Communion Of Dreams


“…while you’re busy making other plans.”*

Last week my wife was at a professional convention. She got home late Friday night, understandably tired. She was dragging a bit Saturday morning, and Saturday afternoon said that her joints were aching and she felt a bit feverish. We figured that she had likely picked up a virus at the convention, since that’s not uncommon.

Sunday she wasn’t feeling any better, and had lost her appetite with a bit of a stomach ache. Mild headache. She elected to just try and sleep it off, taking OTC analgesics.

But come Monday morning …

 

* * * * * * *

Two weeks ago I had my annual physical. Routine stuff for the most part. My doc and I discussed some alternative pain-management strategies (I have chronic pain from a torn intracostal muscle – basically, it feels like I have a broken rib all the time. On good days it feels like a broken rib about four weeks into the healing process – mostly just a dull ache – and on bad days it feels like I just broke it, with intense and sharp pain). I have prescription meds for the pain, but even though they’re fairly mild as such things go, they dull my mind enough that I can’t really write very well when taking them.

But we also discussed dealing with another issue, for which I needed to start taking something else. A statin for cholesterol management. Which was fine by me, since diet only goes so far. I started taking the meds last week, and experienced the sort of side effect which is annoying but not really hateful as my body adjusted. Not wanting to get too graphic, let’s just say that I made sure to stay near a bathroom for a few days.

Anyway, I lost most of last week in terms of work, both in the bindery and on the novel. Neither one is easy to do when you have to keep running off to the bathroom at frequent intervals.

 

* * * * * * * *

Which really wasn’t too much of a problem, as far as it concerned writing St. Cybi’s Well, since for the last few weeks I’ve been somewhat … discombobulated … by recent news reports. Specifically, by the revelations of governmental spying, and the scope of the programs involved in it, all precipitated by the leaks from Edward Snowden.

Anyone who has read my blog for a while knows that these topics are ones I have discussed at some length in the past, well before the latest news. Just check the “Constitution“, “Government” or “Privacy” categories or related tags, and you’ll see what I mean.

And the things I have had to say in the past reflect a lot of what informs the background of St. Cybi’s Well.  I don’t want to give too much away, but a lot of the book is concerned with what happens when a government uses tools intended to protect its citizens to instead control them. And working off of what was already in the public domain about the different security programs, I made a lot of projections about where such things could lead.

Then came the Snowden revelations and subsequent discussion. As it turned out, I was very accurate in my understanding of the spying technology and how it could be used. Almost too much so.

See, there’s a problem with that: when writing about an ‘alternate time line’, you have to strike a balance between this reality and the fictional one.  And, well, some of my fictional spying programs are now shown to be just a little too close to real. So now I have to back up a bit and tweak a number of different elements in the book to get back to the correct (for me) balance. It’s not a huge problem, but one which has had me dancing/juggling  a bit.

Not unlike my body trying to find a new equilibrium with the meds.

 

* * * * * * *

But come this past weekend, things had settled down, at least as far as my body was concerned. So I was able to get back to thinking about the hand-binding of Communion of Dreams, and the promotional stuff related to that. So I went ahead and scheduled some ‘free’ Kindle days, and wrote the blog post announcing that I would also be giving away a leather-bound copy of the book, and outlining how people could enter for a drawing for said book.

My intent was to do a follow-up blog post on Monday, reminding people about that, and the fact that the Kindle edition of Communion of Dreams would be free all day. That was the plan, anyway.

 

* * * * * * *

But come Monday morning, well, things didn’t go as planned. Not by a long shot.

My wife wasn’t feeling any better. And she was poking around online, seeing if she could find out anything which would help. I popped into the bedroom to check on her, and the conversation went something like this:

“Hmm, it says here that appendicitis sometimes starts with pain high in the stomach.”

“Really? I didn’t know that. I thought the classic was when you got a sharp pain in the lower right quadrant.”

“Yeah, it seems like it can start high, then shift down.”

“Huh.”

“You know, the pain I had in my stomach has shifted down …”

“We’re going to the E.R.”

And we did. Pronto. And I am very glad that we live about a mile from an excellent hospital. Again, I’ll spare you all the details, but let’s just say that my wife had surgery that afternoon, and they’re still pushing intravenous antibiotics into her. She’ll be fine, thanks to modern medicine. But it was a close call.

Yeah, so much for plans.

Anyway, about 120 people downloaded Communion of Dreams on Monday. It’ll be available for free next Monday, and the two Mondays after that. The deadline for writing a review and getting your entry in is the end of August. Remember, you have to post a link in the initial blog entry about the contest.

