Filed under: Alzheimer's, Amazon, Connections, Constitution, Government, Health, Kindle, Marketing, Promotion, Publishing, Science Fiction | Tags: 55, Alzheimer's, Amazon, birthday, blogging, care-giving, Communion of Dreams, Constitution, direct publishing, free, health, hospice, Independence Day, jim downey, John Bourke, July 4th, Kindle, memoir, promotion, Science Fiction
Happy Independence Day, everyone!
And a quick update on how things are going with the promotion so far: almost 1300 downloads of Communion of Dreams, and the current ranking for that book is #647 overall in the Free Kindle Store (it down all the way to #289 at one point on Tuesday evening!) And Her Final Year is presently at #1,570, with 231 downloads so far. Remember, the promotion ends tomorrow night — so take advantage of it now!
Have a safe & fun Fourth!
Jim Downey
*Because I’m 55, get it? Yes, I am so very clever. Also because of the meaning of “five by five“, which is unknown to most people these days, belonging to another era.
Filed under: Alzheimer's, Amazon, Feedback, Health, Hospice, Kindle, Marketing, Predictions, Publishing, Science Fiction | Tags: Alzheimer's, Amazon, blogging, Communion of Dreams, direct publishing, free, health, Her Final Year, hospice, jim downey, John Bourke, Kindle, memoir, promotion, Science Fiction
… that the promotion is now running, and both Communion of Dreams and Her Final Year are now free to download! Things are off to a good start, and as I write this Communion of Dreams has been downloaded 500 times already, and is currently doing quite well in the Kindle rankings. Things have been a bit slower for Her Final Year but it is still doing well, and for the first time ever I’ve had one of my books downloaded by someone in India. That’s pretty cool.
So, if you haven’t gotten your copy of either book — or if you know someone who may be interested in either one — this is the time to act! Get ’em while they’re hot!
Jim Downey
Filed under: Alzheimer's, Amazon, Connections, Feedback, Fireworks, Health, Hobbits, Humor, Kindle, Marketing, Promotion, Publishing, Science Fiction, Synesthesia, tech | Tags: 301, 55, Alzheimer's, Amazon, birthday, blogging, care-giving, Communion of Dreams, direct publishing, free, health, Hobbits, hospice, humor, jim downey, John Bourke, July 4th, Kindle, memoir, promotion, Science Fiction
As I’ve noted previously, July 4th is my birthday (secondary thought – damn, this blog is six years old!). And in something of a “Hobbit’s Birthday” spirit, again this year I’m going to run a promotion in celebration. But because I’m turning 55, it’s going to be a bit different than last year. Instead, the Kindle edition of Communion of Dreams will be free for 5 days – yup, July 1st through July 5th.
And that ain’t all. Nope. At the same time, from July 1st through July 5th, the Kindle edition of Her Final Year will also be completely free.
And that still ain’t all. Nope. When the promotional period is over, the Kindle edition price for each book will drop to just $3.01. Why $3.01? Well, because of Amazon’s policies, it’s best to keep the price over $2.99. And I like the ‘shape’ of 301, mild synesthete that I am. And the number has some interesting properties. So, $3.01 it is.
And remember, you don’t even need an actual Kindle to enjoy either book, because there is a free Kindle emulator/app for just about every computer/tablet/mobile device out there. Earlier this year I installed the app on my Android phone, and I’ve been happily using it in lieu of my Kindle since.
So, starting Monday: five free days of Communion of Dreams. And five free days of Her Final Year. 5 + 5 for my 55th birthday. Help make it a good one, and spread the word. Thanks.
Jim Downey
Filed under: Connections, Government, Promotion, Writing stuff | Tags: direct publishing, jim downey, St. Cybi's Well, writing
Another in the occasional series of passages from St. Cybi’s Well:
“Hello, Colonel.”
Darnell looked at the man. He was slight, wiry. A simple blue business suit, complete with shirt and tie. Light blue handkerchief peeking out from his breast pocket in an almost casual way. Silver hair slicked back. No glasses, but probably wearing contact lenses. In an earlier age, he probably would have been called “dapper,” and would be seen by most as an almost stereotypical diplomatic attache – an aging, genteel man relaxing in what was probably his final posting.
