Communion Of Dreams

It’s October! That must mean it’s time for …

… more House Horrors!

OK, this time it’s not nearly as bad as it was last year. But nonetheless, I don’t think this is exactly what most people mean when they talk about having a “green roof“:


Yeah, probably a safe bet.

So, this is the small roof of an unused porch on the front west of our house, which is a “Notable Historic Structure“ built by the first dean of the MU medical school in 1883. We’re fairly sure that this porch used to be a separate entrance for the dean’s private office/surgery, which is now our living room. At some point the door was closed off and turned into window, so now the porch is purely decorative and out of the way. As such, it tends to not get a lot of attention … including, unfortunately, maintenance.

But I was doing some other work up on the roof, and noticed that this small porch was to a point where it really needed some work. Eventually we’ll replace the steps and perhaps the floor of the porch, but first we needed to do some roof repairs.

Originally, this porch just had a sheet metal roof, over 1″ thick decking. But when the sheet metal started leaking, applications of roofing tar were applied in an effort seal the leaks. And for more than 100 years, that’s the only attention that it got. With the result that there was dried (and cracking/leaking) tar almost an inch thick in place over the whole small roof (it’s about 4’x8′).

To repair it was straight-forward: remove the old dried tar, repair the sheet metal as necessary, and then put down an appropriate proper flat roof.

To see that process, follow me below the fold:

Continue reading

Free books!

Just a quick note: both Communion of Dreams and Her Final Year are available for free download today! Go get ’em! Tell your friends! Tell your family! Tell your pets!

Except fish. Fish don’t like books. At least as far as I know.


Jim Downey

Mid-Missouri master of Mid-Century Modern.

This past weekend the organization Historic City of Jefferson hosted their 10th Annual Homes Tour, featuring the historic architectural designs of Hurst John. Prior to the tour of homes, a presentation about the work and aesthetics of Hurst John was made by his daughter, Martha K. John. Martha is herself a registered architect, a member (and former state board director) of the American Institute of Architects, and serves on the Missouri State Board For Architects, Professional Engineers, Professional Land Surveyors and Professional Landscape Architects. She is also my wife of nearly three decades.

Hurst John is widely considered to have been a master of what is now known as Mid-Century Modern design. His homes are highly sought and command a premium in the market. His designs have readily-recognized characteristics.  He was known for attention to detail and close supervision of construction. And his papers & architectural plans are collected at The State Historical Society of Missouri.

It was a fun event. Martha’s presentation about her father and his work was informal, relaxed, informative. The displays of Hurst John’s plans and sketches were a glimpse back in time, a chance to see how early consideration of natural lighting and use of recovered materials presaged modern passive solar and recycling efforts. And the tour of the homes was just a delight — it was the first time either Martha or I had ever seen the interior of any of these residences, and it was enjoyable to see how her father’s vision still remained after half a century of use and occasional renovations. I’m going to include a bunch of images from the event ‘below the fold’ under my name. Check it out if you would like to see some of what wasn’t covered in the links above.


Jim Downey

Continue reading


The title of the next chapter is “Llangelynnin” (which refers to the church/churchyard, rather than just the holy well at this site — this is a change from what I had originally planned), and in doing a little research I found this nice bit of video:


The holy well isn’t shown in this video, but is basically directly below the drone at about the 0:13 mark. It can be seen at the very southern point of the wall enclosure here, and in an image in this entry. Some of my source material is drawn from this travelogue from 2006 (towards the bottom of that post). And I think the video gives a very nice feel for the remoteness of the site, and why I have wanted to include it in the story I am telling.

Oh, I haven’t said in a while, but I now have approximately 85,000 words written (that’s actual novel, not including notes or reference material), with about 25,000 – 30,000 to go before I’m finished (and a fair amount of that is partially done already in notes and reference material). So I’m not in the closing stretch, but am getting there. It’s progress, anyway.


Jim Downey


Excellent excerpt. You should read the whole thing, but I want to highlight this passage:

Smiley may have missed the X-Acto knife blade that fell from his pocket, but a librarian named Naomi Saito had not. The Beinecke’s librarians make regular sweeps of the room to ensure that materials are handled properly — and to subtly alert patrons they are being watched. As Saito had entered to make her check, she immediately spied the blade on the floor. Few objects could be more disturbing to someone who works in a building full of rare books than a tool that can separate the pages of a book from its binding. Saito picked up the blade in a tissue and walked back out of the room.

This is one of those things which sometimes surprises even me: that I am trusted to work on books which contain maps and other prints which are often quite valuable (or just those items themselves). Oh, I’ve earned that trust, and I and the clients I work with always take steps to document and protect the items I am entrusted with (the details of which I won’t go into, for obvious reasons) for the brief period of time I have them. But still, with my skill set it would be relatively easy for me to lift out the occasional item and leave no trace of it. Such trust — along with the trust that I won’t just screw up in my work and destroy something — is humbling. And a little scary, truth be told.


Jim Downey

“We are on a marble, floating in the middle of … nothing.”

Via BoingBoing, this completely delightful short video about the scale of our solar system:

That does a better job of getting the real sense of scale than just about anything else I’ve seen. Wonderful.


Jim Downey


Remember the fickle finger of fate?*

Good article, worth reading the whole thing. Here’s an excerpt:

The fate of most books is a fragile thing; readers and the media get distracted easily. Any author’s beloved brainchild is more likely than not to slip through the cracks because it came out on the eve of a huge news event, or when the reading public was preoccupied with some other time-devouring darling, whether it be by George R.R. Martin, Karl Ove Knausgaard, or Elena Ferrante. If a novel does seize that fickle attention, it had better deliver on its promises, or the author may never get a second chance. Even when a novelist scores a big hit, the book that follows it isn’t guaranteed anything more than an advantage in garnering review attention. Pop quiz: Can you name the titles of the novels that Alice Sebold, Yann Martel, Mark Haddon, and Patrick Suskind published after The Lovely Bones, The Life of Pi, The Curious Incident of the Dog in the Night-Time, and Perfume?

This also applies to self-published work, of course. Another factor that scares the hell out of me as I keep writing St Cybi’s Well.

But I *think* I’ve just finished the current chapter. I’ll take another look at it tomorrow, and decide. Slow, uneven steps, but forward progress nonetheless.


Jim Downey

*A reminder.



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