And some advice: don’t plan on doing it later. Take care of it now. You never know what might come up.

 

Jim Downey

*Of course.



Mmmm … leather.

Time for the drawing for the last nearly-perfect hand-bound cloth copy of Communion of Dreams.

But I want to sweeten the pot. So I’m also going to draw for a single full leather hand-bound copy.  Leather color and type (whether calf or goatskin) to be *MY* choice. That’ll mostly depend on which one I feel like doing when I am in the process of doing the other copies which have already been ordered or are one of the Kickstarter rewards. Either way, it will be one of the leather bindings, worth up to $350. For reasons to be discussed in a subsequent blog post I’ve been a bit delayed in getting to doing these, but you can see a bit of what they will look like here.

So, how do you get your name in for this drawing?

Easy: just link to a review you have written of Communion of Dreams, which is posted on Amazon’s website.

It doesn’t have to be a long review. It doesn’t have to be a positive review.  You don’t have to say anything nice about me, or the book. Just to have read it, and posted a review on Amazon. If you’ve posted a review elsewhere — on your blog, or Goodreads, or anyplace else — feel free to just copy and paste that review to Amazon’s site. Then post a link here as a comment. Please note: if you have already written a review on Amazon, you don’t need to write another one — just post a comment to this blog entry with a link.

To make this even easier, I’ve scheduled promotional days for the Kindle edition for the next four Mondays (8/5, 8/12, 8/19, and 8/26) when you can download the novel for FREE. So you don’t even have to buy the book — just get it (if you haven’t already), review it, and post a link here.

The deadline for posting an entry (that means a link here) is Midnight CDT on August 31, 2013. Anything time-stamped after that will not be included.

One last thing — there will be two winners. One will receive the leather binding, and one the cloth. If for any reason you would rather not receive the leather binding, please say so in your comment, and you will not be entered into that drawing.

So, get writing.

 

Jim Downey

PS: I mean it about that “positive” review. It’s not necessary. I’m going to ask a neutral 3rd party to be the one to do the drawings. So either the quality of the review or the ranking given in it will not be a factor in my decision at all … since it won’t actually be my decision.



We have a winnah!

Well, it seems that Tim’s strategy of taking advantage of the ability to get multiple entries for the second drawing paid off! His was the name we drew out of The Hat this morning — congrats, Tim!

I will be posting an announcement of the third and final drawing later this coming week. But here’s a little hint: there’s a new review of Communion of Dreams over at Amazon. Here it is:

5.0 out of 5 stars Good read, July 26, 2013
Amazon Verified Purchase(What’s this?)

This was an excellent adventure. Definitely worth your reading time. Has an excellent view of what may be a possible future.

Check it out. Comment if you’re inclined. Or maybe even consider writing your own review, and sharing your thoughts with others — I very much appreciate it.

Thanks!

 

Jim Downey



Luck of the draw.

Damn – I thought I had posted an update here on Sunday. But I got busy and …

Anyway. “Debi” was the name drawn from The Hat on Sunday, and she will be receiving the first of the hand-bound cloth copies of Communion of Dreams I am giving away.

Why yes, I did just say “the first“. Because I am going to give away another one here shortly.

OK, for all those who got their name in the last time, don’t worry, your name will stay in The Hat for the next drawing.

But if you would like to increase your chances, you can. And if you want to get your name added to The Hat — this Hat:

20130723_132135

it is easy to do so. Just follow these steps:

  1. Mention Communion of Dreams online someplace. It can be anywhere available to the public. Your blog. Your Twitter account. On Facebook. In a discussion forum. In an Amazon review. Anywhere — anywhere, that is, except here or on the Facebook page for CoD. You don’t have to link to the book, or this blog, or anything. You don’t have to say anything nice about me or the book. Seriously.
  2. Post a comment here or on the Facebook page telling me you did so. Include a link to said mention. No link back, no entry.
  3. You can enter once a day, now through Saturday. Sunday morning I will tally up all the entries, make a new slip for each one, and add them to The Hat.

So, it’s the luck of the draw — but you can increase your chances of winning. Just like last time, I’ll even pay the postage. And let you pick which edition number you want of those available. And inscribe it as you prefer (well, within bounds…)

Please, only one entry per person per day, and open to everyone, as long as you follow the rules noted above. If you’ve already ordered a hand-bound copy of the book  (or are due one from the Kickstarter) and you win this one, you can have me either send it to you or to the recipient of your choice. Easy.