Darnell had worked for the Israelis long enough to know otherwise. He nodded. “Eli.”
The man passed over the small shoulder bag. “The items you requested.”
“Thanks.”
“Curious why you just didn’t stop by our offices. Why meet here?”
Darnell looked out over the wall of the small tower, onto the castle grounds some ways below. “Oh, I like the touch of melodrama. Keep ‘em guessing.”
“Our American friends would know you’re here, either way.”
“Of course. And they’re not particularly my friends.”
Eli smiled. There was an edge to it. “But they are ours, and so allow you greater leeway than they would otherwise.”
“Only because I’m valuable to you.” Sidwell returned the smile. “And I think you enjoy annoying them.”
“Well, yes,” he laughed. He glanced to the bag. “So, the items you requested. That’s quite a large sum of money.”
Darnell shrugged. “It’s mine. This way I don’t have to fuss moving it into the U.K. Even with the way things have gone, the government here is much too willing to do the American government’s bidding.”
“It did raise some eyebrows, though.” He assessed Darnell, watching closely, his smile fading slightly. “You’re not preparing to do anything … rash … are you?”
Sidwell looked him in the eye, held his gaze. “Nope. I’m not that foolish. I just wanted to help out my sister’s charity, without giving the Americans an excuse to try and claim some of the money for themselves.”
“Ah.” A slight nod. “Good. Well, in addition to the money, the hand-held you wanted. As well as the gun and cartridges.”
“Thanks.”
“My pleasure.” The smile was now completely gone. “But please, do not do anything rash. It would cause us both a great deal of trouble.”
Jim Downey
Filed under: Amazon, Art, Book Conservation, Connections, Gardening, Health, Preparedness, Press, Publishing, U of Iowa Ctr for the Book | Tags: Amazon, Annie Tremmel Wilcox, blogging, book conservation, bookbinding, Communion of Dreams, direct publishing, health, jim downey, Kim Merker, serendipity, UICB, University of Iowa Center for the Book
My wife came through the kitchen, past the back door, and stepped into my bindery. I was in the process of gathering and folding the sections for the limited edition of Communion of Dreams. I paused, looked up.
“Did you see Annie’s email?” she asked.
I sighed. “Yeah, just a few moments ago.”
* * * * * * *
Because of the crazy weather we’ve had this spring, it seems like everything has been out of kilter in the garden. As a result, I’m just now getting around to doing the usual spring maintenance on the raised strawberry bed. Yesterday, as I was finishing up the weeding, having removed a couple bushel baskets worth of henbit and no small amount of rogue grass, I decided to see if I could get out the entire root of some large and nasty prickly thing.
To do this, I dug down into the surrounding soil with a weeding tool, then grasped the base of the plant with a large pair of old pliers. These plants are tenacious, and this is about the only way I have found to get most of their roots out of the ground without resorting to explosives. Anyway, I got a good grip on the root with the pliers, positioned myself, and pulled mightily.
The root started to come out. But then it snapped off suddenly. My right hand, grasping the pliers, flew free. For about 8 inches. Then it encountered the back edge of the concrete block used in construction of the raised bed. I knew I had broken the fourth metacarpal (the bone in the hand which goes from the wrist to your little finger) before I even raised my hand to look at it.
* * * * * * *
I met him by accident, and it changed my life. It’s a story I’ve told many times, but I don’t recall writing about it before.
I was a couple semesters into work on my MA in English Lit at the University of Iowa. I was looking to get a drop/add slip signed, and opened the wrong door.
See, there were these two doors, side by side. The one on the left went where I intended to go. The one on the right led into the Windhover Press, the fine letterpress at Iowa. But I didn’t notice the sign on the door, and didn’t realize my mistake until I was already a step or two inside.
A short, greying man wearing thick glasses was busy doing … something … behind a piece of machinery I didn’t recognize. He looked over the top rim of his glasses, and gruffly asked: “Can I help you?”
It should have been my cue to stammer out an apology for interrupting him, then turn and leave.
Instead, I stopped, looked around more. It started to sink in what it was I was looking at. “Wow, what *is* this place?”
My appreciation for tools and fine equipment must’ve shown on my face. He smiled. Just a little. And stepped out from behind the Vandercook proof press he was working at, wiping his hands on the (once) white apron he was wearing. “Like it says on the door, this is the Windhover Press. The fine letterpress. We make books here. By hand.”
