Communion Of Dreams


“Involved, Intense, and Very Thought-Provoking”

Just a few quick notes to share…

First is a new review up on Amazon. Here’s an excerpt:

The author deftly crafts a tale of a group of humans who endeavor to understand more about this artifact and in the process make some profound discoveries. The characters, both real and virtual, are well crafted and the story is well written with very few (I think I noted one) flaw in the text.

It is a mind-boggling tale with some tie-backs to present time.

As always, I’d ask anyone who has read Communion of Dreams to please consider doing a review, or at least rating/liking the book on Amazon, Good Reads, or elsewhere — honest reviews really do help.

A quick follow-up to Friday’s post: in case you didn’t see the additional note, the printer realized that they’d made an error with the job, and are going to do a complete reprint. It means a bit of a delay, but nothing serious — and I really respect that they’re going to make things right. So many businesses might try to weasel their way out of that responsibility.

I’ve decided that I like the Scrivener software, so am going to be using it for the bulk of the initial writing of St. Cybi’s Well. I’ll probably post further thoughts on it as I get deeper into the actual writing, but I really like that I can use it for collecting research as well as jotting notes/scenes in a way which is fairly intuitive and seamless to use. Not exactly like having my own Seth around to help me, but …

Have a good Monday!

 

Jim Downey



Tempted.

So, last night I posted about the fiasco with the print job for the special edition of Communion of Dreams. I thought this morning I would explain just exactly what the problem is.

Typically, inexpensive paperbacks are made using a process called “perfect binding” where the stack of individual pages are glued up along the spine and a cover is slapped on. The cover at the spine provides a backing to the adhesive used. It’s a process which can be completely mechanized, and is fast & cheap, providing decent value for the money. It’s how the paperback copies of Communion of Dreams are printed.

However, more expensive machine hardcover books, and most varieties of hand-bound books, are done using sheets which are folded and sewn. A folded sheet is called a folio, and a gathering of such folded sheets is called a signature (or section, or quire). How many folios are in a signature varies greatly, from single sheets up to about a dozen, depending on the thickness of the paper and how the book is designed. To make the book ‘work’ properly, the book designer has to make sure that the individual pages are laid out such that when the signatures are gathered together the sequence of pages is correct.

Chances are, most of the physical books you’ve read conform to what we in the West think of as ‘normal’: they have the spine of the book on the left side, pages are numbered with odd numbers on the right and even numbers on the left. To read the book, you turn pages from right to left.

But if you think about this for a moment, it is not the only way a book could be arranged. You could have the spine at the top, for example, and have the ‘book’ work like a typical calendar, turning the pages from bottom to top.

Or you could have the spine on the right side. This orientation would then have you turn pages from left to right.  This, in fact, is how traditional Hebrew Bible books are printed, and the same convention is used with Japanese books.

And it’s the way they printed Communion of Dreams, which we discovered when we started looking at the sheets last night.

Here’s an image of the center folio of the proof they sent us:

Correct.

And here’s an image of the same center folio from the sheets we picked up yesterday:

Incorrect.

Note that even the page numbers are now in the wrong locations, being in the center rather than the outside of the pages. The entire book — the entire print run — is done this way. If I wanted to, I could actually bind the book so as to read ‘backwards’ like a Hebrew Bible, though the page numbers are all in the wrong location for that.

I must admit, I’m tempted, just for giggles.

But we’ll get things sorted out with the printer, and get the proper printing done.

Edited to add on Friday afternoon: Yeah, so I think after the printer saw this blog post, and went back over their own records, they realized where & how they had screwed up. They’re now going to reprint the whole order.

Which is what they should do, but it is nice to have a business who is willing to make good without much of a fuss. I can only compliment them on their business practices, and will be happy to use them again in the future.

 

Jim Downey



Grrr.

Well, *that’s* annoying.

Printer called, said that the job was done and we could pick it up, a bit earlier than we expected. So we decided to pop over to Sedalia (about 75 miles) to get it. First, there was an error on the bill, which took them a while to sort out. We did a quick check of the print run, saw that the paper was correct, the grain running the right way. Then, when we got home we discovered that they managed to screw up the pagination – even though it was correct on the proofs they sent us. So I now have $904.70 worth of scrap paper sitting in the bindery.

We’ll get it sorted out in the morning when they re-open. But it’s damned annoying.

Jim Downey



Yeah. Like that.

Wow — this hits close to home: Making Things.

We should pick up the printed sheets for the special edition of Communion of Dreams tomorrow. I’ll post pix!

Now, back to work for me.

 

Jim Downey



Against the grain.

Typically, there are many ways to accomplish a given task. Usually, some are better than others. Maybe they’re more efficient. Or less expensive. Or just work better.

And usually it seems like I always manage to find all the worst ways before finally stumbling on one of the better ones.

* * * * * * *

*against the grain 

1. Lit. across the alignment of the fibers of a piece of wood. (*Typically: be ~; Cut ~; go ~; run ~; saw ~.) You sawed it wrong. You sawed against the grain when you should have cut with grain. You went against the grain and made a mess of your sanding.
2. Fig. running counter to one’s feelings or ideas. (*Typically: be ~; go ~.) The idea of my actually taking something that is not mine goes against the grain.