Don’t wait — get your entry in now. And tomorrow. And Thursday …

 

Jim Downey

 



Want a free hand-bound, hard-cover copy of Communion of Dreams?

So, I got these all done:

Finished product.

Finished product.

And I’m really pleased with the way most of them came out.

Most of them. But not all.

The first several text blocks I trimmed, I had the fence on my guillotine set in the wrong place, and trimmed the top margin a little too close. Oh, it’s the sort of thing that probably only I would ever notice (seriously, it’s only about 5mm off), but when it comes to my work I’m a bit of a perfectionist. So I just wouldn’t feel right in selling them for the normal $100 price. Instead, I’m going to use them for promotional purposes. Starting with having a drawing for one now.

So, if you would like a nearly perfect, hand-bound, cloth-covered copy of Communion of Dreams, do two things, and I will enter your name for a drawing:

  1. “Follow” this blog (or “Like” the Facebook page).
  2. Leave a comment below (or on the Facebook page).

You’ve got until Sunday morning, when I log on to see who has entered. Then I’ll put all the names into a hat, and draw one out. That person will get the copy of the book. For free. I’ll even pay the postage. And let you pick which edition number you want of those available. And inscribe it as you prefer (well, within bounds…)

Please, only one entry per person, and open to everyone. If you’ve already ordered a hand-bound copy of the book  (or are due one from the Kickstarter) and you win this one, you can have me either send it to you or to the recipient of your choice. Easy.

Don’t wait — get your entry in now.

Jim Downey



Step by step.

I got to thinking about all the steps/stages involved in doing the binding of the handbound editions of Communion of Dreams. Here’s a step by step description (with some images below) of the process of doing the cloth hardcover books:

  1. Gather the sections from the printed stacks.
  2. Fold each section.
  3. Collate the sections into books.
  4. Punch holes through the center of each section for sewing.
  5. Sew up the text blocks.
  6. Paste up the spine of each text block, allow to dry under mild weight.
  7. Trim each textblock to size: head, tail, fore-edge.
  8. Paste up each text block again; determine size for, cut, and add endbands.
  9. Determine size for, cut, then paste up and apply spine liners, allow to dry.
  10. Determine size for and cut bookboard for the covers: front cover, rear cover, spine.
  11. Determine size of necessary cover cloth, cut from roll goods.
  12. Layout and mark up inside of cover cloth for bookboard positions.
  13. Paste up and mount each piece of bookboard, nip in nipping press, allow to dry.
  14. Cut corners on cover cloth.
  15. Paste up and turn in edges & corners, nip in nipping press, allow to dry. This is now called the “cloth case”.
  16. Determine size and cut cover image for mounting to cloth cases.
  17. Position and mount cover images to cases, nip in nipping press, allow to dry.
  18. Trim back first paste-down sheet on front and back of each text block.
  19. Position text block in case, paste up sewing tapes and front half paste-down sheet, nip in nipping press.
  20. Repeat for rear sewing tapes and half paste-down sheet.
  21. Paste up front full paste-down sheet, nip in nipping press.
  22. Repeat for rear full paste-down sheet.
  23. Dry under mild weight.

Simple, right? 😉

Well, it is compared to what is involved in doing the leather-covered edition. I might spend some time doing a video version of that. We’ll see.

Oh, yeah — if you’d like to have your own hand-bound copy in either cloth or leather, full information on the limited edition is here.

 

Jim Downey

Sheets gathered & folded into sections.

Sheets gathered & folded into sections.

Sections punched for sewing.

Sections punched for sewing.

Starting the sewing onto linen tapes.

Starting the sewing onto linen tapes.

Bottom of the sewn text block trimmed off in the guillotine.

Bottom of the sewn text block trimmed off in the guillotine.

Drying time.

Drying time.

Marked up cover stock.

Marked up cover stock.

Bookboard mounted.

Bookboard mounted.

Corners cut, ready to turn in.

Corners cut, ready to turn in.

Back cover image positioned for mounting.

Back cover image positioned for mounting.

Sewing tapes and half sheet pasted out and pressed.

Sewing tapes and half sheet pasted out and pressed.

Second paste down sheet prepared and ready to press.

Second paste down sheet prepared and ready to press.

Finished product.

Finished product.



Chutzpah.

I mentioned on Facebook the other day that sometimes I stop and consider the sort of chutzpah it takes to think that I should be mucking around with a 700 year-old book. That thought occurred to me following a session in the bindery working on the bible I have blogged about earlier. I had just done some work on it, then had to put everything into one of my presses and let it dry overnight, hoping that I had done the work properly. Hoping really hard.

