Filed under: Art, Book Conservation, Brave New World, Connections, General Musings, Genetic Testing, Health, Humor, Machado-Joseph, New Horizons, Predictions, Preparedness, Science, Society | Tags: art, arthritis, ataxia, balance, blogging, book conservation, bookbinding, Communion of Dreams, fasciculation, genetics, guns, health, jim downey, Legacy Bookbindery, Machado-Joseph Disease, medicine, MJD, MMJ, neurology, neuromuscular disease, pain, peripheral neuropathy, SCA3, Science Fiction, spinocerebellar ataxia type 3, St. Cybi's Well, travel, vertigo, Wikipedia
For about 30 years, I’ve been a conservator of rare books & documents.
That came to an end yesterday when I met with my last institutional client and explained that I need to retire officially as a practicing conservator. Since they follow my blog posts and social media presence, this did not come as a surprise.
As I was driving home from the meeting, I was working through a fairly predictable mix of emotions. Guilt, because I know that this means that important works in their collection won’t get the treatment they need anytime soon. Relief, because now I won’t worry about accidentally damaging some important/valuable book or document. Loss, because my career was now over. Pride, because I know that I have done good work over the years, and made a real difference. And disorientation, because for some 30 years a big part of my identity was being a Book Conservator in private practice — something almost as rare as many of the items I have worked on over the last four decades.
I think anyone who reaches retirement age probably has some mixed emotions about actually retiring. But for most people, they’re ready to retire — to live life on their own terms, to travel, to just get out of the office, to get away from annoying co-workers.
The problem is, I wasn’t ready to retire. And I had already arranged my life so that I lived it largely on my own terms. I’ve traveled. I didn’t have an office I had to go to. I don’t have co-workers who annoy me. I had honestly expected that I would continue to do conservation work until old age claimed me, since the work is typically not strenuous.
MJD had other ideas, as I’ve noted.
So, officially, I am no longer a Book Conservator.
Yes, I am still many other things. An artist. A writer. A cool, handsome guy who is just 64 and certain that he’s still a babe magnet.
OK, maybe not that last one.
But the point remains that there are still many facets of my identity that remain, even though I have of necessity set aside the title “Book Conservator”.
I suppose “Retired Book Conservator” still sounds pretty cool.
Jim Downey
Filed under: Alzheimer's, Amazon, Connections, Feedback, General Musings, Kindle, Marketing, Predictions, Preparedness, Promotion, Publishing, Science Fiction, Writing stuff | Tags: Alzheimer's, Amazon, BBC, care-giving, caregiving, Communion of Dreams, direct publishing, Her Final Year, Kickstarter, mathematics, More or Less, Science Fiction, St. Cybi's Well, statistics, writing
This past weekend a broadcast of the BBC show/podcast “More or Less” caught my ear, as it was discussing the economics of conventional trade publishing. I would encourage listening to the entire thing (about 9 minutes), but the basics are:
- Of about 50,000 new titles published in a year, just 0.4% will sell more than 100,000 copies
- To ‘break even’, a title needs to sell about 5,000 copies
- Some 86% of all titles sell fewer than 5,000 copies
- Something like 15% sell fewer than a dozen copies
Whoa.
I knew the numbers weren’t good, and that I had been relatively successful with self-publishing my own books (after years of trying to land a conventional publishing deal), but I had no idea that they were that dismal.
For perspective, all three of my books broke that 5,000 threshold the first year that they were available. And two went on to break it again the second year. Total downloads (ballpark numbers) for each of my books so far:
- Communion of Dreams: in excess of 50,000 downloads from Amazon, with another ~25,000 downloads of the prior pdf before that
- Her Final Year: in excess of 11,000 downloads from Amazon
- St Cybi’s Well: in excess of 9,000 downloads from Amazon
I’ve been mildly disappointed in the performance of St Cybi’s Well, but that is largely in comparison to Communion of Dreams, which was published a decade earlier (and which has continued to see strong sales/downloads each year). This kind of puts that into perspective.
One thing I want to mention: free downloads. Yeah, that skews the numbers a bit, but not as much as you might think for the two novels. For those, free downloads account for about 15% of SCW and about 20% of CoD totals. HFY saw a much larger percentage of free downloads, but that was because we saw the book more as a public service to other care-givers than a moneypot.
