Communion Of Dreams


Well, I suppose that’s meant to be encouraging …

Thanks to everyone for helping make the promotion a success — I think we got an excellent response for a book which has been available for some 18 months, with 1,366 total downloads of Communion of Dreams! That breaks down as 1,193 in the U.S. market, 66 in the U.K., 102 in Germany, two in India, and 3 in Canada. It may be silly, but I think that it’s a real hoot that there are people in India who have downloaded my book.

And it wasn’t just Communion of DreamsHer Final Year also was downloaded by someone in India with this week’s promotion. And altogether there were 272 total downloads of that memoir.

There is also a new review of Communion of Dreams up on Amazon. Here’s a bit of it:

I’ve been reading science fiction for over 40 years, and it’s my favorite subject, but I’ll be very honest and say that even after reading this entire book, I could not understand what the artifact actually was. I also did not understand what the burl was, nor what the gel was. I think this story could have been a lot more exciting if it was trimmed down by 50%. I applaud the author’s first efforts at writing, but I think he should try again.

Well, gee, I suppose that’s meant to be encouraging, and the reviewer does end with:

“Practice makes perfect — best of luck with your next book!”

So maybe they’ll like St. Cybi’s Well if I don’t spend too much time with characters, setting, or have too many difficult concepts in it.  And I probably shouldn’t have it set in Wales, since that’s not science-fictiony enough. I’ll have to keep that in mind.

*Sigh*

If you have some thoughts on the book to share, I’m always happy to have the additional reviews.

Well, maybe make that I’m usually happy to have the additional reviews.

 

Jim Downey

 



Good times, bad times … *

Partially related to stuff which happens in St. Cybi’s Well, but also I suspect because I just turned 55, I’ve been thinking about “time” a lot. The perceptions of it, how it ‘works’, how it is portrayed in books and movies. This topic is hardly new for me, though, since tropes about time travel are so common in Science Fiction.

Anyway, one interesting little side-track I was considering this morning was what you could do with a series of stories/books premised on a slightly different concept of time than what we commonly work with. Specifically, I was thinking of time as a manifestation of other aspects of the universe, analogous to how weather is a manifestation of other physical characteristics on a planet.  You could have something like a “time forecast”, wherein changes in the quality of time itself had an impact on the story/characters. Perhaps our little corner of reality has long been in a ‘calm’ period of time weather, with things moving along smoothly and placidly, so that we’ve come to expect that it will always be that way. What happens when there’s a change? Perhaps a new front moves through? A storm? A tornado? Does everything get jumbled, a la October The First is Too Late? Perhaps it could literally be the best of times and the worst of times simultaneously.

Something to play with. But for now, I need to get back to work. And you, if you haven’t already, should take advantage of this last day of the week-long promotion and go download Communion of Dreams and/or Her Final Year.

 

Jim Downey

*Naturally.



5-by-5.*

Happy Independence Day, everyone!

And a quick update on how things are going with the promotion so far: almost 1300 downloads of Communion of Dreams, and the current ranking for that book is #647 overall in the Free Kindle Store (it down all the way to #289 at one point on Tuesday evening!) And Her Final Year is presently at #1,570, with 231 downloads so far. Remember, the promotion ends tomorrow night — so take advantage of it now!

Have a safe & fun Fourth!

Jim Downey

*Because I’m 55, get it? Yes, I am so very clever. Also because of the meaning of “five by five“, which is unknown to most people these days, belonging to another era.



A reminder …

… that the promotion is now running, and both Communion of Dreams and Her Final Year are now free to download!  Things are off to a good start, and as I write this Communion of Dreams has been downloaded 500 times already, and is currently doing quite well in the Kindle rankings. Things have been a bit slower for Her Final Year but it is still doing well, and for the first time ever I’ve had one of my books downloaded by someone in India. That’s pretty cool.

So, if you haven’t gotten your copy of either book — or if you know someone who may be interested in either one — this is the time to act! Get ’em while they’re hot!

