given the manifold distractions of modern life, we now have more great writers working in the United States than anyone has the time or inclination to read.”

An interesting discussion about this happens in that thread at Meta Filter. John Scalzi, no stranger at all to the world of blogging and online publishing, says this there:

I see nothing but upside in people writing and self-publishing, especially now that companies like Lulu make it easy for them to do so without falling prey to avaricious vanity presses. People who self-publish are in love with the idea of writing, and in love with the idea of books. Both are good for me personally, and good for the idea of a literate society moving forward.

Indeed. And it is pretty clearly a manifestation of what Shirky is talking about above.

I’ve written only briefly about my thoughts on the so-called Singularity – that moment when our technological abilities converge to create a new transcendent artificial intelligence which encompasses humanity in a collective awareness. As envisioned by the Singularity Institute and a number of Science Fiction authors, I think that it is too simple – too utopian. Life is more complex than that. Society develops and copes with change in odd and unpredictable ways, with good and bad and a whole lot in the middle.

For years, people have bemoaned how the developing culture of the internet is changing for the worse aspects of life. Newspapers are struggling. There’s the whole “Cult of the Amateur” nonsense. Just this morning on NPR there was a comment from a listener about how “blogs are just gossip”, in reaction to the new Sunday Soapbox political blog WESun has launched. And there is a certain truth to the complaints and hand-wringing. Maybe we just need to see this in context, though – that the internet is just one aspect of our changing culture, something which is shifting us away from being purely observers of the complex and confusing world around us, to being participants to a greater degree.

Sure, a lot of what passes for participation is fairly pointless, time-consuming crap in its own right. I am reminded of this brilliant xkcd strip. The activity itself is little better than just watching reruns of Gilligan’s Island or Seinfeld or whatever. But the *act* of participating is empowering, and instructive, and just plain good exercise – preparing the participant for being more involved, more in control of their own life and world.

We learn by doing. And if, by doing, we escape the numbing effects of being force-fed pablum from the television set for even a little while, that’s good. What if our Singularity is not a technological one, but a social one? What if, as people become more active, less passive, we actually learn to tap into the collective intelligence of humankind – not as a hive mind, but as something akin to an ideal Jeffersonian Democracy, updated to reflect the reality of modern culture?

I think we could do worse.

Jim Downey



Mawwiage, that bwessed awwangement, that dweam within a dweam.

A discussion over on UTI about a post I made there took a bit of an odd turn, engendering some interesting discussion about polygamy. This morning I made a comment that I thought I would share here, since it does relate directly to some of the things I do in Communion of Dreams. You’ll see what I mean.

Heinlein’s use . . . of non-standard family structures got me thinking about many of these issues when I was very young, and helped me form my opinions intellectually before getting into emotional commitments.

I tend to think that the serial monogamy that we see as a default in Western countries reflects the differences between societal conventions and evolutionary inclinations, with a big helping of “we live a whole lot longer now than early humans did” thrown in for good measure. It is rare to see a marriage last more than ten or fifteen years these days, and I think that makes a lot of sense – when most humans lived until 30 or so, it would make sense that pair-bonding would be a good strategy to raising and protecting children into early adulthood. That would mean a “marriage” of about the length I mention above.

But we live a lot longer now, and people grow and change throughout their lives. So it is unsurprising to me that divorce is common (something like half of all marriages end in divorce) as a way of dealing with these changes. Some people find a way to grow in tandem with their partner, and some find ways of allowing a certain freedom of definition for each partner within the structure of an ostensibly conventional marriage (some, of course, do both). Different cultures have found different strategies to accommodate these stresses – some allow for polygamy of the ‘conventional’ sort (think the Mormon or Islamic variety), some make divorce easy, some de-emphasize marriage itself, some ‘look the other way’ when one or the other partner in a marriage cheats or has a formal concubine system.

A fairly recent development in all of this has come to be known as polyamory – defining relationships as being more open and less “possessive”. There are some fairly well-known practices and practitioners, such as Penn Jillette. This attitude pretty well covers most of Heinlein’s alternative marriage structures and can work for some people, though it would understandably require a different sort of approach and mindset than what is commonly considered about marriage/love/relationships. In an homage to Heinlein I had originally used alternative family structures as the “norm” in my SF novel set about 50 years from now (a survival-strategy response to environmental conditions), but early readers of the book got too hung up on that so I changed it. Perhaps if/when I am an established author I can get away with it, as RAH did.

Children? I dunno – don’t have any, by choice. Not an issue for me, in several senses of the term.

[Mild spoilers ahead.]