* * * * * * *

We got the proofs back from the printer! Here’s some pix:

Cover sheet.

Text pages.

* * * * * * *

grain [grān]

(materials)

  • The appearance and texture of wood due to the arrangement of constituent fibers.
  • The woodlike appearance or texture of a rock, metal, or other material.
  • The direction in which most fibers lie in a sample of paper, which corresponds with the way the paper was made on the manufacturing machine.

* * * * * * *

Typically, there are many ways to accomplish a given task. Usually, some are better than others. Maybe they’re more efficient. Or less expensive. Or just work better.

And usually it seems like I always manage to find all the worst ways before finally stumbling on one of the better ones.

But fortunately, I was taught early on at the University of Iowa Center for the Book about the “grain” of paper, and how it makes a crucial difference in how a book works. This was something which actually took papermakers and printers a while to figure out, back when new mechanized papermaking techniques were developed. That’s because typical western hand-papermaking didn’t really impart much of a ‘grain’ to paper used in printing presses for the first several centuries.

But back in the middle of the 19th century papermaking was mechanized, and this left a distinct alignment of the paper fibers. And that changes how this paper behaves. Simply put, you have to make sure that the grain is aligned with the spine of the book, or the paper doesn’t drape or move properly, leading to the book being mechanically ‘unfriendly’ to the hand. Most printers these days know about this and pay attention to it, but every once in a while someone will try and cut corners and use paper stock with the wrong grain orientation, and the consumer will wind up with a book which feels very stiff and hard to open/turn the page. As a bookbinder, this is something I *very* much have to pay attention to for small edition binding, and I always caution clients about it, since most normal people don’t have any idea that paper grain matters at all.

So the first thing I noticed when I took the proof sheets out of the box was that the grain ran the wrong way.

Oops.

Turns out it was just a small miscommunication with the printer, and they’ll make sure to have the actual printed sheets for the book with the grain running the right way. My Good Lady Wife just talked with them, confirming that and giving final approval for the print run. The sheets should be ready for us to pick up the end of next week. Exciting!

Jim Downey

PS: Just a note – the usual convention with paper is to mark it “grain long” or “grain short” on the wrapping for a ream. Sometimes this is also indicated by underlining one of the numbers in the dimensions.



A higher level of order.*

Sometimes I feel like this bit from Chapter 17 of Communion of Dreams:

“It’s all right, Jon, I’m awake,” said the scientist, still not opening his eyes.

“Tops says . . . ”

“Probably that I’m acting a little strange. It’s true. I came to a little while ago, but my head has been spinning. Not with any sense of vertigo, but with ideas. Like some kind of wild holographic sculpture of equations, moving and changing, solving themselves and giving rise to new ones, flowing, growing, gleaming from within. It’s easier for me to keep my eyes closed, so I can follow all that they’re doing, I hope you don’t mind.” All of this came pouring from the small man at a pace so quick that Jon almost missed some of it. He continued, “I’m going to have to discuss with Duc whether this is how he perceives his artwork before translating it into a form that the rest of us can see. For me it is like for the first time having direct, conscious access to my subconscious. You know that the human brain is capable of truly phenomenal computational power, but it usually happens below the threshold of awareness. I feel like right now, for this time, I can witness the full glory of the mind at work. No matter. I wanted to see you because I have come to realize what was bothering me before.”

We just placed the order for the special edition printing of Communion of Dreams. And yesterday I ordered several hundred dollars of archival bookbinding materials to execute the cloth hardcover bindings. Exciting — I love these kinds of beginnings!

Jim Downey

*Chaos theory. The ‘scientist’ in the quote above is Robert Gish, a central character in the book, and something of an alter-ego for me.



Not bad.

So, yesterday’s promotion was a moderate success. Nothing stunning, but certainly not disappointing. We had a total of right at 700 downloads, all told, including 49 from Britain and one each in France & Germany. I’m still waiting for the first download in Japan …

Anyway. Those downloads pushed Communion of Dreams to #3 in the “High Tech SF” subcategory, to #13 in overall Science Fiction, and to #327 on the entire free Kindle store rankings. It may have even done a bit better, since there were another 100 downloads after I crashed last night.

Not bad. Not bad, at all. Thanks everyone!

Last month also saw a decent uptick in overall visits to the Communion of Dreams site, to some 1,200. That’s about a 30% increase over what is typical.

This afternoon I’m mailing off the bulk of the signed paperback copies of CoD from the Kickstarter rewards, and we’re waiting to hear back from the printer about the final tally on the Limited Edition copies. I haven’t made too big a deal out of that special edition here yet, because right now we’ve just got generic examples of my book arts work on the page — but once we have the actual pages, I’ll make up some examples of what the finished book will look like, so people will have a better idea of what they’ll be getting. However, it is not too early if you want to reserve your copy — there are at present only 44 copies remaining available.