“People still do that?” Well, I knew that they did. In the abstract. But being confronted with the no-nonsense reality of it had me a bit stunned.
“Yeah. Let me show you around.”
He did. I was fascinated. I did drop the class I was planning on dropping, but rather than some class on literary theory I added in a class on “The Hand Printed Book”.
* * * * * * *
‘He’ was Kim Merker. I spent two semesters taking his class. And I learned a lot about letterpress printing, about paper, about ink. And a bit about bookbinding. I also met one of my closest friends, Annie, who was Kim’s assistant at the press and who usually referred to him as “Herr Gutenberg”. Actually, it was Annie who taught me a lot of what I learned there.
Because Kim was gone a lot. I didn’t know it at the time, but he was busy putting together something new. Something which necessitated a lot of meetings, a lot of schmoozing, a lot of travel. That something was the embryonic Iowa Center for the Book.
So Kim and I never became particularly close. Oh, I got along with him just fine, and was always happy to see him in the press when I went there for one of my ‘classes’. And he did teach me a lot, himself.
But I found I was more interested in the simple bookbinding techniques I learned, and shifted my attention to doing more of that as time went on, moving on to taking other classes, learning from other artisans who had been brought together for this new and somewhat vague ‘program’ called the UICB.
Still, without him allowing his work to be interrupted and taking the time to show a gob-smacked grad student around, I never would have become a book conservator and book artist.
* * * * * * *
I felt the sharp pain that comes with a bone break. Dropping the pliers, I lifted my hand and looked at the back of it. There was already a knob there at the point of impact. I felt it. Flexed my fingers. Couldn’t feel any shifting of bone or fragments. And while it hurt like a son-of-a-bitch, there was no additional pain from moving my fingers. Just a weakness in my grip in the little finger.
Yeah, I broke the metacarpal. I was certain of it. I finished up the last few bits of the weeding I hadn’t done, using my left hand, and then replaced the boxwire panels which protect the strawberry plants from birds and critters.
I came inside, washed my hands, and again did an assessment. Was there any reason to seek medical attention? Not really. I’ve broken enough bones and had enough other injuries to be able to tell when I should see a doctor or head to the ER. In fact, I’ve broken four metacarpals in my life, and this was actually the second break for this particular one. Only for the first one was a cast needed — because I had shattered the bone when I was 16. (That was the last time I hit anything in anger.)
As I explained to a friend: I prefer to lead a somewhat rough & tumble life rather than a completely safe one. Sure, there are more hurts that come along with that, but the risks are generally worth it.
* * * * * * *
My wife came through the kitchen, past the back door, and stepped into my bindery. I was in the process of gathering and folding the sections for the limited edition of Communion of Dreams. I paused, looked up.
“Did you see Annie’s email?” she asked.
I sighed. “Yeah, just a few moments ago.”
Kim Merker had passed away two weeks ago. Word was just now getting out beyond his family and those who knew him best. There was a statement up on the UICB website.
I had looked at the dates of his life. And counted the years to when I first met him. I’m almost the same age as he was then.
“I’m going to want to try and attend the memorial service they have for him this fall,” I said.
My wife nodded. I went back to gathering and folding sheets.
Jim Downey
Filed under: Book Conservation, Connections, Kindle, Publishing, Religion, Society, tech | Tags: Amazon, blogging, book conservation, bookbinding, caligraphy, direct publishing, economics, Erik Kwakkel, history, jim downey, Kindle, technology
A lot of folks don’t know it, but I have an undergraduate degree in Economics (and another in German). And, while I haven’t really done anything with that degree, it does still largely inform how I see the world: in terms of economic forces at play.
So this nice little explanation of how the industry of making books worked during the Medieval Period … and the forces which led to it … as well as how it relates to modern publishing … well, let’s just say it ties a lot of my interests together. Here’s an excerpt:
The professionals who made books for profit were usually found near the biggest church in town. This was a well-chosen spot as canons and clerics (i.e. people who visited the church and who could read) formed an important part of the clientele. By the 14th century true communities of the book had formed in the neighborhoods around churches and cathedrals. Evidence from such cities as Antwerp, Bruges, Brussels, London and Paris suggests that in these communities a diverse group of artisans interacted with clients and with each other. It was a world bound not only by the book, however, but also by profit.