To me, the novel actually does work better the way I had the family relationships defined before, with a group marriage built around a small number of adults who have just a couple of fertile people at the core.  This would allow for those precious few who are able to have children (remember, the fire-flu plague had not just killed vast numbers – it also left most people who survived it sterile) to do so with minimal stress, the rest of the family caring for them and the children born into the family.  Think how it would be otherwise: the few fertile couples trying to have and raise children in a society desperate for kids, maybe even willing to steal them or force child-baring couple to give their children to others.

But this change was just too hard for some people to wrap their heads around comfortably – they wanted to turn it into something about sex rather than about children.  Maybe they felt threatened by the idea, since the time-frame of the novel was so close to our own.  I dunno – my head doesn’t work that way.  So I made the change, and tried to work in enough explanation for the type of ‘family’ that exists in the book, while removing the polyamory element.  So far no one has commented on the current version as being a problem for them, and that is likely how it will stay.

Jim Downey

(Again, if you didn’t recognize the quote used in the title, shame on you.  It’s from this.)



Quick update.
April 24, 2008, 9:04 am
Filed under: Feedback, Marketing, Predictions, Promotion, Publishing, Science Fiction, Writing stuff

In the month or so since I posted this, there have been more than an additional 800 downloads of Communion of Dreams.  Meaning that we’re now approaching 9,000 downloads altogether.  This tends to happen in ‘clumps’ for some unknown (to me) reason, where there will be a baseline of 5 – 10 people a day downloading the thing and then it will suddenly jump to a seventy-five or a hundred or a couple hundred downloads for a day or two.

Anyway, it’s likely that sometime in the next month or two, total downloads will cross the 10,000 mark.  Going to 5 digits seems like a cool threshold, and I’m thinking that I should do something to note/celebrate/mark the occasion.  But I have no idea what.  So if anyone has any suggestions, leave a comment or drop me a note, OK?

Oh, and that contact of the agent mentioned in the post a month ago?  Still haven’t heard back from them.  Because of other things I’ve mentioned being busy with here, I haven’t gotten around to contacting any other agents.  I suppose I should do that.  Ah, well.

Jim Downey



Eye, Robot.

I like bad science fiction movies. Cheesy special effects, bad dialog and worse acting, it doesn’t matter. Just so long as there is a nub of a decent idea in there somewhere, trying to get out.

And in that spirit, I added I, Robot to my NetFlix queue some time back, knowing full well that it had almost nothing to do with Isaac Asimov’s brilliant stories. I knew it was set in the near term future, and that it had been a success at the box office, but that was about it. This past weekend, it arrived. I watched it last night.

I think Asimov himself predicted just what would be wrong with this movie:

In the essay “The Boom in Science Fiction” (Isaac Asimov on Science Fiction, pp. 125–128), Asimov himself explained the reason for Hollywood’s overriding need for violence:

[…] Eye-sci-fi has an audience that is fundamentally different from that of science fiction. In order for eye-sci-fi to be profitable it must be seen by tens of millions of people; in order for science fiction to be profitable it need be read by only tens of thousands of people. This means that some ninety percent (perhaps as much as ninety-nine percent) of the people who go to see eye-sci-fi are likely never to have read science fiction.The purveyors of eye-sci-fi cannot assume that their audience knows anything about science, has any experience with the scientific imagination, or even has any interest in science fiction.

But, in that case, why should the purveyors of eye-sci-fi expect anyone to see the pictures? Because they intend to supply something that has no essential connection with science fiction, but that tens of millions of people are willing to pay money to see. What is that? Why, scenes of destruction.

Yup. And that is just about all that the movie I, Robot is – destruction and special effects. Shame, really, since I have enjoyed Will Smith in other bad SF (Independence Day, anyone?), and just love Alan Tudyk from Firefly/Serenity. Even what had to be intentional references to such excellent movies as Blade Runner or The Matrix fell completely flat. It was, in a word, dreadful.

Ah, well. Via MeFi, here’s a little gem to wash the bad taste out of your mouth:

Gene Roddenberry would be proud.

Jim Downey



“Life is pain, Highness. Anyone who says differently is selling something.”
April 17, 2008, 8:34 pm
Filed under: Art, General Musings, movies, Writing stuff

And, actually, sometimes even people who say so are selling something.

Eh?

A friend sent me a link to this blog post, in reaction to my recent funk.  From the post:

I called up Rae and complained. She snorted and said, “Join the club”. She was not unsympathetic, but merely voicing the truth: to be an artist means you are going to suffer. Why? Because to create takes time, and we want it now. Pulling those ideas down out of the ether or out of the universe or wherever the hell they come from is so damn time-consuming. And we want– no we expect the idea now.