Oh, and “best seller”? Other info I’ve seen indicates that about 50,000 copies is typically considered a best seller in the trade publication industry. Now, that’s for one-year sales, not cumulative sales over a decade. But still, it makes me feel pretty good about how CoD has done.
Jim Downey
Filed under: 2nd Amendment, Art, Book Conservation, Brave New World, Connections, Feedback, General Musings, Genetic Testing, Guns, Health, Machado-Joseph, Predictions, Preparedness, RKBA, Science Fiction, Travel, Writing stuff, YouTube | Tags: art, arthritis, ataxia, balance, black powder, blogging, book conservation, bookbinding, Communion of Dreams, fasciculation, genetics, guns, health, jim downey, Legacy Bookbindery, Liberal Gun Club, Machado-Joseph Disease, medicine, MJD, MMJ, neurology, neuromuscular disease, pain, peripheral neuropathy, SCA3, Science Fiction, spinocerebellar ataxia type 3, St. Cybi's Well, travel, Utah, vertigo, wabi-sabi, Wikipedia, www youtube
Recently I drove out to Las Vegas, for the first post-Covid national meeting of the Liberal Gun Club (I can be seen at several points in the video, wearing a red & white flannel shirt). It’s a drive I’ve made previously in two days (about 12 hours each day), but I decided that it would be wise for me to split it up into three days each way, to better reduce my stress and better accommodate the unpredictable episodes of MJD symptoms (since I didn’t want to take any of the painkillers or MMJ stuff that help me manage those episodes while I was driving).
It was a good decision. When I had an flair-up of symptoms, I knew that I could take a break without feeling a lot of time-pressure.
And it gave me more time to think.
To think about this past year, and where I’ve found myself. To think about the LGC event (particularly after it was over, and I could reflect upon what happened there). To think about the near-term future.
As I noted yesterday (and in this series of MJD-related blog posts generally), it’s been a challenging year. And there’s nothing like going naked (in the sense of not taking any meds) for a prolonged period of time to show you, honestly and clearly, what your real condition actually is.
Mine isn’t bad. But it is perhaps a lot worse than I had realized, in my day-to-day life. That’s because being able to take things that help manage it means that I can largely ignore the symptoms. Without those meds, though, the truth tends to be a little sharper edged (as is the pain). While teaching a black powder workshop I had hand spasms that were so bad I couldn’t hold onto the gun I was using at the time, let alone manage to load it. So much for the idea that being focused on a given task (which I was) would be enough to set aside that symptom. I verbally walked my students through the process, and we got on the other side of it fine. But it was a sobering moment.
A moment that drove home the idea that it was time for me to make some changes. Specifically, that it is time for me to pretty much completely retire from conservation work. As I noted in this blog post last May:
As a conservator, I can’t afford to celebrate my mistakes. There will of necessity come a time when I need to stop doing conservation work, out of respect for the items entrusted to my care. That time is rapidly approaching; indeed, it may already be here.
I think I crossed that line sometime this summer. So the time has come for me to (mostly) stop doing conservation work altogether, at least in terms of being hands-on.
That’s a big change for me. I’ve largely defined myself as being a book conservator for 30 years.
* * *
Western Utah is stunning. But also bleak. And more than a little alien to my Midwestern eye.
I think those vistas, and the mental space I was in on my drive home, helped me realize something else.
That I’m ready to start writing a sequel to Communion of Dreams.
I hesitate even mentioning this, since I had so many people after me about the long delays in writing St Cybi’s Well. But I decided to share it to help offset the seemingly ‘bad’ news that I need to retire as a conservator.
So here’s the deal: don’t ask how it is going, or when I expect it to be done. I’m at the very beginning of the whole process, and it is likely to take years. I may occasionally mention things about it. Or not. But asking me about it is not going to get any additional information beyond what I volunteer, and will just annoy me. You can wish me well with the writing, but leave it at that, OK?
Thanks.
Jim Downey
Filed under: Amazon, Art, Book Conservation, Connections, General Musings, Kindle, Marketing, Promotion, Publishing, Science Fiction, tech | Tags: Amazon, book art, book conservation, book design, bookbinding, bookbinding techniques, Communion of Dreams, Kickstarter, Legacy Bookbindery, Science Fiction, St Cybi's Well, writing
Last May, I wrote about the process of designing and executing the artistic leather bindings of Communion of Dreams. Now that all of my Kickstarter backers have made their choices, I thought I’d give a preview of the process of designing and executing the artistic leather bindings of St Cybi’s Well.
