Communion Of Dreams


1454
December 18, 2012, 11:19 am
Filed under: Art, Book Conservation | Tags: , , , , , , ,

This is post 1,454 for this blog.

There’s general agreement that the first copies of the Gutenberg Bible were finished in 1454 or 1455.

So I thought I would revisit progress on my conservation work on the 1470/71 text.

Last time, I had finished resewing the book using a ‘conservation chainstitch’. Historically, the book would have been sewn onto cords, but given the way I had to re-join all the pages into sections, I decided to use a sewing structure which is more gentle on the folios. When the time comes to make the leather cover, I’ll position fake cords (the ‘bands’ you see on old leather-bound books).

With the sewing done, first I applied a light coat of adhesive to the spine and then a strip of thin handmade paper.  I ‘shaped’ the spine a bit to have a slight curve and allowed it to dry overnight. The next day I put the book into a ‘finishing press’, with the spine sticking up:

 

In the finishing press.

In the finishing press.

 

See how the sides of the press drop away from the book? This allows you to use a ‘backing hammer’ to lightly shape the spine more completely with slight glancing blows, molding the curved shape more completely.  This is done to help accommodate the thickness of the sewing thread in each section, and gives the book that very characteristic rounded-spine shape we’re used to on leather-bound books.

Next, I made some endbands (head & tail bands), using a bit of maroon goatskin shaped over a heavy cord. Sewing on nice head & tail bands would most likely been done historically, but it is a bit time-consuming, and again puts stress on the folios of the book. This sort of added-on endband is common now, and they’re just applied with adhesive so they can be easily removed without damage to the folios if/when the book needs conservation treatment in the future.

 

Endcap.

Endband

 

The endbands serve a couple of different purposes. One, they provide support for the part of the leather cover which spans the spine from front to rear board. This helps to stop that portion of the leather cover from either being mushed down or stressed too much from people using it to pull a book off a shelf. But it also gives a nice ‘finish’ to the sections, in case there were any slight irregularities in positioning during the sewing.

 

Endcap, detail.

Endband, detail.

 

Once the endbands are positioned, I apply a section of light, fairly open-weave cloth which will function as a hinge to help mount the text block to the covers. Then another strip of slightly thicker paper goes on the whole spine, from endband to endband, making a sandwich which will help support everything.

 

Ready to cover.

Ready to cover.

 

And poof – the book is now ready for a cover.

 

Jim Downey

 

 



Functional beauty.

A good friend shared this item from the NYT with me: A Tool’s Beauty Is in the Eye of Its Holder. It’s a good piece overall, but this particular passage resonated for me:

Why do such objects look so enticing, given that they were designed with very different objectives? One reason is their virtue (another old-fashioned term). It can be both refreshing and reassuring to see an object whose appearance is determined by such laudable qualities as economy, efficiency or reliability, rather than the hope of seducing us visually. Another factor is their honesty. It is easier to feel confident about admiring a utilitarian object, whose appearance is defined by its function, than it can be to enjoy one because of its styling.

Resonated? Yeah. Here’s an excerpt from a meditation about tools I wrote in 1995, and which has gained some recognition since:

This isn’t a respect borne of fear for their sharpness.  It is something more . . . something that is almost spiritual.  When you use a tool, it tends to take on the shaping of the use, and of the user.  It will conform to your hand, wear in such a way that it actually becomes more suited to the task, until in some ways it is easier to use the tool correctly than to use it incorrectly.

I think that this is why old tools, well made and well loved tools, are so valuable.  When you take them to hand, you can feel the right way to use them.  Some of the time that went into shaping that tool, training it for use, can be shared from one craftsman to the next.  So long as the tool is loved, cared for, and properly used, it continues to accumulate knowledge, storing the wisdom of the hands.

If you have a moment, I’d invite you to read both pieces. They make a nice pair.

Jim Downey

PS: Small milestone – this is blog post #1,400 for me here. Just thought I’d share that factoid.



Stuck inside of Columbia with the promotional blues again.*

Well, well, well. Some things to share.

First of all, thought I’d go ahead and post here the promotional video we made for the Kickstarter project. For those who might be curious about what I look/sound like, and who have yet to be tempted to go to the Kickstarter page:

A brief word about the Kickstarter’s progress so far, one week since launch: things are going well. We’re over $2,000 on pledges so far, from 20 backers. People have been contributing at levels from $5 to $500 — much appreciated! I’m a bit surprised that no one has just contributed at the $1.00 level so far, since that’s usually something which gets attention on Kickstarter projects where people just want to say “thanks”  for some previous efforts or lend a bit of encouragement for a favorite author or artist. But that’s OK, if people want to pledge at higher levels, I’m not going to complain.