 

Jim Downey



Psst. Hey, wanna see something … special?

Remember that 700+ year old bible I posted about the beginning of June? This one:

20130607_123543

 

Well, this weekend I got started working on the book. And I thought I’d share  a couple of images of what I found inside, and what I’ve done to it so far.

Here’s the spine of the text block, once it had been freed from the cover seen above:

 

20130630_152328

That’s after I’ve removed the gross chunks of paper liners which were applied between the cords. I’ve since removed all the rest of the liners, first using a jeweler’s tweezers and then a scalpel. Anyway, I want to note the very evident lines of sewing stations (holes punched through the folios) from the original binding. That shows that the book has been rebound at least once.

Here’s another image:

20130630_154954

That’s an image of the interior of the cover. Which shows a couple of interesting things. First, you can see how the vellum of the cover molded itself to the spine of the text block over time. That sort of thing happens over *centuries*.

Second, how the supporting cords are laced into the cover. The sewing was done in a way that it wrapped around the cords, which helps to support the overall structure. The cords are then laced into a channel, looped over the board material, and then come back on the inside and are pasted down. This is VERY common of medieval and Renaissance bindings.

And lastly — note that the cover material is an early variety of bookboard. It’s NOT wood. This is a clue to the age of the binding. It means that it is after the introduction of papermaking to Europe. Which is to say, this book was probably rebound sometime in the 14th or 15th century. (Papermaking technology was introduced to Southern Europe late in the 13th century, but it took a little while to disseminate across the continent.)

So, I removed a couple of layers of more modern papers on the inside, and pulled the old ends of the cords out of the bookboard. Then I dampened the board on the inside, put it between moisture barrier sheets, and put it into a press to flatten overnight. Then once the spine of the text block was fairly clean I applied a layer of conservation adhesive (a blend of methyl-cellulose and poly-vinyl-acetate) and some fairly heavy Kozo-fiber paper, which I stippled onto the spine so that it would conform to the existing structure and hold everything in place. Like this:

 

20130630_170032

You’ll note that it extends past the text block on the left-hand side of the spine. I can trim that excess off with a scalpel once everything is dried. I should finish up the rest of the work tomorrow.

Oh, and speaking of tomorrow … remember, the week-long give-away of my books starts then!

 

Jim Downey

 



Magnet magic, with a twist.

Via BB, fun with physics:

 

I think it’s particularly clever that they made the track a Möbius strip, in order to demonstrate how the gravitational field can be used to both float and suspend the superconducting magnet. Reminds me of this bit from chapter 5 of Communion of Dreams:

The man was a bit of a lunatic. But he was a brilliant engineer who had an almost intuitive understanding of the Apparent Gravity phenomenon, and was the first to propose that it could be adapted for use as a propulsion system. He figured out a way to trick an AG field into thinking that it was in a stable inertial reference by projecting it in front of a ship, and thereby essentially have the ship – and generator – continuously ‘fall’ into the field. The Hawking was the first ship equipped with the new reactionless drive system.

Remember, both Communion of Dreams and Her Final Year will be free all next week

 

Jim Downey

 

 



Happy birthday to me, happy birthday to me …

As I’ve noted previously, July 4th is my birthday (secondary thought – damn, this blog is six years old!).  And in something of a “Hobbit’s Birthday” spirit, again this year I’m going to run a promotion in celebration. But because I’m turning 55, it’s going to be a bit different than last year. Instead, the Kindle edition of Communion of Dreams will be free for 5 days – yup, July 1st through July 5th.

And that ain’t all. Nope. At the same time, from July 1st through July 5th, the Kindle edition of Her Final Year will also be completely free.

And that still ain’t all. Nope. When the promotional period is over, the Kindle edition price for each book will drop to just $3.01. Why $3.01? Well, because of Amazon’s policies, it’s best to keep the price over $2.99. And I like the ‘shape’ of 301, mild synesthete that I am. And the number has some interesting properties. So, $3.01 it is.