I had a piece of Preseli Bluestone from the quarry at Craig Rhosyfelin (which is the source for the Stonehenge Bluestones in the inner ring). This site appears in a scene in chapter 8. Well, I had the stone cut into 14 slices (two times the magical number 7). Which I then used to construct a “well” as the cover design. The center of the well has thin blue leather to represent the water in the well. Like this:
Each of the 14 leather-bound copies will have one actual slice of the stone mounted on top of the leather, and thirteen ‘stones’ of bookboard under the leather for bas relief. In this way, all fourteen copies of the leather-bound edition will be connected into one “well”. Here are two examples:
As with the titling for Communion of Dreams, the letterforms are etched using my Glowforge laser, then infilled with real gold leaf.
The other major design decision was what to do for the endpapers. Communion of Dreams had marbled endpapers. For St Cybi’s Well I wanted something different. Thinking through the various visuals in the book, one recurrent image I used was of a Celtic spiral. A symbol of whirlpools and infinity, but also of the transition between realms of reality. Combine that with the ‘healing energy’ in the novel characterized as being a luminous blue. So this is what I came up with: a thin sparkly blue spiral, cut with the laser from commercial glitterpaper stock. It will be mounted onto black endpapers, one each on the paste-down sheets front and rear. Here’s an example:
I do have all the text blocks sewn up and ready to use. I’ve ordered the leather, and soon will be completing these bindings. There are five text blocks and five stones (numbers 1, 4, 5, 6, and 11) still available. If you’re interested in one, you can still choose your color of leather. Details here. Once I finish the nine books for my Kickstarter backers, I’ll just finish the remaining five in leather of my choosing (and raise the price).
I’ll post pics when I have the first batch finished.
Jim Downey
Filed under: Amazon, Art, Book Conservation, Connections, Failure, General Musings, Kindle, Marketing, Promotion, Publishing, Science Fiction, tech | Tags: Amazon, book art, book conservation, book design, bookbinding, bookbinding techniques, Communion of Dreams, Kickstarter, Legacy Bookbindery, Science Fiction, St Cybi's Well, writing
It’s been five years since I last wrote about my efforts to come up with a satisfactory cover design for the premium leather edition of Communion of Dreams. Well, needless to say, a lot has happened since then. Not the least of which was getting, and learning to use, my Glowforge laser.
And now I’ve finally resolved the many different design and execution issues to my satisfaction, to the point where I’m completing the promised leather-backed copies for my Kickstarter supporters. Here it is:
This is going to be a bit about this binding, and how it differs from the hardcover cloth binding.
First thing, the sewing is different. Rather than just being sewn onto linen tapes, the books are sewn onto heavy linen cords:
Why the weird arrangement? So that those cords provide additional texture to the spine of the finished book, along the location of where the tree branches are (see the first pic above). Once the sewing was done, the text blocks were glued up and rounded slightly. All of that was very straight-forward.
However, as noted in that blog post in 2016, the problem I had was trying to achieve the raised texture of the tree for the rest of the cover. I played around with a bunch of different solutions, until I settled on using the laser to cut out a slightly abstracted version of the Burr Oak image:
That’s in the bed of the laser. The material is archival 50pt board. Trying to cut out such an image by hand would take me hours, probably. The laser does it in about four minutes. (Though I did spend some considerable amount of time coding the design so the laser would do it.)
Here’s the image free of the surrounding board:
That is then pasted onto a sheet of paper, and the book cover boards are mounted on the back in the appropriate location. Then it is time to mount the leather, and impress it such that the tree is in relief, with this result:
(Actually, that was a practice piece, not the final version pictured above. But I forgot to take an image of the final version at this stage.)
The edges of the leather are then turned-in, and the corners formed. This gives you a finished case (what bookbinders call the cover).
Next, need to do the titling. And this is where the laser once again comes in very handy, though it took me a while to get just the right technique worked out. After the design for the title is done, the leather is masked and then engraved with the laser to an appropriate depth:
Once that is done, the engraved areas are cleaned of residual charred leather, and gilding size applied:
Once that cures, then it’s time to apply the gold leaf:
Now, that’s real gold, in multiple layers, about $25 worth. This process is different than traditional gilding done by bookbinders, so I had to work up a whole different process to do it (based on my experience with traditional gilding). The result is very satisfactory, though, since I have a much greater range of options for the final design.
