Filed under: Amazon, Art, Augmented Reality, Book Conservation, Connections, Feedback, General Musings, Music, Publishing, Science Fiction, Society, tech, Writing stuff, YouTube | Tags: Amazon, Archangel, art, augmented reality, book conservation, bookbinding, direct publishing, feedback, jim downey, Legacy Bookbindery, literature, Marguerite Reed, music, Queen, reality, Science Fiction, St. Cybi's Well, technology, video, writing, www youtube
For fun, and to make someone’s year a little better, I recently rebound a friend’s SF novel, converting the paperback edition into a hardcover binding.
With my bookbinding skills it’s a fairly simple and straightforward process, but not a cost-effective one (so don’t ask me to rebind your favorite paperbacks). The result is usually very satisfactory and striking, and makes for a nice little present when I am in the mood to do something different from my usual conservation work.
Anyway, I made this book and mailed it to my friend where she works. She opened it and shared it with her co-workers, who thought it was “pretty darn cool.”
Which, you know, is cool and all. But consider: making that book, that physical object, took me maybe an hour and a half actual labor time. But I’m sure that it took my friend hundreds, if not thousands, of hours of labor to write that book. To conceptualize it. To make notes. To research. To stare at the blank computer screen in abject terror. To write the first draft. To edit. To stare at the words there in horror and disgust at how horrible her writing was (I assume this happened anyway, since almost every serious writer I’ve known goes through this multiple times with any book). To write the second draft. And then the third, after getting feedback from friends and editors. Et cetera, et cetera.
But what her co-workers thought was “pretty darn cool” was a simple physical object.
Now, I’m sure that if you asked them, her co-workers would say that her book — the written words — was also pretty darn cool. And maybe some of them have even read it.** Still, the fact remains that for most people written work is mostly an abstraction, one which takes real effort and time to understand and enjoy. Whereas a tangible artifact like an artisanal hardcover book can be handled and appreciated as reality.
People are funny, aren’t we?
**A confession: I haven’t yet myself, since I am still in the middle of doing battle with St Cybi’s Well, and I just can’t read long fiction when I am trying to write it, since it just messes up my own writing. But you can bet I will when I finally finish this book.
Filed under: Art, Book Conservation, Connections, Failure, Feedback, Humor, Predictions, Publishing, Science Fiction, tech | Tags: art, blogging, book conservation, bookbinding, calfskin, Communion of Dreams, goatskin, jim downey, Kickstarter, leather, Legacy Bookbindery, literature, Peter Haigh, predictions, Science Fiction, technology, WIlliamson Oak
My, how time flies …
I’m a little startled to discover that it’s been three years since I last posted about doing the leather bindings for the custom edition of Communion of Dreams. No, I know it’s been a while — but I have been giving this binding a lot of thought, so it seems like it was still a recent ‘pending’ project. I liked the idea of using the sewing structure to incorporate classic raised leather cords on the spine of the book, but I just didn’t like the sparseness of the rest of the cover design. The initial tests were OK, but the more I thought about them, the less satisfied I was with what the final product would be. The problem was that while the cords under leather gave a nice tactile effect, there wasn’t enough detail possible.
So I kept trying to figure out how to keep the relief I liked but to get more definition. I won’t go through all the different iterations of ideas I considered, but there were a lot, mostly along the lines of trying different ways of mounting different weights of cord/string or molding/engraving the board under the leather. But each approach failed to give me the definition I wanted. Worse, each one felt further and further removed from the image of the “Williamson Oak” by Peter Haigh I had used for the paperback/printed hardcover/website.
Then recently another bookbinding project got me to thinking about using something like a woodcut as a way to make an impression on a leather cover, and I realized that I had gotten so set on the idea of using the raised cords of the sewing structure as the basis for the rest of the cover texture I hadn’t considered the possibility of impressing the leather rather than trying to raise it. What would be required would be to make a plate which would press down most of the leather, leaving the design I wanted alone so that it would stand up (and out).
So that what I tried today. Here’s how I did a quick test:
That’s my high-tech, fancy “polymer plate” … also known as a plastic cutting board. I did a quick sketch on it with a marker, then carved into it using a couple of different cutting heads on a Dremel tool.
Then I mounted a piece of goatskin and a piece of calfskin onto some bookboard, got it good and damp, and then pressed it quickly in one of my book presses. Here are the results:
This was just a trial to see if my press would generate sufficient pressure, and if the plate would hold up to it. I am very happy with how well they turned out, and I learned what I need to change for the final version (such as smoothing out the surface of the plate, adding more detail and title, and — oh, yeah — reversing the image).
So, progress! Hey, it only took three years for me to get past my perceptual bias … 😉
Filed under: Art, Augmented Reality, Brave New World, movies, tech | Tags: art, augmented reality, bookbinding, Davy McGuire, jim downey, Kristin McGuire, movies, photography, technology, Theatre Book - Macbeth, theicebook.com, video, Vimeo, Wikipedia, writing
This is completely delightful:
Lots of news from the world of my life. Most of it good. I’ll share in a few days.