Somewhat related to this, there’s a special drawing which may be of interest to those who are ‘into’ firearms — all the details are over on my BBTI blog.

I also want to give a head-up: Next Sunday (Sept 30) will be another promotional day for Communion of Dreams, when anyone will be able to download the Kindle edition of that book for free. You don’t even need a Kindle – they have emulators for just about every mobile device, reader, or computer system. Tell your friends! Spread the word!

Jim Downey

*With apologies to Mr. Zimmerman.



When I’m Fifty-Four.*

My wife answered the phone. I could tell just from her facial expression that it was bad news.

“Oh, no!” she said. “What happened?”

 

* * * * * * * *

As part of putting together the Kickstarter project for St. Cybi’s Well, I need to explain *why* I want people to hand over their hard-earned money. I mean, I don’t need to buy materials or hire someone to do research for me. I don’t need operating capital for renting a studio, there’s no up-front printing costs to speak of. Why not just write St. Cybi’s Well on my own time, at my own pace, the way I wrote Communion of Dreams and co-authored Her Final Year?

Writing such an explanation — writing anything, really — is the perfect way for me to clarify my thoughts, to push past vague thinking and distill my understanding. You’ll see the finished product in a few days, but this passage from a blog post a month ago is a pretty good insight:

I recently turned 54. And I have accomplished a number of things of which I am justly proud. I have friends and family I love. I have a wonderful wife. I have written books and articles which have brought joy, knowledge, and solace to others. I have helped to preserve history in the form of books & documents. I have created art, sold art, made my little corner of the world a slightly better place. I’ve even helped expand the pool of ballistics knowledge a bit. Frankly, I’ve lived longer and accomplished more than I ever really expected to.

But I have more yet to do. Time to get on with it.

 

* * * * * * *

My wife answered the phone. I could tell just from her facial expression that it was bad news.

“Oh, no!” she said. “What happened?”

She listened for a moment, then got up to go into her office. I heard her talking some more. When she came back I looked at her quizzically.

“Tanna had some kind of accident. John was calling to see if I had any ’emergency contact’ info from the Directory he could pass along to the hospital.”

A couple years ago, my wife and I put together this Directory for our neighborhood association. We’d included this option for people to list if they wanted. Tanna was one of our nearby neighbors, a nice semi-retired woman who we see almost daily on our walks.

I looked at her. “Anything?”

“Yeah, I told him what we had.”

“So, what happened?”

“She evidently had a stroke while out walking her dog. Just collapsed. John and a couple of other neighbors saw her go down, went to check on her, called an ambulance.”

“Wow.”

“Yeah.” My wife looked at me. “She’s only a couple years older than you are.”

 

Jim Downey

*Yes, of course.

 



Piece by piece…

As I keep discussing, I’m working through multiple small components of getting ready to launch a Kickstarter for the next novel. I’ve got two things to mention today.

The first is a request for some help. Part of the normal Kickstarter project is to have a video. As they put it on their website:

A video is by far the best way to get a feel for the emotions, motivations, and character of a project. It’s a demonstration of effort and a good predictor of success. Projects with videos succeed at a much higher rate than those without (50% vs. 30%).

Now, I’m sure that my wife and I can cobble something together which would vaguely meet the “have a video” criteria for the project page. But I would really prefer to have something decent. Something original. Something put together by someone who has more than a vague idea of what they’re doing.

If you are such a person, or if you *know* such a person, and would be interested in working with me on this, please leave a comment or send me an email. And note that I say “working with me” rather than “do this for me” — for the very simple reason that I respect the artistic talents of others and see this as a collaboration rather than just a technical problem to turn over to someone else. And I’m not asking for someone to do it for just “exposure” either — compensation will be offered, and we can work out an equitable arrangement. Please think about it, and get back to me soonish.

The other item I want to mention today is that we’ve given my bookbinding website something of a facelift, updating information on it, modernizing the look & operation a bit. Check it out when you get a chance.

What does this have to do with a Kickstarter project for St. Cybi’s Well?

Well, I’m glad you asked. It has something to do with St. Cybi’s Well because some of the premiums for pledges to my Kickstarter will include hand-bound copies of the book. As well as hand-bound copies of Communion of Dreams. In hardcover. In hardcover covered with premium bookcloth. Or full calfskin leather. Or even in full goatskin leather.

These will be very rare, possibly unique books. And how many other writers that you know have my professional bookbinding skills?

*That’s* why we updated the Legacy website. To show off my bookbinding talents a bit. Well, and because I’ve added a photo series of restoring a 1633 Danish bible that was a lot of fun earlier this year and I wanted to share that.

So, two more pieces of the puzzle start to fall into place.

Jim Downey




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