Communion Of Dreams


Damned orcs.
December 12, 2012, 2:29 pm
Filed under: Connections, General Musings, Society, Tolkien | Tags: , , ,

This was this morning:

Photo0963

 

Taken from the same vantage point a bit after Noon:

Photo0965

Damned orcs.

Jim Downey

OK, obviously not orcs. Bobcat with a giant rotating cheese-grater type thing. And I’m not annoyed at all — this is the parcel of land next to us (yeah, *that* one), which now belongs to friends. They’re clearing out some of the massive islands of underbrush in preparation for building on the property next year. It needed to be done eventually, but was prompted now by a couple of instances of people hiding stolen vehicles or using those islands as homeless camps. Good to have people who care about what happens to the land next to us.



Transformation.

There is truth in this:

The No. 1 question I get at readings is: “How many hours a day do you write?” I used to stumble on this question. I don’t write every day, but when I first started going on book tours I was afraid I’d be revealed as a true fraud if I admitted that. Sometimes I write for 20 minutes. Other times I don’t stop writing for six hours, falling over at the end like an emotional, wrung-out mess, simultaneously exhausted and exhilarated. Sometimes I go months without putting a word on the page.

One night, however, I was asked that question and the right answer just popped out, unknown to me before it found solidity on the air: “I write every waking minute,” I said. I meant, of course, that I am always writing in my head.

I’m lucky.

OK, actually I’m very lucky, because I am lucky in many ways. But what I am thinking of right now is that my chosen profession allows me time to think — to write in my head, as it were.

To write in my head as I preserve the words of others. The written words.  Specifically, the *printed* words.

Like this:

Joined sheets.

Joined sheets.

 

That’s the next step from my last report on the 1470 text. I got all the individual sheets attached, creating “sections” of the book. Or, I should say, re-creating the sections which once were.

Sections "punched" to create sewing stations - where the sewing thread will join them one to the other. And the start of that sewing process.

Sections “punched” to create sewing stations – where the sewing thread will join them one to the other. And the start of that sewing process.

 

Then moving on, linking not just words, not just pages, but whole passages, whole section, one to the other:

Linking, one to the next.

Linking, one to the next.

 

What you see there is called a “chain stitch”. A curious term, implying not just links, but connections, even slavery.

Can words be enslaved?

Clean edges. Clean definitions.

Clean edges. Clean definitions.

 

And this shows — proves — that my technique works. All the sections line up properly.  Almost perfectly.

And so the pages are transformed, from individual pages, into a book.

Like writing.

 

Jim Downey

 

 



That don’t seem right.

Pearl Harbor” was 71 years ago today.

The launch of Apollo 17 was 40 years ago today.

That means that there was less time between the start of WWII (well, our involvement in it) and the end of humankind’s time on the Moon than there is between now and when Apollo 17 left the Taurus-Littrow valley.

That don’t seem right.

Yeah, sure, there’s a company saying that they want to send commercial flights back to the Moon.

Somehow, I doubt that it’s quite that easy.

 

Jim Downey



Gotta laugh.
December 6, 2012, 12:21 pm
Filed under: Humor, NASA, Science, Space, tech | Tags: , , , , , , , , ,

I love the sense of humor:

GRAIL’s Gravity Tour of the Moon

This movie shows the variations in the lunar gravity field as measured by NASA’s Gravity Recovery and Interior Laboratory (GRAIL) during the primary mapping mission from March to May 2012. Very precise microwave measurements between two spacecraft, named Ebb and Flow, were used to map gravity with high precision and high spatial resolution.

There’s more, including images and vid, at the link.

 

Jim Downey



It’s getting better all the time.*

Just a quick follow-up to my post about the incunable legal text.

After spending most of last week cleaning up the edges of the sheets, I’ve been working on re-joining the folios. The trick with this is to make sure all the pages wind up being the same size when they’re folded and ready to be sewn — because I don’t want to trim the text block to get a clean fore-edge.

The solution is to make up a simple jig on my workbench:

Photo0952

Lines drawn on the benchtop, some bookboard mounted to the edge. This will help me keep everything the right size and aligned correctly.

Down the center is some Reemay polyester fabric, which will not adhere to the Kozo repair strips.

The book originally had sections of four folios (folded sheets) per section. I can tell this because of the printing conventions of the time, which had a small counter at the bottom of each page indicating where it went in the book. Very handy. For my work, I only need to rejoin the innermost pair of sheets from each section — then the other sheets will be attached to that new center folio. This will keep everything positioned correctly, and make for a strong sewing structure.

Here’s a pic showing the positioning of a pair of sheets:

Notice the gap in the center.

Notice the gap in the center.

And here’s one with a shot of the Kozo repair strip applied. It’s a heavyweight Kozo (Japanese ‘mulberry’ paper), with a strong wheatpaste applied. Makes a great repair, but is completely reversible with a little water if anyone needs to re-do my repairs later. See:

Photo0954

The next step is to iron the strip down with a small tacking iron on moderate heat. This is done with another layer of Reemay between the iron and the Kozo. This gives a clean, flat edge to mount the other sheets.

Which will be my next step.