What follows is a bit long, but might be of interest to some. At the risk of spoiling the suspense, the book came out well, though not entirely perfectly. You’ll see.

* * *

In my last post I had an image of the interior of the spine of the book. This one:

20130630_154954

That shows the paper liners adhered to the inside of the spine cover material.  If you look at the top of the image, you can see some of the damage which had happened to the book — basically, some tears in the vellum cover at the hinge joint.

Repairing vellum is a bit tricky. You can’t use too much moisture, because it can cause the vellum to warp and shrink, even become brittle. So carefully I removed all the old liner material, then selected some heavy kozo and applied a methyl-cellulose/PVA mix adhesive, allowing the adhesive to dry partially before mounting the kozo to the damaged areas. That’s when I put everything into the press and hoped for the best. Here’s how it looked when I took it out:

20130706_154341

One problem – in order to get the kozo mounted securely, I had to flatten the entire vellum spine, losing the nice shaping where it went over the sewing structure cords. We’ll come back to that.

On the textblock, I had to mount some new endpapers before I could add in the spine liners and hinging material. Fortunately, I had some nice handmade flax paper I made some 25 years ago which was a nice color tone match for the vellum. Here you can see it mounted:

20130706_155042

Then I was ready to mount the hinging material to the spine. I chose a very heavy type of kozo, which would be strong enough but wouldn’t add much bulk, and applied it so that it conformed to the sewing cords:

20130706_161332

Then I cut panels of another flax paper, and mounted those between the cords. Here is a pic when a couple of them have been mounted:

20130706_162128

When those were done and dried, the text block was ready to be mounted back into the cover. But I had two problems. One was the spine vellum had been flattened by mounting the repair kozo, as mentioned above. But there was also another problem, part of the reason why the book had become damaged in the intervening centuries: the vellum cover had shrunk slightly, and the text block had swollen slightly, with the result that the cover no longer fit properly.

How to make it fit?

Well, I had actually already done one thing: I had placed the text block into a heavy press and slowly compressed it over a period of several days. But that only did so much.

The other thing I decided to try was to force the spine to stretch a bit. I did this by VERY slightly dampening the vellum, then putting a jig in place which would slightly push the front and rear covers away from each other. At the same time, I had mounted some cords the same size as the ones on the text block, and positioned the same way. This jig went on the inside of the spine, and on the outside I used a piece of foamcore which would partially compress, making the vellum conform to the shape of the cords and spreading it just a tich. A couple times over the course of a couple days I swapped out the jigs, using a slightly larger one each time. Here’s the final set, with the spine of the finished book alongside to better help envision what I mean:

20130707_151653

That bought me about 3 or 4 mm of space. I worried about trying to stretch it any further. When I positioned the cover over the text block, the spine conformed perfectly, as you can see in the image above. I went ahead and pasted out the endpapers and mounted the text block into the cover.

Here’s how the pasted endpaper looked when everything dried:

20130707_151752

And here’s the fore-edge of the book in its cover:

20130707_151831

Yup — that right there is what is technically known as an “oops”. The cover doesn’t *quite* come around far enough, with perhaps 2 mm of the text block showing at the widest point. I hadn’t been able to stretch the cover (or compress the text block) enough.

However, the book was solid, and my interior repairs to the vellum damage turned out nearly perfect. Here’s a picture from earlier which shows the damage:

20130607_123543

See that crack on the spine at the left side? Actually, if you look closely, you can see there’s a couple different cracks. Well, here’s an image of the spine at the same point with my repairs:

20130707_151900

The cracks are still there, but they’re no longer a structural problem. The underlying kozo will now handle the structural forces. That should mean the cover will work as intended, and propagation of the cracks further down the spine should be stopped for at least a couple centuries.

It’s not a perfect repair, and that tempers any temptation I might have to inflate my ego any more. But it’s a pretty damned good repair, one I can take a measure of satisfaction with.

I can live with that.

 

Jim Downey



Psst. Hey, wanna see something … special?

Remember that 700+ year old bible I posted about the beginning of June? This one:

20130607_123543

 

Well, this weekend I got started working on the book. And I thought I’d share  a couple of images of what I found inside, and what I’ve done to it so far.

Here’s the spine of the text block, once it had been freed from the cover seen above:

 

20130630_152328

That’s after I’ve removed the gross chunks of paper liners which were applied between the cords. I’ve since removed all the rest of the liners, first using a jeweler’s tweezers and then a scalpel. Anyway, I want to note the very evident lines of sewing stations (holes punched through the folios) from the original binding. That shows that the book has been rebound at least once.