Filed under: Art, Astronomy, Augmented Reality, Brave New World, Connections, Humor, Mars, NASA, Science, Science Fiction, Space | Tags: art, Eleanor Lutz, http://tabletopwhale.com/, humor, jim downey, maps, Mars, medieval, NASA, science, Science Fiction, space
Oh, this is just delightful:
Recently I’ve been really into old maps made by medieval explorers. I thought it would be fun to use their historical design style to illustrate our current adventures into unexplored territory. So here’s my hand-drawn topographic map of Mars, complete with official landmark names and rover landing sites.
Go check out the whole thing, but here’s a glimpse of the map itself (which is much larger on the original post):
You can even support the artist and buy a copy! Quick, before they’re all gone!
HT to Margo Lynn.
Filed under: Art, Augmented Reality, Carl Sagan, Connections, movies, NYT, Religion, Science, Science Fiction, Society, Space, Writing stuff | Tags: art, blogging, Carl Sagan, con artist, Galaxy Quest, jim downey, literature, Maria Konnikova, movies, New York Times, religion, science, Science Fiction, space, writing
You should read this: Born to Be Conned. Seriously, it’s a very good examination of the human tendency to construct narratives to explain the world around us, and how that trait can easily be manipulated and used against us. Here’s a good passage, explaining why we’re susceptible to grifters of every sort:
Stories are one of the most powerful forces of persuasion available to us, especially stories that fit in with our view of what the world should be like. Facts can be contested. Stories are far trickier. I can dismiss someone’s logic, but dismissing how I feel is harder.
And the stories the grifter tells aren’t real-world narratives — reality-as-is is dispiriting and boring. They are tales that seem true, but are actually a manipulation of reality. The best confidence artist makes us feel not as if we’re being taken for a ride but as if we are genuinely wonderful human beings who are acting the way wonderful human beings act and getting what we deserve. We like to feel that we are exceptional, and exceptional individuals are not chumps.
The piece also reminds me a lot of Carl Sagan’s The Demon-Haunted World, because of this insight:
Before humans learned how to make tools, how to farm or how to write, they were telling stories with a deeper purpose. The man who caught the beast wasn’t just strong. The spirit of the hunt was smiling. The rivers were plentiful because the river king was benevolent. In society after society, religious belief, in one form or another, has arisen spontaneously. Anything that cannot immediately be explained must be explained all the same, and the explanation often lies in something bigger than oneself.
I don’t mean to pick on religion here, just to point out that this is a very human trait. In fact, I have often wondered whether it is a defining human characteristic, something which could easily set us apart from other intelligent species. It’s fairly easy to imagine how intelligent, sophisticated, technologically-advanced civilizations could be constructed by species which don’t have this human gift for storytelling. You can, after all, have curiosity and scientific inquiry, art and poetry, even narrative and historiography, without having something like literary fiction.* I think that it might be interesting to write a science fiction story/series based on the premise that humans become the storytellers of the galaxy, because of our unique ability to create explanation narratives unrelated to reality.
How very meta.
Filed under: Art, Astronomy, Augmented Reality, Connections, Light pollution, Man Conquers Space, Religion, Science, Science Fiction, Space, Wales | Tags: art, astronomy, augmented reality, blogging, excerpt, jim downey, light pollution, Pennant Melangell, science, Science Fiction, space, St. Cybi's Well, Tanat, Wales, writing
It’s been a couple of months. Let’s have a bit from the current chapter I’m working on.
It was full dark before he passed through Llangynog again, and headed up the Tanat valley. It was just past the first quarter Moon, and the sky was clear and brilliant. One of the things he always loved about visiting Wales was that the light pollution was minimal and he could see the stars almost as well as when he was on a shuttle run. About halfway up the valley to Pennant Melangell he stopped the Rover, shut it off and got out.
He stood there, leaning back against the cold metal and glass, and looked up, letting his eyes adjust. Slowly, more stars emerged, and he was able to trace the passage of several satellites in low orbit. There were plenty that he couldn’t see from the ground, ‘darks’ which were in the service of different intelligence agencies and military forces, but he knew they were there, watching, listening, perhaps even waiting to hunt on command.
And it struck him just how much this echoed something Megan had told him less than three weeks previously: “Look at it with new eyes,” she had said. “Try and see it as the believers see it.”
Was this the same thing?
He could pull out his hand-held, call up the appropriate app, and hold the camera pointed at the sky, and it would show him the satellites his eyes couldn’t see. But to do so would necessarily block his direct vision, his direct experience of the real sky above.
He stuck his hands in the pockets of his jacket to protect them from the cold, and relaxed a little as he leaned against the vehicle. For now, he’d just take in the whole of the now-visible Milky Way as it arced high above.
This image will give you an idea of how dark the skies can be in Mid-Wales: