Communion Of Dreams


This may seem familiar.

As I’ve noted over on Facebook, sometimes it feels like I am writing a Dan Brown novel for people who actually know history and can think for themselves …

… anyway, here’s an excerpt from the end of the latest chapter I thought might amuse:

“Yeah,” said Darnell, nodding. “There were a couple of places where some standing stones had been set back into the walls. These looked like they were the same sort of stone as up at Barclodiad y Gawres, and they actually had similar markings on them. But the most curious thing was a larger standing stone in the very center of the room. This was more than a meter tall, and had a sort of bulb or sphere at the top.”

“Phallic images were fairly common …” started Megan.

“Yeah, but this didn’t really come across like that. It was more like a globe on a stand, with a very distinct spiral carved into it that started at the very top and coiled down to about where the equator would be.”

“Huh.”

“Yeah. it was a different kind of stone from everything else, too. I’m not sure, but it looked to me to be the same sort of bluestone used at Stonehenge.”

“Really? That’s wild,” said Megan.

“Yeah, but the wildest part was that it felt almost … warm … to the touch. And when I did touch it, for a moment I almost thought I could hear someone talking, whispering in the distance.”

 

Heh.

 

Jim Downey



Blows against the empire.*

Last week Hugh Howey, the very successful author of the Wool series, published The Report on his AuthorEarnings site which generated more than a little attention across the publishing/self-publishing world.

I’m not going to get into a real discussion of The Report here. I’m in no way qualified to criticize the data or analysis contained in Howey’s post, and others have already done so with thoroughness. If you’re interested whether or not Howey’s post holds up to scrutiny, I’d recommend reading those.

Howey has had huge success, and seems to have managed that arc of success very well. By his own admission, he has been extremely fortunate with self-publishing, and his success is very much *not* what the vast majority of self-published authors will experience. But his success has made him something of an evangelist for self-publishing, and that is reflected in The Report.  Hence the title of this blog post — Howey very much advocates self-publishing for authors at every level, and in using the power which self-publishing has to force changes in the traditional publishing industry to benefit authors.

While I actually largely agree with Howey about the benefits of self-publishing, I thought I would offer my  own contrasting  experience as a self-published genre author who has had only moderate success.

After years of ‘close calls’ in almost getting Communion of Dreams conventionally published (including what would have been a nightmare – losing the rights to the book when a small publisher went under), in January of 2012 I self-published it.  Since then, some 27,000 copies of the book have been downloaded, and about 200 paperback copies have been sold.

Looks pretty good, right?

Well, 80% or more of those downloads were promotional. Which is to say, free.  And in addition to the paperback copies sold, I gave away about as many.

No complaints from me — this is using the tools available through Amazon, and I knew what I was doing. But that necessarily means that I didn’t earn any money off those books directly.

So in all of 2012, actual sales generated decent, but modest, income. Not enough to buy even an economy car new, but easily 3 or 4 times the advance that the Publisher Who Shall Not Be Named was going to give me. Then last year residual sales were less than $1000. If you add in my successful Kickstarter (after deducting expenses associated with that), all told I was able to stop doing most freelance writing last year and get to work on the next novel. Of course, while still trying to do enough book conservation work to stay afloat, and almost managing.

I consider this success.  It’s not Hugh Howey level success. It’s not even ‘mid-list authors a decade ago’ level sucess. It isn’t enough to live on.

But the first novel is out there, and has been well received. And I’m well on the way to having the next one out later this year.

Which is a hell of a lot better than banging my head against the gates of traditional publishing houses.

 

Jim Downey

*Reference, for those who are wondering. I’ve been considering doing a series of blog posts getting into rock music with a SF theme, looking at the development of that sub-genre over time. I still have a lot on my plate with SCW, so it’ll probably be a while, but if anyone wants to comment with suggested songs/albums/performers, feel free.



“…a carpet of shifting, building insects.”

From page 4 of Communion of Dreams:

They were, in essence, enclosing the entire planet in a greenhouse of glass fabric and golden plasteel. It was going to take generations to finish, even using mass microbots and fabricating the construction materials from the Martian sands. Tens of thousands of the specially programmed microbots, a few centimeters long and a couple wide, would swarm an area, a carpet of shifting, building insects. As each cell was finished, it was sealed, joined to the adjacent cells, and then the microbots would move on.

Those microbots play a big role in the novel, being a factor in the plot. More importantly, they are a basic part of the tech I envision for the book, accelerating our technological recovery on Earth as well as our venture into space.

Well, guess what was on the news last night:

Robot Construction Workers Take Their Cues From Termites

“We’ve created this system of multiple independent robots that build things we ask for,” says [Justin] Werfel, “and they do it more like the way insects act than the way that robots normally act.”

The robots don’t look like termites. Instead, they look more like black, mechanical beetles, about 8 inches long. They have just a few on-board sensors that let them navigate around a work site set up in a lab.

* * *

“They build things that are much larger than themselves,” says Werfel. “They climb on what they are … building to get to higher places, and they coordinate what they are doing using a tool that termites use.