Once the titling work was done, it was time to prepare to mount the text block to the case. First, I tear the outer page of the outer signature, and trim the cords to the appropriate length:
This combination, with the two liner tabs, will make for a *very* secure mounting to insure the cover and text block stay together. Then, you fray out the linen cords, so that they will not present excess bulk inside the cover:
Then the whole thing is pasted out and mounted inside the case, similar to how the hardcover cloth bindings were done. Once everything is dry and secure, I added endpapers of hand-marbled paper I made:
Giving the finished product:
I tried a lot of different color combinations, and have decided that this is the one I think works the best (and echoes the original cover nicely). My Kickstarter backers have the option of choosing a different color, but henceforth this will be the only color option available for other collectors.
Next, after finishing these bindings: designing the premium leather binding for St Cybi’s Well.
Jim Downey
Filed under: Amazon, Art, Book Conservation, Failure, General Musings, Kindle, Marketing, Promotion, Publishing, Science Fiction, Wales, Writing stuff | Tags: Amazon, book art, book conservation, book design, bookbinding, Communion of Dreams, Kickstarter, Legacy Bookbindery, Science Fiction, St. Cybi's Well, writing
Last week I went through the mechanics of turning words into books. Today I’d like to talk a little bit about the economics of that, as well as being an author.
When I set up the Kickstarter for St Cybi’s Well lo these many years ago, a lot of my estimates in deciding on what goals to shoot for were based on … blind faith, to be perfectly honest.
I’d published Communion of Dreams, and had some sense of the possible income that could generate, as well as the amount of work that went into writing/editing/formatting it. But I really had no idea what the costs would be for printing and hand-binding copies of that book or the yet unwritten St Cybi’s Well. I had a pretty good handle on how much time it would take me to do the hand binding, based on my book conservation work. And likewise, what the cost of materials would be, other than the printing. Now that I’ve gone through all of that with both books, I have a much better idea of how costs break down, so I thought I would share all of that.
Based on 55 copies (edition of 53, plus two author/artist proof copies), the actual out-of-pocket expense runs about $50 per copy for the two different books. That covers the cost of the oversize archival paper (so the grain/drape of the pages is correct for hand binding), the printing, and going to collect the printed pages. It also covers the cost of archival bookboard and cover cloth. (The leather copies are two or three times as much, depending on the actual leather used.) Were I to bind a single copy, it would take me about 2 hours of labor. If I bind multiple copies at a time, that drops to about 1.5 hours of labor. (Leather is about 2x the labor.)
My Kickstarter goal was $17,000. Which succeeded. After deducting the fees paid to Kickstarter, and the costs of the different “rewards/premiums” for the backers, I wound up with about $12,000. Which, truthfully, isn’t a bad advance for a relatively unknown author.
It took me seven years of writing work to finish St Cybi’s Well, rather than the one or two years I originally expected. That was both embarrassing and stressful, since I made promises to people I didn’t fulfill. But it’s over, and everyone seems happy with the end product, so let’s just talk about the amount of labor that went into it. I’d conservatively guesstimate that I have something on the order of 2,000 hours of labor in writing, rewriting, editing, and then composing (the last is mostly thanks to my Good Lady Wife) the book. That *might* be as much as twice as long as it took me to do the same with Communion of Dreams, though spread out over a longer period of time. So, do the math, and I earned about $6 per hour.
That’s just the Kickstarter, of course. Now that the book is done, I’ll continue to earn money on purchases of the downloads, printed paperbacks, and special order hand-bound copies. How much is hard to say. I have had about 40,000 downloads of Communion of Dreams, though a big chunk of those are free downloads. Still, with Amazon’s system, 2/3 of every sale goes to the author (as opposed to like 5-7% for conventional royalties with a publisher), and that adds up. To date, I’ve only had about a thousand downloads of St Cybi’s Well, and most of those have been free downloads. Which has been a little disappointing, but we’ll see how things go over time.
As for the printed paperback copies, there I earn a bit more from Amazon than I would for the downloads, but not a lot. And they don’t amount to very many sales. The signed copies I sell directly do a little better still, but again, that’s just a handful of books per year.
As for the hand–bound books, there I do make a lot more, about $150 per copy. But my conservation labor is billed at $200 per hour, so at 1.5 hours of labor, I’m making half of what I would professionally. The return on the leather bound copies is even worse.
