Communion Of Dreams


Raising cane.

(So, been a while, eh? Yeah, it has. But no worries, things have been going very well, through a lot of minor and not-so-minor changes. More about all of that will emerge as I get back into regular blogging — you’ll see.)

A few weeks back a friend posted a question to a discussion group along these lines: what was a good, basic self-defense item which you could have under most situations which would be innocuous yet effective?

A lot of things were suggested, from the simple to the absurd. Yeah, OK, I’m a little opinionated.

But after a bit, a general consensus which emerged was that a walking stick or cane would fit the bill. And people posted links to various such items, ranging from the very basic to the traditional to the ultra-modern. There are a HUGE selection of different options out there, if you just do a search for one. Looking through a bunch of different choices, I got to thinking that it should be pretty easy for anyone with minimal woodworking skills to make their own walking stick to their own specs, for a lot less than most of the items was seeing cost.

So I set out to see what it would take. And I set my goals:

  • The stick should be made from readily available materials, with minimal tools.
  • It should be completely free of all metal, so as not to arouse suspicions when being scanned.
  • It should look and function as a real walking aid, not just a disguised cudgel.
  • It should nonetheless be an effective defensive tool.
  • It should cost $25 or less.

I stopped by a local home improvement store, and found the following:

1

That’s a 1.125″ rubber foot for about 50 cents, a wooden (oak) decorative cap (finial) that was about $4, and a hickory replacement handle for a sledgehammer or axe for about $14. Here’s another pic:

2

I chose hickory because it is well known to be a hard, dense wood. Next pic:

3

I removed the metal screw from the finial, then used a spade bit to expand the hole to about an inch. I used a wood rasp to make the mounting end of the replacement handle likewise about an inch in diameter.

Next:

4

Then I added some wood glue, and tapped the finial onto the replacement handle.

Next:

5

I did the basic shaping of the finial into a knob suitable for my (large) hand.

Next:

6

Here’s the top of the finial. I inserted a bit of .375″ dowel into the hole with some wood glue, then allowed it to dry. When it was dry, I rasped the whole thing down to a smooth hemisphere about the size of a tennis ball.

Next:

8

That’s the overall stick. It’s about 37.5″. Note that it is no longer quite the same size or shape of an axe handle — I spent an hour or so with the wood rasp, and took it down a fair amount. There it’s smooth, mostly uniform (no longer has as much of a swell in the wood up by the head), and about .25″ narrower and thinner.

Next:

7

This just shows the finished width of the handle — about 1.5″. It’s also just about 1.25″ thick. Both of those dimensions are a little larger than your typical commercially-available cane, but it no longer looks like an axe handle. After I was done with the rasp, I smoothed it out with some 60-grit sandpaper, then some 120-grit, then some 220-grit. I wanted it smooth and ‘finished’, but wasn’t worried about it being super smooth.

Next:

9

I then gave it three coats of urethane stain (dark walnut), sanding lightly between each with 600-grit sandpaper. Then I added the rubber foot and a simple braided leather lanyard.

Next:

10A detail of the head.

Next:

11

Another detail of the head.

Next:

12

Holding it with the lanyard around my wrist.

Next:

13And another view.

That’s it. Simple, effective cane/walking stick. Nothing metal or high-tech about it to alert someone that it is anything other than a walking stick. Total cost under $20, since I already had some simple tools, sandpaper, and stain on hand. And a total of a couple hours of labor.

Something I want to note: the handpiece/finial is not intended as a striking surface. You don’t need any additional bulk or weight there for this to be a very effective defensive tool. It’s more like the pommel on a sword. In fact, the overall length, heft, and other measurements is very similar to the rattan broadsword used in SCA combat. As such, I know full well just how effective such a tool can be against another opponent in even confined spaces. And now that I’m an old guy with a couple of cardiac stents in place, I need a good walking stick with me no matter where I go …

 

Jim Downey

 



A meditation on what isn’t there.

I finally got around to seeing this the other day, and I have been thinking about it ever since:

 

* * *

I first heard of Michael Heizer in a sculpture class in college, sometime in the late 1970s. Well, that I remember. It’s entirely possible that I had seen some coverage of his work in the press before then. But my professor got me thinking about how sculpture defined space both by physical presence and absence, and I know that it was then that I became aware of Heizer’s work. I didn’t realize it at the time, but his basic concepts would manifest in my life in many ways, showing up in my interests in martial arts, book design, even writing.

