Filed under: Art, Book Conservation, Publishing, tech, University of Missouri | Tags: 1493, art, blogging, book conservation, bookbinding, Germany, jim downey, Kozo, leather, Legacy Bookbindery, Liber chronicarum, marbled paper, Nuremberg Chronicle, technology, University of Missouri, Wikipedia
I’ve had the pleasure to work on a number of very significant items from public and private collections. Here’s the most recent one:
That’s the Liber chronicarum, also known as the Nuremberg Chronicle, one of the most significant books in the history of printing. There’s a good basic description of why the book is important in the Wikipedia article, but suffice it to say that it was one of the first really successful integrations of both illustrations and type, and so a big step in printing technology. Here’s a good idea of what the illustrations look like:
This copy of the Liber chronicarum belongs to the University of Missouri system, and needed a little help, as you can see in these images:
Basically, the current binding, as nice as it is, was breaking along the hinge of the front cover. The rear cover was also showing signs of similar aging. This is a very common problem, particularly in large & heavy books. And my estimate is that the binding was probably 100+ years old, so showing a bit of age is understandable.
Typically, there are two basic repair options for dealing with such a problem. The first is to reinforce the hinge inside and out with Kozo dyed to match the leather. This is minimally invasive to the original binding. It’s a good repair for smaller books, but it doesn’t have a great deal of strength, and if a book is very heavy or is going to get a lot of use, doesn’t hold up as well as you would like. And to do it properly on this binding, it would have covered over a significant amount of the nice gold tooling.
The second common repair strategy is to “reback” the book in new leather. This includes removing the original spine, completely rebuilding the liners & hinges, putting new leather on the spine and then remounting the original spine onto the new structure. It’s a strong repair and works well, but tends to be much more time consuming and apparent than the Kozo repair, changing the visual character of the book more.
After discussing the matter with the folks at MU Special Collections, we decided that I would attempt to do a Kozo repair, but one which had elements of the how the leather rebacking is normally done. This was something of an experiment, as is often the case in doing conservation work; you almost always have to blend techniques to meet the specific problems and needs of the item being treated.
I selected a very heavy Kozo paper and dyed it to match the leather. Then I carefully lifted up the leather along the spine, just enough to insert about a half inch of Kozo. Here’s how that looked:
Note that the pieces of Kozo are only between the heavy bands — those bands are part of the sewing structure, and I didn’t want to impinge on how it worked mechanically.
Then I lifted up the leather along the edge of the front cover, pasted out the length of the exposed interior, and brought the two together, inserting the Kozo tabs under the leather. Once that was all positioned, I wrapped it in wide elastic bands and added weight all along the joint:
Then I left it alone overnight to allow the adhesive to set properly. Leaving it alone is always the hardest part of this process, but you have to trust that you did it right, because if you try and look before the adhesive sets, it’s probable that you’ll cause the joint to be out of position.
Here’s what I found the next day:
That’s a nearly perfect joint. I was very pleased.
But I wasn’t finished yet. Now that the cover was properly aligned and partially attached, I needed to strengthen the joint from the inside of the cover.
I opened the book and removed the detached marbled endpaper:
Previously I had carefully used lifting knives to get under the cloth joint cover and lift up the marbled paste-down:
Now I peeled further back the marbled paste-down on the front cover, and applied a wide band of heavy undyed Kozo to function as an internal hinge:
Then I put fresh adhesive on the exposed paste-down marbled paper and put it back into position, thereby securing the joint:
Then I remounted the marbled endpaper with a narrow strip of Kozo on the back:
Lastly, I put down a narrow strip of dyed Kozo on the outside of the cover to mask the broken joint and protect it. This was largely cosmetic, but helped to give the book a finished appearance. After an application of leather preservative and a bit of buffing, the book was finished:
It’s a good repair. Eventually, the book will need to be rebacked in leather properly, but for now we’ve been able to stabilize the book and again make it available for classes and researchers at the University of Missouri.
What a fun project. I really do love doing what I do for a living, and I realize just how lucky I am to be able to say that.
Filed under: Art, Book Conservation, Connections, Failure, Feedback, Humor, Predictions, Publishing, Science Fiction, tech | Tags: art, blogging, book conservation, bookbinding, calfskin, Communion of Dreams, goatskin, jim downey, Kickstarter, leather, Legacy Bookbindery, literature, Peter Haigh, predictions, Science Fiction, technology, WIlliamson Oak
My, how time flies …
I’m a little startled to discover that it’s been three years since I last posted about doing the leather bindings for the custom edition of Communion of Dreams. No, I know it’s been a while — but I have been giving this binding a lot of thought, so it seems like it was still a recent ‘pending’ project. I liked the idea of using the sewing structure to incorporate classic raised leather cords on the spine of the book, but I just didn’t like the sparseness of the rest of the cover design. The initial tests were OK, but the more I thought about them, the less satisfied I was with what the final product would be. The problem was that while the cords under leather gave a nice tactile effect, there wasn’t enough detail possible.