And remember, you don’t even need an actual Kindle to enjoy either book, because there is a free Kindle emulator/app for just about every computer/tablet/mobile device out there. Earlier this year I installed the app on my Android phone, and I’ve been happily using it in lieu of my Kindle since.

So, starting Monday: five free days of Communion of Dreams. And five free days of Her Final Year. 5 + 5 for my 55th birthday. Help make it a good one, and spread the word. Thanks.

 

Jim Downey



Quick pix.

Remember this?

But that doesn’t mean that the book has to have an old look. Not at all. I’m playing around with some design ideas which will incorporate the cords, but which will feel more modern. Watch for some preliminary posts on that in a couple weeks.

OK, how about this?

Well, this afternoon NPR’s “All Things Considered” had a good piece about the tree, and the drought. And already I’ve had people ask whether it was the same one I had written about/used for the cover of Communion of Dreams.

Yup, that’s the same one. Here’s from the NPR website:

Well, can you take a guess what sort of design motif I’ve decided to use? Here, take a look:

Great Oak design.

Now, if you look at those images closely, you’ll see that there are a pair of lines just to the left of the tree trunk. Those indicate where the spine will be, just as with the paperback edition of the book:

Cutting the cover sheet - this is how it would normally be laid out for a conventional book.

Now, that’s all well and good, but how to create the ‘raised cords’ effect overall? Like this:

laying cords.

So far, so good. Now let’s test how it would look with some calfskin adhered down over that:

Calfskin test.

OK, I like that. But how will it look with goatskin? Here’s that:

Goat & calf tests.

OK, keep in mind that these are just tests to see how the leather looks over the raised cords. I’m happy with the results. But now I need to convert that simple bas relief 2-dimensional effect into a fully functional 3-dimensional sculpture which also happens to be a comfortable-to-read book, using some of the cords above as part of the actual structure of the book.

Sound difficult? Yeah, but remember that this has been my profession for over two decades. I like a nice challenge.

Just thought I’d share that little progress report.

Jim Downey



Because …

… I’m a big 2001: A Space Odyssey fan, as well as a paleo-future geek, I offer this wonderful insight into my past/future:

“2001: A Space Odyssey” Howard Johnsons Children’s Menu (1968)

Yeah, that’s what it was like back in ’68. Definitely.

 

Jim Downey

Via MeFi.

 

 



Goodbye, Herr Gutenberg.

My wife came through the kitchen, past the back door, and stepped into my bindery. I was in the process of gathering and folding the sections for the limited edition of Communion of Dreams. I paused, looked up.

“Did you see Annie’s email?” she asked.

I sighed. “Yeah, just a few moments ago.”

* * * * * * *

Because of the crazy weather we’ve had this spring, it seems like everything has been out of kilter in the garden. As a result, I’m just now getting around to doing the usual spring maintenance on the raised strawberry bed. Yesterday, as I was finishing up the weeding, having removed a couple bushel baskets worth of henbit and no small amount of rogue grass, I decided to see if I could get out the entire root of some large and nasty prickly thing.

To do this, I dug down into the surrounding soil with a weeding tool, then grasped the base of the plant with a large pair of old pliers. These plants are tenacious, and this is about the only way I have found to get most of their roots out of the ground without resorting to explosives. Anyway, I got a good grip on the root with the pliers, positioned myself, and pulled mightily.

The root started to come out. But then it snapped off suddenly. My right hand, grasping the pliers, flew free. For about 8 inches. Then it encountered the back edge of the concrete block used in construction of the raised bed. I knew I had broken the fourth metacarpal (the bone in the hand which goes from the wrist to your little finger) before I even raised my hand to look at it.

* * * * * * *

I met him by accident, and it changed my life. It’s a story I’ve told many times, but I don’t recall writing about it before.

I was a couple semesters into work on my MA in English Lit at the University of Iowa. I was looking to get a drop/add slip signed, and opened the wrong door.

