Communion Of Dreams


Good times, bad times … *

Partially related to stuff which happens in St. Cybi’s Well, but also I suspect because I just turned 55, I’ve been thinking about “time” a lot. The perceptions of it, how it ‘works’, how it is portrayed in books and movies. This topic is hardly new for me, though, since tropes about time travel are so common in Science Fiction.

Anyway, one interesting little side-track I was considering this morning was what you could do with a series of stories/books premised on a slightly different concept of time than what we commonly work with. Specifically, I was thinking of time as a manifestation of other aspects of the universe, analogous to how weather is a manifestation of other physical characteristics on a planet.  You could have something like a “time forecast”, wherein changes in the quality of time itself had an impact on the story/characters. Perhaps our little corner of reality has long been in a ‘calm’ period of time weather, with things moving along smoothly and placidly, so that we’ve come to expect that it will always be that way. What happens when there’s a change? Perhaps a new front moves through? A storm? A tornado? Does everything get jumbled, a la October The First is Too Late? Perhaps it could literally be the best of times and the worst of times simultaneously.

Something to play with. But for now, I need to get back to work. And you, if you haven’t already, should take advantage of this last day of the week-long promotion and go download Communion of Dreams and/or Her Final Year.

 

Jim Downey

*Naturally.



5-by-5.*

Happy Independence Day, everyone!

And a quick update on how things are going with the promotion so far: almost 1300 downloads of Communion of Dreams, and the current ranking for that book is #647 overall in the Free Kindle Store (it down all the way to #289 at one point on Tuesday evening!) And Her Final Year is presently at #1,570, with 231 downloads so far. Remember, the promotion ends tomorrow night — so take advantage of it now!

Have a safe & fun Fourth!

Jim Downey

*Because I’m 55, get it? Yes, I am so very clever. Also because of the meaning of “five by five“, which is unknown to most people these days, belonging to another era.



A reminder …

… that the promotion is now running, and both Communion of Dreams and Her Final Year are now free to download!  Things are off to a good start, and as I write this Communion of Dreams has been downloaded 500 times already, and is currently doing quite well in the Kindle rankings. Things have been a bit slower for Her Final Year but it is still doing well, and for the first time ever I’ve had one of my books downloaded by someone in India. That’s pretty cool.

So, if you haven’t gotten your copy of either book — or if you know someone who may be interested in either one — this is the time to act! Get ’em while they’re hot!

 

Jim Downey



Psst. Hey, wanna see something … special?

Remember that 700+ year old bible I posted about the beginning of June? This one:

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Well, this weekend I got started working on the book. And I thought I’d share  a couple of images of what I found inside, and what I’ve done to it so far.

Here’s the spine of the text block, once it had been freed from the cover seen above:

 

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That’s after I’ve removed the gross chunks of paper liners which were applied between the cords. I’ve since removed all the rest of the liners, first using a jeweler’s tweezers and then a scalpel. Anyway, I want to note the very evident lines of sewing stations (holes punched through the folios) from the original binding. That shows that the book has been rebound at least once.

Here’s another image:

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That’s an image of the interior of the cover. Which shows a couple of interesting things. First, you can see how the vellum of the cover molded itself to the spine of the text block over time. That sort of thing happens over *centuries*.

Second, how the supporting cords are laced into the cover. The sewing was done in a way that it wrapped around the cords, which helps to support the overall structure. The cords are then laced into a channel, looped over the board material, and then come back on the inside and are pasted down. This is VERY common of medieval and Renaissance bindings.

And lastly — note that the cover material is an early variety of bookboard. It’s NOT wood. This is a clue to the age of the binding. It means that it is after the introduction of papermaking to Europe. Which is to say, this book was probably rebound sometime in the 14th or 15th century. (Papermaking technology was introduced to Southern Europe late in the 13th century, but it took a little while to disseminate across the continent.)