Jim Downey

*Of course.



Making lemonade.

A couple weeks ago, I wrote this:

If I wanted to, I could actually bind the book so as to read ‘backwards’ like a Hebrew Bible, though the page numbers are all in the wrong location for that.

I must admit, I’m tempted, just for giggles.

And as I posted yesterday, I gave in to the temptation. Yup, I made a ‘backwards book’, one which has the spine on the right side, and in which you turn the pages from left to right. And I’m going to make a few more.

Why? Well, for the fun of it, mostly. But also because when things like this happen, I’ve learned to roll with it. It’s like a little surprise, something special the universe gives you — serendipitous art.

And for some people, such things are quite collectible. Think of philately or numismatics, where errors of one sort or another make for highly-valued stamps and coins.

Errors are part of the handmade process. In this case, the error wasn’t mine, but came from the printer. Whoever set up the print run managed to load the pages backwards, and in the process opened an unexpected door.

Now, this isn’t something that appeals to a lot of people. So I’m only going to make 15 of these books — thirteen ‘lettered’ copies (A – M), and two artist’s/author’s proofs, all covered in book cloth as shown. Those who have opted to get one of the “archive” sets will have it included in the set at no additional charge as long as the copies last. Others may opt to buy a single copy for $150.00. But there are only 13 copies, and of those four are already reserved. Meaning that there are only nine remaining, and are first-come, first served.

So, there ya go.

 

Jim Downey

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

What follows is a little photo-essay showing the process by which I bound the first book (and will bind the rest). This will also be the same process for binding the ‘normal’ hardcover cloth edition.

Sheets gathered into sections, then folded.

Sheets gathered into sections, then folded.

 

Sections punched for sewing.

Sections punched for sewing.

 

Starting the sewing onto linen tapes.

Starting the sewing onto linen tapes.

 

Sewing complete.

Sewing complete.

 

Text block trimmed, ready for adhesive & spine liners.

Text block trimmed, ready for adhesive & spine liners.

 

 

Gluing up the text block.

Gluing up the text block.

 

Checking fit of the boards.

Checking fit of the boards.

 

Making the cloth-bound case (hardcover).

Making the cloth-bound case (hardcover).

 

Case done, checking fit with text block.

Case done, checking fit with text block.

 

Cover sheet next to case.

Cover sheet next to case.

 

Me cutting the cover sheet to size.

Me cutting the cover sheet to size.

 

Cutting the cover sheet - this is how it would normally be laid out for a conventional book.

Cutting the cover sheet – this is how it would normally be laid out for a conventional book.

 

Re-arranging the cover for this 'backwards' book.

Re-arranging the cover for this ‘backwards’ book.

 

Cover completed.

Cover completed.

 

It's a backwards book!

It’s a backwards book!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Sneak peek.

Remember how I said that I was “Tempted”?

Well, have a sneak peek at what I just finished:

It's a backwards book!

It’s a backwards book!

I’ll have a full post, along with a lot of images of making the book, up later today or tomorrow.

 

Jim Downey



Go forth and borrow.

Just a quick note — as part of a holiday promotion to get people to buy Kindle devices, Amazon is giving authors who participate in the Kindle Select program a bonus for each of their books which is ‘borrowed’ through the Amazon Prime program. Basically, they’re doubling the payment authors get — meaning that many authors will make more off such a borrowing than they would off of an outright sale.

So, *if* you have a Kindle device, and *if* you have Amazon Prime, be sure to “borrow” a book this month from your favorite author — it costs you nothing extra, and means a nice payment to them.

Jim Downey

PS: I hope to have some interesting pics and a bit of news in a couple of days — watch this space! Better yet, subscribe/follow!

 



A small matter of perspective.

This is not unlike the tricks that a good story-teller uses, though manifest in a brilliant visual form:

From NPR’s Robert Krulwich, who has this to say:

These illusions were created by an artist who calls himself Brusspup.What he does is an exercise in anamorphosis, a conjuring trick that takes advantage of how our brains make sense of the world. If you know how, you can create an image which makes no sense until the viewer happens onto a particular — and it’s a very particular — spot. Once the viewer finds the right angle — the only place where he or she can see what the artist intended — suddenly, boom!- the drawing leaps into three dimensions.

Getting a reader to that precise point of view in a novel is the hard part. Willing suspension of disbelief is a kindness all readers give any author.

Jim Downey



Next level.
November 29, 2012, 11:38 am
Filed under: Writing stuff | Tags: , , , , ,

Interesting. I noticed this morning that a shift has occurred in my thinking about St. Cybi’s Well over the last day or two. Oh, I’m still thinking about plotting and scenes, but now I find myself increasing working through bits of dialogue.  *How* one character or another would phrase something, how the pattern of sounds with another would play out.

Meaning that I’m reaching some kind of saturation point, the moment when things, er, “gel”.*

And meaning, based on my previous experience, that I’m about to shift from spending the majority of my energy from making notes/plans/plots to actually constructing sentences and paragraphs, perhaps even chapters.

Interesting.

 

Jim Downey

(*Those who have read Communion of Dreams will get the joke. If you haven’t — why the hell not?)




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