And yes, I am now shifting the bulk of my creative energy over to thinking about St. Cybi’s Well, to exactly how I want to lay out the plot and all the characters/scenes/themes. As I noted last week, this is all really exciting.

Cheers!

 

Jim Downey



In the works.

So, I’ve been fairly quiet for a few days, but that doesn’t mean I haven’t been busy.

After recovering from the shock of the Kickstarter succeeding, I had to re-think some of the plans I had been putting into place in order to insure that I fully live up to the terms of the Kickstarter.  Mostly this is no big deal, but I am still finalizing some of the details with the backers.

Still, I thought I would offer a heads-up on what is in store. As I noted the other day:

And ways you can reserve one of a very limited edition run of both Communion of Dreams and St. Cybi’s Well and have those books bound the way you want — even reserving your edition number on a first come, first served basis. With payment plan options. Some of the higher-end premium ‘rewards’ will still be available, as well.

When I say “very limited edition” I mean on the order of about 50 hand-bound copies of Communion of Dreams, and about 100 of St. Cybi’s Well (please note that both of these edition numbers are smaller than what was offered on the Kickstarter). These are going to be a special print-run of each book, printed traditionally on sheets of high-quality paper which will be gathered into sections, then trimmed and folded, then sewn into a strong, long-lasting binding. Then you will have a choice of cover material: premium bookcloth, calfskin leather, or goatskin leather. You can see images of such bindings on the Kickstarter page.

The basic cost is $100 for one of these books in cloth. For calfskin leather the cost is $250, and for goatskin $350.  With a $100 downpayment you can reserve your copy (and select your edition number from those available), and pay the balance due in installments. Each book will be inscribed as you wish and signed by the author/bookbinder (that’s me!) The cloth bindings will all be in basic black, but those who opt for leather will be able to choose the color of the leather (from those available from my suppliers — a pretty wide range). These books will be more like individual works of art than anything else you may have seen in a book.

I’m hoping that as soon as next week I’ll be able to place the order for the Communion of Dreams run, so that I can work on getting orders for those done over the coming winter. The St. Cybi’s Well run will have to wait until that book is finished, edited, proofed, and ready to publish.

So, something to think about and look forward to. I certainly am!

Cheers!

 

Jim Downey



Functional beauty.

A good friend shared this item from the NYT with me: A Tool’s Beauty Is in the Eye of Its Holder. It’s a good piece overall, but this particular passage resonated for me:

Why do such objects look so enticing, given that they were designed with very different objectives? One reason is their virtue (another old-fashioned term). It can be both refreshing and reassuring to see an object whose appearance is determined by such laudable qualities as economy, efficiency or reliability, rather than the hope of seducing us visually. Another factor is their honesty. It is easier to feel confident about admiring a utilitarian object, whose appearance is defined by its function, than it can be to enjoy one because of its styling.

Resonated? Yeah. Here’s an excerpt from a meditation about tools I wrote in 1995, and which has gained some recognition since:

This isn’t a respect borne of fear for their sharpness.  It is something more . . . something that is almost spiritual.  When you use a tool, it tends to take on the shaping of the use, and of the user.  It will conform to your hand, wear in such a way that it actually becomes more suited to the task, until in some ways it is easier to use the tool correctly than to use it incorrectly.

I think that this is why old tools, well made and well loved tools, are so valuable.  When you take them to hand, you can feel the right way to use them.  Some of the time that went into shaping that tool, training it for use, can be shared from one craftsman to the next.  So long as the tool is loved, cared for, and properly used, it continues to accumulate knowledge, storing the wisdom of the hands.

If you have a moment, I’d invite you to read both pieces. They make a nice pair.

Jim Downey

PS: Small milestone – this is blog post #1,400 for me here. Just thought I’d share that factoid.



Stuck inside of Columbia with the promotional blues again.*

Well, well, well. Some things to share.

First of all, thought I’d go ahead and post here the promotional video we made for the Kickstarter project. For those who might be curious about what I look/sound like, and who have yet to be tempted to go to the Kickstarter page:

A brief word about the Kickstarter’s progress so far, one week since launch: things are going well. We’re over $2,000 on pledges so far, from 20 backers. People have been contributing at levels from $5 to $500 — much appreciated! I’m a bit surprised that no one has just contributed at the $1.00 level so far, since that’s usually something which gets attention on Kickstarter projects where people just want to say “thanks”  for some previous efforts or lend a bit of encouragement for a favorite author or artist. But that’s OK, if people want to pledge at higher levels, I’m not going to complain.

Somewhat related to this, there’s a special drawing which may be of interest to those who are ‘into’ firearms — all the details are over on my BBTI blog.

I also want to give a head-up: Next Sunday (Sept 30) will be another promotional day for Communion of Dreams, when anyone will be able to download the Kindle edition of that book for free. You don’t even need a Kindle – they have emulators for just about every mobile device, reader, or computer system. Tell your friends! Spread the word!

Jim Downey

*With apologies to Mr. Zimmerman.




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