* * *

In the movie, John Bowsher (then the Project Manager for Levitated Mass at LACMA) says this:

His ideas are incredibly simple, when you pare it all down to just its physical nature, it’s really quite simple, and you see it again and again in his work. To achieve that degree of simplicity is like, almost the hardest thing in the world to do.

 

* * *

Not being there when your opponent strikes.

Drawing the eye to the empty space.

Allowing the reader to fill in the suggested, but missing, description.

Each of these engages and enlightens in ways that no amount of force, or color, or detail ever could.

 

* * *

Chrissie Iles, Curator at the Whitney Museum, talking about Heizer’s Double Negative in the movie:

Micheal Heizer makes you aware of space and your relationship to space and how you move through space,the role of the sky, the role of the land, beyond what you’re looking at. You have to rethink the nature of who you are physically in relation to what you are walking around inside and observing from a distance and up close.

 

* * *

We’re not always aware of what we do while we’re doing it, or why. Sometimes, the trajectory of a life is determined by little things, subtle things. Even things which are mssing.

 

* * *

I finally got around to seeing this the other day, and I have been thinking about it ever since:

Shortly after I had conceived of the idea behind Paint the Moon, I knew that it wasn’t actually feasible. But the idea delighted me. And after some thought, I realized why: it was taking the principles of Michael Heizer’s art — of paring down art to the very simplest, physical elements of experience — and going one step further. Remove the physical object altogether, and replace it with pure experience, pure concept. Hence my description of the project as a “collective lyric fantasy”.

You can’t see the artifact of that project at a museum. There is no massive boulder to walk under, or a negative space in the desert to encounter.

But there is the Moon overhead, and the memory of a moment in time.

 

Jim Downey



What a difference a week makes.

Just think — all the folks who are prepping to deal with some global emergency almost got a chance to see how well their theories work in practice. My friends who are into Steampunk and the SCA would have reigned supreme!

Earth survived near-miss from 2012 solar storm: NASA

Back in 2012, the Sun erupted with a powerful solar storm that just missed the Earth but was big enough to “knock modern civilization back to the 18th century,” NASA said.

The extreme space weather that tore through Earth’s orbit on July 23, 2012, was the most powerful in 150 years, according to a statement posted on the US space agency website Wednesday.

* * *

“If the eruption had occurred only one week earlier, Earth would have been in the line of fire,” said Daniel Baker, professor of atmospheric and space physics at the University of Colorado.

 

Ah well. Better luck next time!

 

Jim

 



Honor thy mentor.

This item from the Getty on making illuminated manuscripts is making the rounds among my friends who are into things medieval.  It’s relatively short, quite good, and covers the basics nicely.

But I particularly wanted to share it because when it gets to the bookbinding part (at about 4:30) it shows my bookbinding mentor, the late Bill Anthony, doing the work.

Bill was one hell of a craftsman, and a better bookbinder than I’ll ever be. No, that’s not false humility — I’m now just a few years younger than Bill was when he participated in making this video. But at that point in his life he had been a bookbinder for more than 40 years. I’d have to continue to work at it full time for at least another 20 years to have the same time in harness. And since I’m distracted by writing and other things, well, it’d probably take another 40 years to even have a chance to achieve the same level of proficiency. But that’s OK — I’m happy with the choices I’ve made, and the things I have accomplished (and still hope to accomplish).

Anyway, I wanted to share this.

 

Jim Downey



“Is that yours?”

I’ve mentioned my earlier involvement in the SCA previously. And generally I’ve always had an interest in different historical recreation groups, particularly those which strive to do the different types of combat throughout history well (one of the reasons I really like Peter Woodward). So naturally I have to share this brilliant little film short:

Hilarious.

Went and rescued a kitty today who was no longer wanted. She’s currently isolated in one of the bathrooms, getting slowly acclimated to being in a strange place with strange monkeys, another cat, and a DOG!!! I promise pix once she’s more settled.

Jim Downey