So I kept trying to figure out how to keep the relief I liked but to get more definition. I won’t go through all the different iterations of ideas I considered, but there were a lot, mostly along the lines of trying different ways of mounting different weights of cord/string or molding/engraving the board under the leather. But each approach failed to give me the definition I wanted. Worse, each one felt further and further removed from the image of the “Williamson Oak” by Peter Haigh I had used for the paperback/printed hardcover/website.
Then recently another bookbinding project got me to thinking about using something like a woodcut as a way to make an impression on a leather cover, and I realized that I had gotten so set on the idea of using the raised cords of the sewing structure as the basis for the rest of the cover texture I hadn’t considered the possibility of impressing the leather rather than trying to raise it. What would be required would be to make a plate which would press down most of the leather, leaving the design I wanted alone so that it would stand up (and out).
So that what I tried today. Here’s how I did a quick test:
That’s my high-tech, fancy “polymer plate” … also known as a plastic cutting board. I did a quick sketch on it with a marker, then carved into it using a couple of different cutting heads on a Dremel tool.
Then I mounted a piece of goatskin and a piece of calfskin onto some bookboard, got it good and damp, and then pressed it quickly in one of my book presses. Here are the results:
This was just a trial to see if my press would generate sufficient pressure, and if the plate would hold up to it. I am very happy with how well they turned out, and I learned what I need to change for the final version (such as smoothing out the surface of the plate, adding more detail and title, and — oh, yeah — reversing the image).
So, progress! Hey, it only took three years for me to get past my perceptual bias … 😉
Filed under: Amazon, Art, Connections, Feedback, Kindle, Marketing, Promotion, Publishing, Science Fiction | Tags: Amazon, art, bookbinding, Communion of Dreams, direct publishing, feedback, free, jim downey, Kindle, leather, promotion, reviews, Science Fiction
You have until midnight tonight to get your entry in for a free copy of a full leather binding of Communion of Dreams. If you haven’t posted a link with your review on Amazon in this blog post, then you are NOT entered into the drawing. And we’ll also be drawing for the last of the “nearly perfect” cloth copies. Full details in that blog post.
And my judge for this drawing has posted some information about how and when she will handle the particulars: Planning ahead [echo]
Good luck everyone!
Filed under: Amazon, Art, Connections, Feedback, Gardening, Humor, Marketing, Predictions, Preparedness, Promotion, Publishing, Science, Science Fiction | Tags: Amazon, ants, art, blogging, bookbinding, canning, Communion of Dreams, direct publishing, drawing, feedback, free, gardening, humor, jim downey, leather, MargoLynn, planning, predictions, promotion, reviews, science, Science Fiction, tomatoes
Nonetheless, today’s crop from the garden is largely going to be canned for enjoyment this coming winter:
That’s about 20 pounds of mixed tomato varietals in the dish drainer, and another 5 or so pounds of Roma tomatoes in the colander. I’ll chop and can the bulk of them, then sauce all the Romas and the left-over juice/bits from the canning. So far this season I’ve put up 44 pints of chopped tomatoes and about a gallon of sauce.
I like to plan ahead.
And you should too. There’s about 36 hours left to get your entry in for the drawing for a full leather, hand-bound edition of Communion of Dreams. And we’ll also be drawing for the last of the “nearly perfect” cloth copies:
I’ve managed to talk my old friend MargoLynn into handling the drawing for me, so you should send all bribe attempts to her. Winners will be announced sometime Sunday.
Filed under: Amazon, Astronomy, Connections, Emergency, Feedback, Health, Hospice, Kindle, Marketing, movies, NASA, NPR, Predictions, Preparedness, Promotion, Publishing, Science, Science Fiction, Space, Survival | Tags: Amazon, appendectomy, appendicitis, blogging, bookbinding, care-giving, Communion of Dreams, David Casarett, direct publishing, emergency, feedback, free, health, hospice, jim downey, Kindle, leather, literature, movies, NPR, Philip James Bailey, predictions, promotion, reviews, science, Science Fiction, space, travel, video, Voyager
This morning, NPR repeated the story of Voyager 1 having apparently left the solar system.
I wonder why?
* * *
Philip James Bailey, Festus:
We live in deeds, not years; in thoughts, not breaths;
In feelings, not in figures on a dial.
We should count time by heart-throbs. He most lives
Who thinks most, feels the noblest, acts the best.