So, I removed a couple of layers of more modern papers on the inside, and pulled the old ends of the cords out of the bookboard. Then I dampened the board on the inside, put it between moisture barrier sheets, and put it into a press to flatten overnight. Then once the spine of the text block was fairly clean I applied a layer of conservation adhesive (a blend of methyl-cellulose and poly-vinyl-acetate) and some fairly heavy Kozo-fiber paper, which I stippled onto the spine so that it would conform to the existing structure and hold everything in place. Like this:

 

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You’ll note that it extends past the text block on the left-hand side of the spine. I can trim that excess off with a scalpel once everything is dried. I should finish up the rest of the work tomorrow.

Oh, and speaking of tomorrow … remember, the week-long give-away of my books starts then!

 

Jim Downey

 



Magnet magic, with a twist.

Via BB, fun with physics:

 

I think it’s particularly clever that they made the track a Möbius strip, in order to demonstrate how the gravitational field can be used to both float and suspend the superconducting magnet. Reminds me of this bit from chapter 5 of Communion of Dreams:

The man was a bit of a lunatic. But he was a brilliant engineer who had an almost intuitive understanding of the Apparent Gravity phenomenon, and was the first to propose that it could be adapted for use as a propulsion system. He figured out a way to trick an AG field into thinking that it was in a stable inertial reference by projecting it in front of a ship, and thereby essentially have the ship – and generator – continuously ‘fall’ into the field. The Hawking was the first ship equipped with the new reactionless drive system.

Remember, both Communion of Dreams and Her Final Year will be free all next week

 

Jim Downey

 

 



Happy birthday to me, happy birthday to me …

As I’ve noted previously, July 4th is my birthday (secondary thought – damn, this blog is six years old!).  And in something of a “Hobbit’s Birthday” spirit, again this year I’m going to run a promotion in celebration. But because I’m turning 55, it’s going to be a bit different than last year. Instead, the Kindle edition of Communion of Dreams will be free for 5 days – yup, July 1st through July 5th.

And that ain’t all. Nope. At the same time, from July 1st through July 5th, the Kindle edition of Her Final Year will also be completely free.

And that still ain’t all. Nope. When the promotional period is over, the Kindle edition price for each book will drop to just $3.01. Why $3.01? Well, because of Amazon’s policies, it’s best to keep the price over $2.99. And I like the ‘shape’ of 301, mild synesthete that I am. And the number has some interesting properties. So, $3.01 it is.

And remember, you don’t even need an actual Kindle to enjoy either book, because there is a free Kindle emulator/app for just about every computer/tablet/mobile device out there. Earlier this year I installed the app on my Android phone, and I’ve been happily using it in lieu of my Kindle since.

So, starting Monday: five free days of Communion of Dreams. And five free days of Her Final Year. 5 + 5 for my 55th birthday. Help make it a good one, and spread the word. Thanks.

 

Jim Downey



Land drones?

Sometimes I see a cool tech, and think that it is just a perfect example of how progress makes for a better world. Yesterday’s post was one of those.

And then sometimes a see a cool tech, and am just certain that it will be used to make the world a worse place, at least for some people. Via Neatorama, this is one of those:

Because I just know that once these are developed a little more so that they can run off wire, that it won’t be long until someone thinks that they would make excellent “homing landmines” or “land drones”. I mean, seriously.

 

Jim Downey

 

 



It’s not everyday …

It isn’t the oldest, rarest, or most interesting item I’ve ever worked on. But it’s not everyday that a 700+ year old book comes into my shop for conservation work. This one did yesterday:

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Here’s the official description of it, for those who might be interested:

Bible. Latin. [Biblia Latina] 1300. Bound in parchment ms. with neumic notation over boards ; leaf [103] torn with part of 1 column wanting; small stain on p. 1 partly hides incipit; trimmed, headings mostly lost. Prehumanistic minuscule script; rubricated. Lectionary? with different pen on final 2 leaves. Contents: Prol. in libros Salomonis — Proverbia — Ecclesiastes — Canticum canticorum — Sapientia — Ecclesiasticus — Joshua — Isaias –Jeremias — Ezechiel — Daniel — Osee — Joel — Amos — Abdias — Jonas –Michaeus — Nahum — Habacuc — Sophonias — Aggaeus — Zacharias — Malachias — Job – Judith — Esther — [Novum Testamentum]. Cover is a manuscript leaf of a parchment page with nuemes and a Gothic script with red initial letters from about about the same time.