So, why do it? Why even offer those books on the websites?
Because I enjoy it. I enjoy knowing that the books that I create will be enjoyed, perhaps cherished. Read, and passed down to children and grandchildren. Like most artists, I’m willing to trade some financial reward for that satisfaction, and I can afford to do so. Maybe it shouldn’t be the case, and it wouldn’t be the case ideally, but we do what we can under the circumstances.
Anyway, my books will be available for free download tomorrow (the First of the month, as always). Give ’em a try. If you like ’em, you’re always welcome to either purchase a download or one of the physical copies later, if you can afford to do so. But don’t feel guilty if you can’t; as noted I can afford to give them away, and take joy in knowing people read them.
Jim Downey
Filed under: Amazon, Art, Book Conservation, Pandemic, Plague, Publishing, Science Fiction, Society, Wales, Writing stuff | Tags: Amazon, book conservation, bookbinding, Communion of Dreams, Covid 19, Covid-19, Kickstarter, Koob, Legacy Bookbindery, life, pandemic, St. Cybi's Well, writing
As I noted a couple of months ago, I found a printer to produce the pages for a hand-bound copy of St Cybi’s Well. This is a photo-essay of the process of turning those pages into finished books. This is not intended to be actual instruction on how to bind books.
If you would like your own hand-bound copy of St Cybi’s Well or Communion of Dreams, click the links. Each edition is limited to just 53 numbered copies, plus two Artist’s/Author’s proof copies. At either link you can also order one of the remaining copies of the Amazing Koob, as well as signed paperback copies. And of course, you can always download the books from Amazon (remember, they’re free on the first of each month).
That completes the next-to-last phases of my Kickstarter. The final phase will be the design and completion of the leather bindings.
Jim Downey
Filed under: Amazon, Augmented Reality, Brave New World, Connections, Emergency, Feedback, Flu, Google, Humor, Kindle, Pandemic, Predictions, Science Fiction, tech, Travel, Wales, Writing stuff | Tags: Amazon, Communion of Dreams, coronavirus, Covid 19, Craig Rhosyfelin, epidemic, Google, pandemic, predictions, reviews, St. Cybi's Well, technology, travel, writing
One of the early reviews of St Cybi’s Well added this note under “TRIVIA”:
And several people have commented both on Amazon and on Facebook that the book could function as something of a travelog.
That’s very much by design. The chapter header URLs & info I used in the book are straight from real sites online, though I intentionally used versions which date back to ~ 2012 (the date in the novel) whenever possible. And likewise, each location specified in the book is real. As well as every bit of Welsh history or myth I used.
I did this to lend the book verisimilitude. I really want readers to wonder just how possible the story is, to feel that ‘thinness’ I describe between one reality and another in the book. I want them to visit the sites mentioned, to feel what I have felt there.
I didn’t start writing the book with this in mind. I figured that I would simply use my own experience in traveling in Wales to ground the book in reality, and use what little I knew of Welsh history & mythology to help add color. But as I wrote, I found myself digging deeper and deeper, spending more time visiting sites virtually, until they became very well known to me.
After a while, I started to lose track of whether I had actually visited some of the sites in person, or had only visited them online. This led to the very surreal experience during a trip we took in 2017 where in going to Craig Rhosyfelin I was absolutely certain that we had visited the site previously … but also absolutely certain that we never had (the latter which was confirmed by my wife). I had spent so much time exploring the site virtually, working through the descriptions and history of it, writing the interaction of characters there, that it really did feel like I had my own personal memories of the place. Bizarre.
The same is true of several other locations in the book, to the point where my wife and I now joke about it. “Did we actually go there, or … ?” has become a standard in our travels.
And of course now, with the limitations imposed by our own real pandemic, such virtual travel is all we have at present. So if you need a vacation, maybe spend a little time in my novel. The links included on the website will help.