Amen.  That may be part of my current funk – the expectation that now that my care-giving role is over, I should be able to recover and just start being the brilliant and creative person I know I really am.

Ah, well.  Good insight.

Oh, and good art.  Take it from someone who owned and operated an art gallery for 8 years: this is good art, and the prices are quite reasonable.

Jim Downey

(Hat tip to ML.  And if you didn’t recognize the quote used in the title, shame on you.  It’s from this.)



“I changed it to be a memoir . . . it’ll be more marketable that way.”
April 14, 2008, 5:45 am
Filed under: Comics, Humor, Marketing, Promotion, Publishing, Science Fiction, Writing stuff

The 4/13 Non Sequitur nails it.

Jim Downey



On this day . . .
April 1, 2008, 6:29 am
Filed under: Ballistics, Guns, Humor, NPR, Podcast, RKBA, Science Fiction, Society, Titan, Writing stuff

. . . in 2052 Darnell Sidwell finds the alien artifact on Titan.

Yup, the clues in the text are clear – the artifact is first discovered on April Fools Day, though that is never explicitly stated.

Why did I do this? For my own amusement, mostly. I appreciate a good April Fools joke – one that plays on someone’s expectations and gullibility, one like you’ll frequently catch on NPR that just might be possible. Given the way the discovery plays out in the story, I thought it a good place to start.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Couple of brief notes: downloads of the text of Communion of Dreams are now over 8,300, and almost 100 people have downloaded the first chapter of the mp3 files (with all the different sections of chapters in those files, and no comprehensive download file to track easily, I’m mostly going to keep tally on the first chapter for simplicity.)

We’ll be starting the next round of ballistics testing tomorrow, so my posting schedule might be kind of erratic through the weekend.

Watch out for April Fools!

Jim Downey



Crossing over.

[This post contains mild spoilers about Communion of Dreams, particularly chapter 5.]

As I’ve been doing some conservation work this morning, I’ve been listening again to the audio version of Communion, done by Scot Wilcox of OwnMade AudioBooks, and discussed previously. I just enjoy hearing his interpretation.

Anyway, at the end of chapter five, as the first team of researchers is about halfway to Titan to investigate the alien artifact which has been discovered there, the protagonist has an odd dream which is described in some detail. In the dream Jon (the protagonist) crosses a bridge, and there’s lots of symbolism which is important for how the rest of the book unfolds. For this reason, I worked fairly hard to get the description just right. Scot’s reading of the passage is great, and really brought that scene to life for me.

Which is fairly easy, because it is based on a real scene – a real bridge: this bridge on the campus of the University of Iowa, which I crossed often while in graduate school at the Iowa Center for the Book. And the fun thing about that bridge – which I used for my own purposes in the description in the novel – is that because of the way it is built, it has a kind of spring to it as you walk across.

I enjoy knowing from whence artists and authors draw their inspiration and imagery, and thought I would share this on the off chance that someone else might be curious . (If anyone has better images of the bridge, feel free to post them/a link in comments – those were the best I could find with a quick search, but they are very dated.)

Jim Downey



Why bother?

There’s a good piece by Seth Shostak over at Space.com about the possible motivations an extra-terrestrial race might have for visiting our pale blue dot. (Shostak is one of the principals of the SETI Institute, and knows whereof he speaks when he addresses these kinds of issues.) First, he dismisses the usual SF plot devices of an alien race wanting our turf, our resources, or even our bodies:

Taking our cue from Tinseltown, I note that most cineplex sentients come to Earth either to solve some sort of ugly reproductive crisis or simply to take over the planet. The former doesn’t make any sense whatsoever. You can’t breed with creatures at the zoo, despite the fact that most of the base pairs in the inmates’ DNA are identical to yours (note that this is a biological incompatibility, and not just zoo regulations). The aliens, needless to say, will have a different biochemistry, and probably no DNA at all. Forget, if you can, the breeding experiments.

Taking over the planet would only make sense if there were something really special about our world. The best guess of the exoplanet specialists is that the number of Earth-size planets in our galaxy exceeds tens of billions. That doesn’t sound like our hunk of real estate is terribly privileged.

They won’t come here to mine our minerals, either. The entire universe is built of the same stuff, and while the solar system has a higher percentage of heavy elements than found in many stellar realms, it turns out that this is precisely the condition that seems to foster planet formation. In other words, ET’s own solar system will be similarly blessed with these useful materials. So why would they come here and incur multi-light-year transport charges?

Why, indeed? These various issues are ones which are discussed in the course of speculation about the alien artifact discovered in Communion of Dreams. And while I never actually reveal the motivations that aliens might have for having left the artifact on Titan in my novel, I do have thoughts on the subject (which might come out in a future sequel to Communion.)