 

It’s been a while since I shared any images from my conservation work, so thought I would.

In other news: still plugging along on St. Cybi’s Well. It’s going well.

Have a great weekend!

 

Jim Downey



Shape-shifting.

Thought I’d share something I hinted at last week, and which explains a bit why my posting to the blog has dropped off so much in recent weeks: I’ve shifted over from primarily working on the structure and individual scenes of St. Cybi’s Well to writing the bulk of the text. To use an analogy, I’ve got the skeleton done and am now putting flesh on the bones.

So while I only have about 23,000 words in the manuscript so far, and very little of that is what most people would recognize as parts of a novel, it’s actually probably a significant fraction (perhaps one-third? half?) of the overall amount of work which will go into the book. That’s because I know not only the overall plot and major characters of the book, I also know the pacing, the locations, and how all the major elements will work together throughout. In fact, you could grab a map of Wales and then find each of the locations tied to the individual chapters to get a sense of how the whole thing will progress. Here’s the working list of chapters:

  • Prelude: Cardiff
  • Chapter One: Pennant Melangell
  • Chapter Two: Holywell/Conwy Castle
  • Chapter Three: Portmeirion/Caernarfon
  • Chapter Four: Snowdon
  • Chapter Five: Ffynnon Gybi/Criccieth
  • Chapter Six: Pistyll Rhaedr
  • Chapter Seven: Pentre Ifan
  • Chapter Eight: St. Non’s/St. David’s
  • Chapter Nine: St. Govan’s Chapel/Gumfreston Church
  • Chapter Ten: Deheubarth
  • Chapter Eleven: St. Cenydd’s Well
  • Chapter Twelve: Brecon Beacons
  • Chapter Thirteen: Maen-du Well/Ffynnon Gynydd
  • Chapter Fourteen: Tintern Abbey/Stonehenge
  • Chapter Fifteen: Ynys Môn
  • Chapter Sixteen: Ffynnon Gelynin
  • Chapter Seventeen: Ffynnon Sarah
  • Chapter Eighteen: St. Cybi’s Well
  • Chapter Nineteen: Castell y Bere

If you care to dig around my various travelogues, you can actually find descriptive passages about each of these places.  Those passages will be used as part of constructing verisimilitude through the novel.

And yes, “Prelude” rather than “Prologue.” Partly it ties in with this. Partly … well, you’ll see.

Jim Downey



Quick pix.

Remember this?

But that doesn’t mean that the book has to have an old look. Not at all. I’m playing around with some design ideas which will incorporate the cords, but which will feel more modern. Watch for some preliminary posts on that in a couple weeks.

OK, how about this?

Well, this afternoon NPR’s “All Things Considered” had a good piece about the tree, and the drought. And already I’ve had people ask whether it was the same one I had written about/used for the cover of Communion of Dreams.

Yup, that’s the same one. Here’s from the NPR website:

Well, can you take a guess what sort of design motif I’ve decided to use? Here, take a look:

Great Oak design.

Now, if you look at those images closely, you’ll see that there are a pair of lines just to the left of the tree trunk. Those indicate where the spine will be, just as with the paperback edition of the book:

Cutting the cover sheet - this is how it would normally be laid out for a conventional book.

Now, that’s all well and good, but how to create the ‘raised cords’ effect overall? Like this:

laying cords.

So far, so good. Now let’s test how it would look with some calfskin adhered down over that:

Calfskin test.

OK, I like that. But how will it look with goatskin? Here’s that:

Goat & calf tests.

OK, keep in mind that these are just tests to see how the leather looks over the raised cords. I’m happy with the results. But now I need to convert that simple bas relief 2-dimensional effect into a fully functional 3-dimensional sculpture which also happens to be a comfortable-to-read book, using some of the cords above as part of the actual structure of the book.

Sound difficult? Yeah, but remember that this has been my profession for over two decades. I like a nice challenge.

Just thought I’d share that little progress report.

Jim Downey




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