Life’s but a means unto an end; that end
Beginning, mean, and end to all things,—God.
* * *
We went shopping yesterday.
Big deal, right? Actually, it kinda was. It was the first time my wife had been in good enough shape to do so since her emergency appendectomy. Things are slowly returning to whatever passes for normal.
* * *
Dr. David Casarett is the director of hospice care at the Perelman School of Medicine at the University of Pennsylvania. He works with families as they try to navigate end-of-life decisions.
At least once a week, Casarett says, one of his patients expresses a desire to end his or her own life. “It’s a reminder to me that I have to stop whatever I was doing … and sit back down to try to find out what is motivating that request,” he says. “Is it really a carefully thought out desire to die, or is it, as it is unfortunately many times, a cry for help?”
It’s a good story.
* * *
Tomorrow’s the last day this month to get the free Kindle edition of Communion of Dreams. And this week is the last one to get entered into the drawing for a hand-bound leather copy of the special edition. Remember, you have to have posted a review on Amazon of the book, and then post a comment with a link to that review in this blog entry. There are currently 65 reviews on Amazon, but only 8 entrants for the drawing — don’t delay, as the end will come sooner than you expect.
As it usually does, for good or ill.
Filed under: Art, Babylon 5, Book Conservation, Connections, Emergency, Feedback, Health, J. Michael Straczynski, JMS, Kindle, Marketing, NASA, NPR, Predictions, Promotion, Publishing, Religion, Science, Science Fiction, Space, Writing stuff | Tags: Amazon, appendicitis, art, Babylon5, blogging, bookbinding, Communion of Dreams, direct publishing, feedback, free, G'Kar, health, heliosphere, J. Michael Straczynski, jim downey, JMS, Kindle, leather, NASA, NPR, predictions, promotion, revelations, reviews, science, Science Fiction, space, St. Cybi's Well, Voyager, writing, Z'ha'dum
“All of life can be broken down into moments of transition or moments of revelation.”
Sometimes you don’t recognize when things change — the moments of transition — except in hindsight. That could be because the change is incremental enough that you don’t notice it for a while, or it might be that you’re so completely involved in the moment that the realization of what just happened doesn’t sink in immediately.
* * *
This morning there was a news item on NPR which caught my attention: that perhaps the Voyager 1 spacecraft has already left our solar system.
Scientists have known for a while that it was approaching the limits of the heliosphere. The expectation was that there would be a fairly clear change in orientation of the magnetic field when the craft crossed the boundary of the Sun’s influence into true interstellar space. But perhaps that boundary was less defined than we thought. From the story:
How did we miss that? As it turns out, it wasn’t entirely our fault. Researchers thought the solar system was surrounded by a clearly marked magnetic field bubble.
“There’s one at the Earth, there’s one at Jupiter, Saturn, many planets have them. And so just by analogy we were expecting there to be something like that for the solar system,” Swisdak says.
Scientists were waiting for Voyager to cross over the magnetic edge of our solar system and into the magnetic field of interstellar space. But in in the September issue of Astrophysical Journal Letters, Swisdak and his colleagues say the magnetic fields may blend together. And so in July 2012, when Voyager crossed from the solar system into deep space, “Voyager just kept cruising along,” Swisdak says. All they saw was a change in the field’s direction.
* * *
Last Thursday my wife had a follow-up with her surgeon to see how she was doing in recovering from her emergency appendectomy. She had been released from the hospital the previous Saturday, but there was some concern over the risk of secondary infection within her abdomen.
Well, without getting too much into the details, tests indicated that she might be developing exactly that sort of infection. The surgeon ordered a procedure called a needle aspiration and scheduled it for the following day.
We dutifully reported to the hospital for the procedure. It didn’t go smoothly, and the upshot was that it didn’t help her condition at all. A couple hours later we left the hospital, and she’s been mostly resting since. We’re now waiting to hear from the surgeon about what happens next. And what it means.
* * *
“Yeah, but it’s like the way that the people involved in your book – the characters – are all struggling to understand this new thing, this new artifact, this unexpected visitor. And I like the way that they don’t just figure it out instantly – the way each one of them tries to fit it into their own expectations about the world, and what it means. They struggle with it, they have to keep learning and investigating and working at it, before they finally come to an understanding.” He looked at me as we got back in the car. “Transitions.”
* * *
Where Communion of Dreams was largely about transitions, in many ways St. Cybi’s Well is about revelations. How we experience them. How we understand them. How we do or don’t recognize them when they happen.
The Kindle edition of Communion of Dreams is free today. And you have less than two weeks to enter into the drawing for a hand-bound, full-leather copy of the book. So far only two people have entered. Don’t miss the moment.