See, there were these two doors, side by side. The one on the left went where I intended to go. The one on the right led into the Windhover Press, the fine letterpress at Iowa. But I didn’t notice the sign on the door, and didn’t realize my mistake until I was already a step or two inside.

A short, greying man wearing thick glasses was busy doing … something … behind a piece of machinery I didn’t recognize. He looked over the top rim of his glasses, and gruffly asked: “Can I help you?”

It should have been my cue to stammer out an apology for interrupting him, then turn and leave.

Instead, I stopped, looked around more. It started to sink in what it was I was looking at. “Wow, what *is* this place?”

My appreciation for tools and fine equipment must’ve shown on my face.  He smiled. Just a little. And stepped out from behind the Vandercook proof press he was working at, wiping his hands on the  (once) white apron he was wearing. “Like it says on the door, this is the Windhover Press. The fine letterpress. We make books here. By hand.”

“People still do that?” Well, I knew that they did. In the abstract. But being confronted with the no-nonsense reality of it had me a bit stunned.

“Yeah. Let me show you around.”

He did. I was fascinated. I did drop the class I was planning on dropping, but rather than some class on literary theory I added in a class on “The Hand Printed Book”.

* * * * * * *

‘He’ was Kim Merker. I spent two semesters taking his class. And I learned a lot about letterpress printing, about paper, about ink. And a bit about bookbinding. I also met one of my closest friends, Annie, who was Kim’s assistant at the press and who usually referred to him as “Herr Gutenberg”. Actually, it was Annie who taught me a lot of what I learned there.

Because Kim was gone a lot. I didn’t know it at the time, but he was busy putting together something new. Something which necessitated a lot of meetings, a lot of schmoozing, a lot of travel. That something was the embryonic Iowa Center for the Book.

So Kim and I never became particularly close. Oh, I got along with him just fine, and was always happy to see him in the press when I went there for one of my ‘classes’. And he did teach me a lot, himself.

But I found I was more interested in the simple bookbinding techniques I learned, and shifted my attention to doing more of that as time went on, moving on to taking other classes, learning from other artisans who had been brought together for this new and somewhat vague ‘program’ called the UICB.

Still, without him allowing his work to be interrupted and taking the time to show a gob-smacked grad student around, I never would have become a book conservator and book artist.

* * * * * * *

I felt the sharp pain that comes with a bone break. Dropping the pliers, I lifted my hand and looked at the back of it. There was already a knob there at the point of impact. I felt it. Flexed my fingers. Couldn’t feel any shifting of bone or fragments. And while it hurt like a son-of-a-bitch, there was no additional pain from moving my fingers. Just a weakness in my grip in the little finger.

Yeah, I broke the metacarpal. I was certain of it. I finished up the last few bits of the weeding I hadn’t done, using my left hand, and then replaced the boxwire panels which protect the strawberry plants from birds and critters.

I came inside, washed my hands, and again did an assessment. Was there any reason to seek medical attention? Not really. I’ve broken enough bones and had enough other injuries to be able to tell when I should see a doctor or head to the ER. In fact, I’ve broken four metacarpals in my life, and this was actually the second break for this particular one. Only for the first one was a cast needed — because I had shattered the bone when I was 16. (That was the last time I hit anything in anger.)

As I explained to a friend: I prefer to lead a somewhat rough & tumble life rather than a completely safe one. Sure, there are more hurts that come along with that, but the risks are generally worth it.

* * * * * * *

My wife came through the kitchen, past the back door, and stepped into my bindery. I was in the process of gathering and folding the sections for the limited edition of Communion of Dreams. I paused, looked up.

“Did you see Annie’s email?” she asked.

I sighed. “Yeah, just a few moments ago.”

Kim Merker had passed away two weeks ago. Word was just now getting out beyond his family and those who knew him best.  There was a statement up on the UICB website.

I had looked at the dates of his life. And counted the years to when I first met him. I’m almost the same age as he was then.

“I’m going to want to try and attend the memorial service they have for him this fall,” I said.

My wife nodded. I went back to gathering and folding sheets.

 

Jim Downey




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