Communion Of Dreams


The St John’s Bible

In 1998, Saint John’s Abbey and University commissioned renowned calligrapher Donald Jackson to produce a hand-written, hand-illuminated Bible. We invite you to explore this work of art that unites an ancient Benedictine tradition with the technology and vision of today, illuminating the Word of God for a new millennium.

The Saint John’s Bible homepage.

This was no small project. The finished bible, produced on animal skin vellum, was in seven volumes. Each volume was two feet tall, and three feet wide when opened.

Recently Special Collections and Rare Books at the University of Missouri — Columbia asked me to archivally mount special dedication pages to six of the seven volumes in their Heritage Edition set of the book. Since this very limited edition (just 299 copies) is the full-size, fine art version which very few people will ever have a chance to see in person, I thought I’d take some pics and share them here, along with some notes and observations.

Each volume comes in its own conservation clamshell box:

As you can see, these things are huge. They’re so big, I couldn’t store them in my large safe — so I picked up a pair of the books at a time, did the mounting (which takes two days to do properly), then returned them to Special Collections.

And that style of clamshell box is a work of art itself. I occasionally do (smaller) ones for clients, and they can take three or four hours of labor for me. Doing one that size would take special equipment and workspace I just don’t have.

Here’s the first volume in the set, in gorgeous hand-bound red calfskin:

Click, then follow the link at the bottom, if you want to take a close look at the calligraphy.

 

Likewise.

And here’s the dedication page, along with the facing colophon:

The calligraphy for the dedication page was done by Diane M. von Arx, who was part of the team which worked on the St John’s Bible. If you look closely, you can see some of how I mounted the dedication pages: in the gutter there’s a slight discoloration from the Japanese Kozo tissue paper. The process of mounting the pages was easy: first mount the Kozo strip along the back of the dedication page, then allow to dry under restraint overnight; the next day, position the page and then paste out the Kozo ‘tab’, and secure it to the facing page and again allow to dry under restraint. This kind of mounting allows for a very natural movement of the page, as though it was part of the original binding, with minimal chance of the additional bulk of a page causing long-term problems. I also had to trim each dedication page to the specific dimensions of each respective book (they vary by a couple of millimeters — no surprise, given the size of the things and the fact that they were bound by hand).

And here are some additional images from the books, again available in full scale:

A fun project.

 

Jim Downey

If you are interested in supporting conservation work at Special Collections and Rare Books at the University of Missouri, here is their “Adopt a Book” page. And if you might be interested in sponsoring the last of the seven volumes of the St John’s Bible, you can contact MU Libraries Director of Development, Matt Gaunt.

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Honor thy mentor.

This item from the Getty on making illuminated manuscripts is making the rounds among my friends who are into things medieval.  It’s relatively short, quite good, and covers the basics nicely.

But I particularly wanted to share it because when it gets to the bookbinding part (at about 4:30) it shows my bookbinding mentor, the late Bill Anthony, doing the work.

Bill was one hell of a craftsman, and a better bookbinder than I’ll ever be. No, that’s not false humility — I’m now just a few years younger than Bill was when he participated in making this video. But at that point in his life he had been a bookbinder for more than 40 years. I’d have to continue to work at it full time for at least another 20 years to have the same time in harness. And since I’m distracted by writing and other things, well, it’d probably take another 40 years to even have a chance to achieve the same level of proficiency. But that’s OK — I’m happy with the choices I’ve made, and the things I have accomplished (and still hope to accomplish).

Anyway, I wanted to share this.

 

Jim Downey