The whole thing is worth a read, and it’s actually quite brief. Brief, but insightful.
Jim Downey
Filed under: Alzheimer's, Amazon, Connections, Feedback, Kindle, Marketing, Predictions, Promotion, Science Fiction, Writing stuff | Tags: 1500, Alzheimer's, Amazon, blogging, care-giving, Communion of Dreams, direct publishing, feedback, Her Final Year, hospice, jim downey, John Bourke, Kickstarter, Kindle, literature, predictions, promotion, reviews, Science Fiction, St. Cybi's Well, writing
So, yesterday’s post was #1,500 here. The last Big Round Number was posted on December 9, 2010. Since I started the blog in January 2007, that means that the pace has actually been fairly stable, in terms of my posting — about 250 a year, more or less.
I never really expected it to last this long. But I’m glad it has. And I’m glad that so many people have shared some or all of the ride with me. Have been witness to my efforts to get Communion of Dreams published conventionally. Have shared my experiences as a care-provider for someone with Alzheimer’s (and the subsequent book). Have supported me when I decided to self-publish CoD. Have helped to spread the word about that novel. Have encouraged me to write the prequel.
Thanks, everyone.
Jim Downey
Filed under: Amazon, Art, Arthur C. Clarke, Book Conservation, Connections, Feedback, Isaac Asimov, Kindle, Marketing, Music, Predictions, Promotion, Publishing, Science Fiction, Writing stuff | Tags: aesthetics, Amazon, art, Arthur C. Clarke, blogging, book conservation, bookbinding, Communion of Dreams, direct publishing, feedback, Isaac Asimov, jim downey, Kindle, literature, Moody Blues, music, predictions, promotion, reviews, Science Fiction, Stephen King, writing, www youtube
So, a couple of things to share this morning …
One, the decision has been made: we’ll be going with a design for the leather bindings which includes raised cords on the spine. In terms of the response I got from people, it wasn’t even much of a competition — “cords” were the favorite almost 10 to 1.
But that doesn’t mean that the book has to have an old look. Not at all. I’m playing around with some design ideas which will incorporate the cords, but which will feel more modern. Watch for some preliminary posts on that in a couple weeks.
Two, if you are expecting to get a leather-bound copy of Communion of Dreams, but haven’t yet told me of your color preferences, do so soon. Further, if you didn’t get a confirmation response from me acknowledging your choices, then please contact me again. Because I had something of a book conservation emergency drop into my lap 10 days ago, things have been delayed a bit — but I’ll still be ordering leather and starting on those bindings before the end of the month. Please don’t delay.
And three, there’s a new review up on Amazon you might want to check out. Here’s an excerpt:
this book is very well worth your time if you love classic sci-fi. i would say that so far it is a combination of arthur c. clarke, isaac asimov, and a little stephen king. not too shabby for an unknown author. not sure if this is a series, and don’t want to ruin anything for myself by finding spoilers in reading others’ reviews. i’ll finish this book first. that may be soon- already lost most of a night’s sleep reading it. this is an original alternative universe, populated by humans and their robots, being created here; that is why it reminds me of asimov.
As always, I invite you to produce your own review, rate the book or other reviews, or just leave a comment in any reviews which particularly engage you. And you don’t have to do so only on Amazon — if you participate in another venue where such a review or recommendation would be appropriate, the help is always appreciated.
One final note: yup, the writing is proceeding apace. More on that later.
Jim Downey
Filed under: Art, John Scalzi, Promotion, Publishing, Society, Writing stuff | Tags: art, blogging, direct publishing, exploitation, free, jim downey, John Scalzi, Nate Thayer, predictions, promotion, publishing, The Atlantic
Nine years ago, as I was in the process of closing down my gallery of fine art, I wrote the following in response to a query from a local restaurant owner who was looking to offer our artists the “exposure” of hanging their art on her walls:
Having free art to hang on your walls in order to entice people is a great idea. It would be the same thing as getting local musicians to come perform during all your hours of operation for no pay, with the excuse that they’re getting “exposure” and can put out a tip jar or maybe schedule paying gigs – and you won’t even ask for a percentage of the cut! Such a deal! Or to get it out of the realm of the arts, what would you call an employer who “allowed” workers to slave away for no compensation other than the chance to sell their services to some other potential employer when they were noticed for how well and hard they worked? And what do you think that would do for the level of wages in the community?