Here’s another image:

20130630_154954

That’s an image of the interior of the cover. Which shows a couple of interesting things. First, you can see how the vellum of the cover molded itself to the spine of the text block over time. That sort of thing happens over *centuries*.

Second, how the supporting cords are laced into the cover. The sewing was done in a way that it wrapped around the cords, which helps to support the overall structure. The cords are then laced into a channel, looped over the board material, and then come back on the inside and are pasted down. This is VERY common of medieval and Renaissance bindings.

And lastly — note that the cover material is an early variety of bookboard. It’s NOT wood. This is a clue to the age of the binding. It means that it is after the introduction of papermaking to Europe. Which is to say, this book was probably rebound sometime in the 14th or 15th century. (Papermaking technology was introduced to Southern Europe late in the 13th century, but it took a little while to disseminate across the continent.)

So, I removed a couple of layers of more modern papers on the inside, and pulled the old ends of the cords out of the bookboard. Then I dampened the board on the inside, put it between moisture barrier sheets, and put it into a press to flatten overnight. Then once the spine of the text block was fairly clean I applied a layer of conservation adhesive (a blend of methyl-cellulose and poly-vinyl-acetate) and some fairly heavy Kozo-fiber paper, which I stippled onto the spine so that it would conform to the existing structure and hold everything in place. Like this:

 

20130630_170032

You’ll note that it extends past the text block on the left-hand side of the spine. I can trim that excess off with a scalpel once everything is dried. I should finish up the rest of the work tomorrow.

Oh, and speaking of tomorrow … remember, the week-long give-away of my books starts then!

 

Jim Downey

 



It’s not everyday …

It isn’t the oldest, rarest, or most interesting item I’ve ever worked on. But it’s not everyday that a 700+ year old book comes into my shop for conservation work. This one did yesterday:

20130607_123543

20130607_123435

20130607_123500

Here’s the official description of it, for those who might be interested:

Bible. Latin. [Biblia Latina] 1300. Bound in parchment ms. with neumic notation over boards ; leaf [103] torn with part of 1 column wanting; small stain on p. 1 partly hides incipit; trimmed, headings mostly lost. Prehumanistic minuscule script; rubricated. Lectionary? with different pen on final 2 leaves. Contents: Prol. in libros Salomonis — Proverbia — Ecclesiastes — Canticum canticorum — Sapientia — Ecclesiasticus — Joshua — Isaias –Jeremias — Ezechiel — Daniel — Osee — Joel — Amos — Abdias — Jonas –Michaeus — Nahum — Habacuc — Sophonias — Aggaeus — Zacharias — Malachias — Job – Judith — Esther — [Novum Testamentum]. Cover is a manuscript leaf of a parchment page with nuemes and a Gothic script with red initial letters from about about the same time.

 

It’s been a while since I shared any images from my conservation work, so thought I would.

In other news: still plugging along on St. Cybi’s Well. It’s going well.

Have a great weekend!

 

Jim Downey



Quick pix.

Remember this?

But that doesn’t mean that the book has to have an old look. Not at all. I’m playing around with some design ideas which will incorporate the cords, but which will feel more modern. Watch for some preliminary posts on that in a couple weeks.

OK, how about this?

Well, this afternoon NPR’s “All Things Considered” had a good piece about the tree, and the drought. And already I’ve had people ask whether it was the same one I had written about/used for the cover of Communion of Dreams.

Yup, that’s the same one. Here’s from the NPR website:

Well, can you take a guess what sort of design motif I’ve decided to use? Here, take a look:

Great Oak design.

Now, if you look at those images closely, you’ll see that there are a pair of lines just to the left of the tree trunk. Those indicate where the spine will be, just as with the paperback edition of the book:

Cutting the cover sheet - this is how it would normally be laid out for a conventional book.

Now, that’s all well and good, but how to create the ‘raised cords’ effect overall? Like this:

laying cords.

So far, so good. Now let’s test how it would look with some calfskin adhered down over that:

Calfskin test.

OK, I like that. But how will it look with goatskin? Here’s that:

Goat & calf tests.

OK, keep in mind that these are just tests to see how the leather looks over the raised cords. I’m happy with the results. But now I need to convert that simple bas relief 2-dimensional effect into a fully functional 3-dimensional sculpture which also happens to be a comfortable-to-read book, using some of the cords above as part of the actual structure of the book.

Sound difficult? Yeah, but remember that this has been my profession for over two decades. I like a nice challenge.

Just thought I’d share that little progress report.

Jim Downey




Design a site like this with WordPress.com
Get started