“Rather than talk to one another directly, they coordinate indirectly by changing their shared environment,” he explains. “So one puts down some material, another one comes along and reacts to that material, and uses that to help it decide later whether to put more material down.”

* * *

The vision is that, someday, swarms of robots could stack up sandbags to protect against flooding, or go to Mars and build living quarters for astronauts. That’s still a long way off. But this is a proof of principle study that construction robots can work together like termites, says Hod Lipson, an engineer at Cornell University who specializes in robotics.

I love it when stuff like this happens.

 

Jim Downey



Pynchon, rephrased.*

Excerpt:

Huw reached down, picked up a glass, then held it up for Darnell to see. Then he turned to the sink in the counter behind him, turned a tap and filled the glass. Again he held it up for Darnell’s consideration. “If I tell you that only the water that comes out of this tap is safe to drink, and I control the tap, then you have to ask me for water – on my terms. Then I control you.”

“Yeah.”

“But what if you knew you could just step outside to the stream from the falls and drink that water?”

Darnell nodded. “Or if I had my own well.”

“Or even,” smiled Huw, “if you knew where there were other wells available for the free use of all.”

“Understood. But if I don’t know about the other wells or streams, or think that they’re not safe to drink from …”

“Correct,” said Huw. “I don’t have to control all the water in order to control you. I just need to distract you from noticing that there are other sources.”

 

The writing continues.

 

Jim Downey

*A small homage to this: “If they can get you asking the wrong questions, they don’t have to worry about the answers.”



“A certain embarrassment.”

A good segment on this morning’s Weekend Edition Saturday with writer Marcel Theroux (son of Paul Theroux). I recommend the whole thing, but two particular bits stood out for me. The first is included on the ‘highlights’ page for the show:

I was trying to be as free as possible. I don’t really think about genre … to be honest. I find it constraining. And I know there’s a certain embarrassment about talking about science fiction in polite company, so some people prefer to call it “speculative fiction” instead.

 

And the second is my transcription from the actual interview (at about the 5:00 mark):

Anyone who has written a long work of fiction just knows that your mood goes up and down and at times it seems baffling and you feel that you should be doing something that is of value to the human race, not sitting on your own in a room churning out words. Or not churning out words.

 

Boy, howdy. I am happily churning out words at present, but sometimes it just feels so … self indulgent. And that doesn’t include the moments of complete panic that everyone will be disappointed in the prequel to Communion of Dreams because it isn’t science-fictiony enough or the writing isn’t any good or something.

*Sigh*

Back to work.  It’s all I can do.

 

Jim Downey



One reality or t’other.

From Chapter 3 of Communion of Dreams:

Apparent Gravity was the third major application of the theories set forth in Hawking’s Conundrum, the great opus of
Stephen Hawking which was not published until after his death in the earlier part of the century. He hadn’t released the work because evidently even he couldn’t really believe that it made any sense. It was, essentially, both too simple and too complex. And since he had died just shortly before the Fire-flu, with the chaos that brought, there had been a lag in his theory being fully understood and starting to be applied.

But it did account for all the established data, including much of the stuff that seemed valid but didn’t fit inside the previous paradigms. Using his theories, scientists and engineers learned that the structure of space itself could be manipulated.

Of course, that is the reality of St. Cybi’s Well, not our own. In our reality, there’s been no fire-flu (at least yet), Stephen Hawking is still alive, and the laws of physics are still the same.

Well, maybe

Black holes are in crisis. Well, not them, but the people who think about them, theoretical physicists who try to understand the relationship between the two pillars of modern physics, general relativity and quantum physics. Judging from the current discussions, one of the two must go, at least in their present formulation. On January 22nd, Stephen Hawking posted a paper where he bluntly stated that black holes, in the sense of being objects that can trap light and everything else indefinitely, are no more. And that’s a big deal.

Sometimes I wonder what reality I am actually plugged into, since it seems that I keep getting leaks from the other one.

 

Jim Downey



Pistyll Rhaeadr

From near the beginning of Chapter 12 of Communion of Dreams:

“I found the reference that you asked me about regarding Mr. Sidwell and Wales.”

“Oh, really? That’s faster than I expected.”

“Well, as it turns out, there are quite a few scenic waterfalls in Wales, but only one that had an inn where someone lived during that time period. I’ve uploaded some images. Would you like to see them?”

“Sure.”

The first image that filled his sight was of a great waterfall, cascading over the top of a cliff in the middle of a shallow ‘V’ between two higher hills. The stream was narrow, white with spray around the edges. Oaks and pines grew on the sides of the hills near the falls, and there was some kind of archway of rock about two thirds of the way down. Near the foot was an old iron pedestrian bridge crossing the stream.

Seth’s voice narrated. “It’s called Pistyll Rheadr, one of the ‘seven wonders of Wales’. The drop you see there is about 75 meters.”

The next image was closer to the falls, taken, Jon guessed, from the bridge. Now he could clearly see the wonderful natural stone archway, and realized that the initial drop of the falls ended in a pool just behind that, then the water spilled out under the arch for another significant drop into the main pool below. From this vantage, the spray and splash of the water glimmered in the sunlight, coating nearby rocks, feeding the ancient moss that grew there. A path was clearly visible to the right-hand side of the falls, leading up the side of the mountain.