Jim Downey
Filed under: Amazon, Artificial Intelligence, Brave New World, Connections, Emergency, Expert systems, Feedback, Google, Humor, Kindle, Marketing, Pandemic, Plague, Predictions, Publishing, Science, Science Fiction, Society, tech, Writing stuff | Tags: A.I., Alexa, Amazon, Andi, Communion of Dreams, coronavirus, Covid 19, epidemic, Google, News, pandemic, predictions, reviews, Seth, Siri, St. Cybi's Well, technology, Travis M. Andrews, Washington Post, writing
In Communion of Dreams, I have “experts” who are A.I. assistants. As I describe them in that book when I introduce one as the character ‘Seth’:
His expert was one of the best, one of only a few hundred based on the new semifluid CPU technology that surpassed the best thin-film computers made by the Israelis. But it was a quirky technology, just a few years old, subject to problems that conventional computers didn’t have, and still not entirely understood. Even less settled was whether experts based on this technology could finally be considered to be true AI. The superconducting gel that was the basis of the semifluid CPU was more alive than not, and the computer was largely self-determining once the projected energy matrix surrounding the gel was initiated by another computer. Building on the initial subsistence program, the computer would learn how to refine and control the matrix to improve its own ‘thinking’. The thin-film computers had long since passed the Turing test, and these semifluid systems seemed to be almost human. But did that constitute sentience? Jon considered it to be a moot point, of interest only to philosophers and ethicists.
In the world of 2052, when Communion is set, these “experts” are ubiquitous and extremely helpful. Seth is an “S-series”, the latest tech, and all S-series models have names which start with S. I figured that naming convention would be a nice way to track the development of such expert-systems technology, and in the course of the book you see earlier models which have appropriate names.
So when the time came to write St Cybi’s Well, I figured that I would introduce the first such model, named Andi. Here’s the first bit of dialog with Andi:
“Hi, I’m Andi, your assistant application. How can I help you?”
“Andi, check local restaurant reviews for Conwy and find the best ranked Fish & Chips place.”
“You’re not in Conwy. You’re in Holywell. Would you rather that I check restaurants where you are?”
“No, I’m not hungry yet. But I will be when I get to Conwy.”
“Very good. Shall I read off the names?”
“Not now. It can wait until I am closer.”
“Very good. Shall I track your movement and alert you?”
“No.”
“Very good. May I help you with something else?”
“Not right now.” Darnell shut off the app, then the phone, and dropped it back into his pocket. The walk back to his car was uneventful.
Now, I wrote this bit almost eight years ago, long before “Siri” or “Alexa” were announced. But it was predictable that such technology would soon be introduced, and I was amused as all get-out when Amazon decided to name their first assistant as “Alexa”.
Anyway, I also figured that since the technology would be new, and unsophisticated, that Andi would be slightly annoying to use. Because it would default to repetitions of scripts, be easy to confuse, et cetera, similar to encountering a ‘bot on a phone call. And you can judge for yourself, but I think I succeeded in the book — the readers of early chapters thought so, and commented on it.
So this article in the morning Washington Post made me chuckle:
Heh. Nailed another prediction.
* * *
It’s the first of the month. That means that both novels and our care-giving memoir are available for free download, as they are the first of each month. If you haven’t already, please help yourself and tell your friends.
Jim Downey
Filed under: Art, Bipolar, Book Conservation, Connections, Depression, Health, Politics, Predictions, Religion, Science Fiction, Society, Survival, tech, U of Iowa Ctr for the Book, Writing stuff | Tags: art, bipolar, blogging, book conservation, bookbinding, Cheryl Jacobsen, Communion of Dreams, creative process, darkness, depression, Glowforge, goatskin, health, jim downey, Kickstarter, laser, leather, Legacy Bookbindery, literature, manic, mental health, predictions, Robert Funk, Science Fiction, society, St. Cybi's Well, survival, The Gospel of Jesus, The Jesus Seminar, UICB, Westar Institute, writing
It’s … been a while.
And a lot has happened. Mostly good.
* * * * * * *
Many years ago, a friend got involved in something called “The Jesus Seminar“, which eventually produced (among other things) The Gospel of Jesus.
My friend commissioned Cheryl Jacobsen, well-known calligrapher and friend of mine from my UI Center for the Book days, to do a hand-lettered edition of the book as a gift for Robert Funk, the founder of the Seminar. The work was done on calligraphic vellum, and when it was completed, I did the binding. This is it, which I have used as the main image on my business homepage for at least a dozen years:
And here’s the descriptive text from my site:
The Gospel According to Jesus: Full leather contemporary case binding, shown here as tooling is being done. Collaborative work with calligrapher Cheryl Jacobsen of Iowa City. Sewn on linen tabs, cover mounted to text block using adhesive. Covered full in burgundy Chieftain Goatskin, blind tooled using a hot brass folder.
It’s a lovely, but very simple and traditional binding.
* * * * * * *
Communion Of Dreams 