Folks, this is exploitation, nothing more. It’s using artists for your own personal gain.
I suppose I should have had the prescience to see the coming storm of internships, but back then I wasn’t as cynical as I am now.
Because the truth of the matter is that this sort of thing has almost become routine. Companies hold “competitions” for new logos and other graphic design needs, with the hook that winning such a competition will give the designer “exposure” and a chance to *maybe* do some other actual paid work for the company later. The Huffington Post was built on a model of not paying for content from most of their writers, but rather providing them an outlet for “exposure.” It’s become such a routine practice for online publications to ask for free content that best-selling author John Scalzi posted a bit of a rant back in December about the requests he gets.
Well, two days ago veteran journalist and multiple-award winner Nate Thayer got a query from the Atlantic Magazine to re-purpose a longer article he had published elsewhere. Thayer was open to the query, right up to the point where the Global Editor said that they wouldn’t pay for the piece, but rather it would be good for Thayer because of the “exposure”. Thayer blogged about it, including his email correspondence back and forth with the editor so that the entire horror show unfolds before your eyes. Thayer’s basic reaction is best summed up by this passage:
I am a professional journalist who has made my living by writing for 25 years and am not in the habit of giving my services for free to for profit media outlets so they can make money by using my work and efforts by removing my ability to pay my bills and feed my children. I know several people who write for the Atlantic who of course get paid. I appreciate your interest, but, while I respect the Atlantic, and have several friends who write for it, I have bills to pay and cannot expect to do so by giving my work away for free to a for profit company so they can make money off of my efforts.
The whole thing has gotten a fair amount of attention online, and generated a lot of fairly predictable discussion. Including taking Thayer to task for publishing the emails as well as his audacity at taking umbrage at being asked to provide his work for free.
My reaction to this is best summed up in Scalzi’s two final points in his rant:
9. If this is your cue to complain about how this makes me an asshole, ask me if I care. Go on, ask!
10. But now that you mention it, saying “fuck you, pay me,” to you does not make me (or anyone else from whom you are hoping to extract actual work from without pay) the asshole in this scenario. It makes me the guy responding to the asshole, in a manner befitting the moment.
Bingo.
It’s one thing to be asked to contribute work to some charity. Or to participate in writing for a blog or website which (intentionally) isn’t generating income for the owners. It’s another matter altogether to be asked to give away your work (creative or non) to benefit a for-profit business. That’s called exploitation.
And calling it exploitation doesn’t make you the bad guy.
Jim Downey
Filed under: Art, Book Conservation, Feedback, Marketing, Promotion, Publishing, Science Fiction | Tags: aesthetics, art, blogging, book conservation, bookbinding, Communion of Dreams, direct publishing, feedback, jim downey, leather, promotion, Science Fiction, St. Cybi's Well
Remember this?
Well, I’m getting ready to do the actual “normal” edition of Communion of Dreams, and I need to make a decision. The hand-bound, cloth-covered version will look just like that, except with everything done the usual way. Like this:

But I need to make a decision about how the leather-covered versions will look. And I am going to ask the people who have already ordered copies of said versions, but I thought I would also throw open the question for others — particularly if you think that at some point you would like to order one of these (or the same kind of binding for St. Cybi’s Well when that is done).
The question is this: would you prefer a smooth-spine, modern-style leather binding similar to what is shown here:

Or would you prefer a more classic-style leather binding with raised cords on the spine, such as this:

It largely comes down to how the books are sewn together. The cloth-bound edition is sewn on tapes (as seen in the images in this post). I can put the same binding into a leather cover without a problem. Or I can sew the books onto cords (as seen in this entry on my professional site). I don’t mind a little extra work — which would be the case for the raised-cord bindings — but wonder whether the aesthetic is out-of-step with a modern work of science fiction.
So, thoughts?
Edited to add: The two different leather bindings shown just demonstrate the differences between the structures on the spine of the books. In each case, the overall design was determined by *that* project. The final design for my books will be different — and related in theme to each book in a way I think is appropriate.
Jim Downey