“This next image is taken from the top of the falls. The red structure you see below the falls on the left-hand side is the inn. I have more images, if you wish to see them.”

As Seth spoke, Jon saw the wide, ‘U’ shaped valley open out before him, the falls tumbling down and away in the right foreground. The hills on either side of the valley were lightly wooded here and there, but mostly given over to pasture. On the left-hand side of the image, a narrow blacktop road wound down the valley, echoing the stream’s flow. And there, as Seth said, was the inn.

“No, thanks, Seth, I think that’s enough. Pretty place.”

“So I understand.”

“I don’t see anything particularly noteworthy about it. But it sure seemed to make an impression on Darnell.”

 

Guess what chapter I’ve just started writing in St. Cybi’s Well. 😉

All water is graceful, be it a tear or a torrent.

 

Jim Downey

PS: new review up.



You Are There.*

An excerpt:

A very short distance down the road was another simple black and white sign which said “Llangybi”. There was a stone house not far past it, but no sign of a real town. Darnell kept going. He passed a few more homes and farms. Then he came to a split in the road and stopped, pulling off to the side in front of yet another stone house. There were some workmen on scaffolding at the near end of the house, doing something to the chimney.

Workmen? What workmen?

Why, these workmen.  (It’s a Google Streetview location. You have to let it load, then activate it.)

As I’ve mentioned, I’ve been doing a lot of double-checking of locations and descriptions using a variety of map tools. Google has made this very easy, between their satellite, Earth, and Streetview map apps. One thing I haven’t mentioned is that to amuse myself I have been including things actually caught in the Streetview images now and again, so that if anyone actually looks up a particular location I cite on Streetview, they will see what is described in the text. This has mostly applied to storefronts and the like, but also includes the occasional bit like the passage above — where a little later I have Darnell (the main character) actually stop and chat with these workmen, asking them for directions.

It’s a little thing which almost no one will ever discover, just my version of an Easter egg. And whenever Google updates the images used on these locations, they’ll no longer apply. But what the hell.

 

Jim Downey

*For those who don’t know of/remember the series.

 

 

 



“A rollicking good time!!!”

… said no one ever about Communion of Dreams. Oh, it’s got a buttload of positive reviews, but it’s a ‘serious’ book in the sense of being about Big Questions of Humanity’s Role in the Universe and all that . And, truth be told, so is St. Cybi’s Well (at least I hope so).

But as I’m starting to see the prospect of finishing SCW sometime in the next months, and perhaps because I’ve been in a bit of a funk lately, I’m kinda in the mood to write something which isn’t Oh So Serious. Something light, fun, perhaps even popular. (Gawds, what a concept.) Maybe something like The Princess Bride, but recast in feudal Japan. Or Star Wars redone as the Western it is at heart.

And speaking of which, guess what I found:

Bob A. Ford

The typical wild west bounty hunter who sells his services to bring in anyone with a price on their head.   His quiet demeanor and lighting reflexes makes him one of the most dangerous men on the prairie.

There’s a whole series of these set in different periods/worlds, and they’re all completely delightful.

And we need more delight in our lives. All of us.

So, something to think about.

 

Jim Downey

Oh, PS: thanks to one and all who downloaded CoD during the weekend promotion. Not huge numbers, but not bad: about 550 downloads around the world. Interestingly, the Amazon portal in Germany was the second-highest number of downloads (second to the US, of course), with a couple dozen. First time that’s happened, and that’s a bigger total for there than ever before to the best of my recollection. No idea why.



The view from 250 feet.

This is fun:

It’s a view of Wales most of us will never see.

This video was filmed from the cockpit of a Typhoon fighter jet which flies over North Wales before heading to the Lake District.

The man behind the controls is Flight Lieutenant Jamie Norris, the RAF’s Typhoon display pilot and a member of RAF Coningsby, based in Lincolnshire, who calmly talks viewers through his manoeuvres at altitudes of between 250ft and 40,000ft.

There’s an embedded video which is a real delight, too, for anyone who isn’t afraid of heights/motion.

I haven’t flown at low altitude over Wales, so I can’t really speak as to how this compares to the slower velocity of a small plane or helicopter. However, I was struck by just how similar the video is to viewing the same terrain via Google Earth, which I have done a *lot* of in the last couple of months as I write St. Cybi’s Well.  The ability to zoom in, rotate orientation, and even change the angle to the horizon allows you very much get the sense of flying through the landscape — it’s a very cool technology.

And speaking of very cool technology, just thought I’d share this little item, which gives a nice bit of perspective: Everything from 1991 Radio Shack ad I now do with my phone. It’s a pretty impressive list, and shows how a whole pile of electronics valued at about $5,000 in today’s money has been replaced by a smartphone that fits in your pocket and costs about $500.

And speaking of 500 … that’s about the total number of world-wide downloads of Communion of Dreams so far in the current promotion. Which in itself is a pretty cool bit of technology. If you haven’t yet gotten your copy of the Kindle edition of the book (which you can read on, yes, smartphones as well as any number of other devices), pop over and get it today!

 

Jim Downey

 




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