Be that as it may, Shostak does go on to make a pretty good argument that if indeed there are a large number of technological civilizations out there, that they may just not consider us worth the trouble of contacting/visiting. Again, from the article:

Then again, there’s that last point: they just want to learn more about us. Well, perhaps so. Maybe that’s really what’s interesting about Homo sapiens. Not grabbing our habitat, saving our souls (or our environment), or subverting our industrial output — but assaying our culture. I’m willing to consider that even very advanced beings might find our culture mildly worthy of study.

Keep in mind that if they’re near enough to find us, that implies that there are many, many galactic societies (otherwise the distances between any two of them will be enormous). If there are lots of them, then we’re just another entry in a big book. Once again, not all that special. Kind of like another weird fish found in the Atlantic. I don’t expect mammoth expeditions to be sent our way.

It is a good point. I would counter, however, that we have seen plenty of evidence in our own history of people going to enormous trouble to bother to learn about seemingly trivial things. One only has to look at the difficulties encountered in sea-faring during the time of the great naturalists – people were willing to go to great expense, to risk great hardship and a fair chance of death just to add another entry into the botanical texts or to discover a new species. Even today we mount insanely expensive expeditions into the deep ocean just to expand our knowledge.

We have no evidence of extra-terrestrial life, let alone advance civilizations. Yet I think that you can make a fair case that any space-faring race which may exist must have some degree of curiosity – and that curiosity may alone be reason enough to come check out the new kids on the block, whatever the hurdles or cost.

Jim Downey



Wish me luck.
March 25, 2008, 12:11 pm
Filed under: Failure, Feedback, Marketing, Promotion, Publishing, Science Fiction, Writing stuff

Well, there’s been another surge of interest in the book the last few days, and now there have been over 8,100 downloads of it.

As I told my wife on our morning walk today, saying “over eight thousand” sounds like a lot. I mean, it’s not just some kind of flash-in-the-pan interest thanks to one posting on a SF discussion forum or something. Over the last thirteen or so months, there has been a continued interest in the novel. And one of the most interesting things is that it largely seems to be due to word-of-mouth – I can only track about 1,200 downloads back to people visiting from other sites (and that is being generous in figuring that just because someone visits from a link on a site they decide to download the book.)

So, I decided to take a step I have been putting off for a long time: this morning I sent a query to a literary agency. In fact, I sent it to one of the agencies I had selected as being a good fit a year ago – they were one of only three who even bothered to respond to my query (of 9 or 10). And they turned me down, saying that they thought the book sounded interesting but were “insufficiently excited” about it. Here’s an excerpt from what I sent them today:

About a year ago, I contacted you concerning the possibility of representing me and my work. Your assistant at the time kindly declined on your behalf. But a lot has happened in the intervening year, and I would like you to reconsider. Given your long history working with science fiction authors, I still think that you are the agent for me.

My finished novel is discussed below. But first allow me to explain briefly why I think you may want to reconsider representing me.

When I set out to find an agent early last year, I also decided to put my novel online, available as a free download in .pdf form. Since then, over 8,000 people have downloaded the book. Some of this has been due to mention of the book in various forums, but that only accounts for about 15% of the downloads, according to my server statistics. The vast majority seems to have come about entirely because of word-of-mouth. And those numbers of downloads have continued to slowly grow. In the last week alone, almost 350 people have downloaded the book.

Shortly after posting the book online, I also started a related blog. The numbers there are not huge, but typically run about 100 visitors per day. Comments pertaining to the novel are almost uniformly very positive. Many people indicate that they are eager to buy the book in conventionally printed form. One person who produces audio books as a sideline was so enthusiastic about the book that he produced an unabridged audio version and made it freely available to me to use – this has just been added to my website in recent days.

Over the past year, as I was the primary care-provider for a family member with Alzheimer’s living here at home (culminating in her death last month), I also wrote about the experience of being a male care-giver for my blog. When I cross posted those entries to other forums, they always received a very enthusiastic response. That series of blog posts runs to about 40,000 words, and I am now planning on developing them into a book on the subject – a memoir, if you will.

So, we’ll see – see whether that is sufficient to entice them to represent me, or if I just get another rejection. Rejection hurts, kicks you right in the ego, there’s no doubt about it. But it is a necessary part of the process. And all of you who have downloaded the book, who have told others about it (and my blog), who have sent me comments and feedback – you all have made it easier to face the prospect of rejection. Thank you.

I’ll keep you posted. This is just the first step – in coming days, I will probably spend some time to select a couple of other agencies and contact them as well. We’ll see what happens.

Jim Downey




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