Communion Of Dreams


“First they ignore you…”*

I’ve been sick with the current nasty version of cold/flu going around, so I missed writing about this:

They used to call it the “vanity press,” and the phrase itself spoke volumes. Self-published authors were considered not good enough to get a real publishing contract. They had to pay to see their book in print. But with the advent of e-books, self-publishing has exploded, and a handful of writers have had huge best-sellers.

True, of course, but the piece is also about how the ‘traditional’ publishing houses are now trying to get in on the self-publishing market:

There have been more and more self-publishing successes recently, and the audiences are growing by leaps and bounds, says Carolyn Reidy. She’s the CEO of Simon & Schuster, which recently announced that it’s launching a new self-publishing service. If traditional publishers want to survive, Reidy says, they have to keep up with the rapid changes taking place in the industry. The growth of self-publishing is one of them.

“We actually understand that it is a different world than what we do,” she says. “We want to understand it, and if it is going to … be a threat to our business, we definitely want to understand it and also see how we can turn that to our advantage. And one of the advantages is, it is a great way to find authors, also new genres and new audiences.”

Because I’ve been sick, perhaps, my attitude is “screw ’em.” Yes, I would like to have my books readily available in brick & mortar stores. And realistically, that’s only practical through a traditional publishing house.

But as I have said and documented here for almost six years now, traditional publishing is broken. The major publishers were too inflexible in the face of changing technology, and entirely too insular & inbred in how they sought out new authors. If you were famous or had a connection inside the industry, you had a chance of getting noticed, otherwise it was nothing but a lottery with little or no regard for quality.

I certainly haven’t hit the big time with self-publishing. And I have had to work a lot harder at promotion. But I am *very* happy with how it has gone, and I really appreciate all the help I have gotten from my readers.  Thanks, everyone!

And to that end, let’s do a “free download” day for Christmas: The Kindle edition of  Communion of Dreams will be free to download all day. So if you don’t have the book, get it! And if you know someone who you think might enjoy it, tell them about the promotion!

Merry Christmas!

 

Jim Downey

* Of course.



Hype, or Hyperstealth?

This is starting to get some attention:

A Canadian company called Hyperstealth is reporting that it has developed Quantum Stealth, a material that renders the target “completely invisible by bending light waves around the target.” If the mock-up photos are to be believed, Quantum Stealth basically works like Harry Potter’s invisibility cloak.

Since 2002, Hyperstealth has been in the business of designing camouflage patterns for military uniforms, vehicles, and installations. In 2010, at the International Camouflage Symposium, Hyperstealth’s CEO Guy Cramer demonstrated SmartCamo — a material that could reportedly adjust its camouflage markings to match its surroundings. We say “reportedly” because Cramer apparently published a video demonstration of SmartCamo, but then US military intervened and asked him to take it down. Presumably Quantum Stealth is a follow-up from SmartCamo.

Again, for security reasons, Cramer is saying very little about Quantum Stealth. All of the pictures that you see here, and on Hyperstealth’s site, are mock-ups, because “for security issues we can not show the actual technology.” Cramer says that both the US and Canadian military have seen Quantum Stealth in action, and that they’ve also confirmed that the material obscures the target from infrared (thermal) imaging. Below, you can see Cramer talking to CNN’s Pentagon correspondent about Quantum Stealth.

In addition to the cited CNN video, there’s another news item from a paper which seems to be local to the company. In that article Cramer has more to say:

“That’s the thing that surprises most of the people at these meetings, that it works as well as we’re showing there. It only takes a few seconds for someone in these meetings to verify, yeah it obviously works for the visual spectrum.”

The invisibility cloak also conceals ultra-violet and infra-red heat rays.

“It actually masks the entire thermal signature from the user.”

Cramer added, “We’ve proven it, but I’m not about to show it because there’s no need to show you what works because the only people who need to see this are the people we have shown.”

Uh-huh. He has a magic, er, make that “quantum technology” cloak, but doesn’t want to show anyone outside of the military, even though he’s perfectly happy to discuss how great it is.

Is my skepticism showing? Or has that been masked by quantum effects?

OK, so he’s shown it to the military. Wouldn’t just about any special forces organization in the world literally kill for such technology? Here’s what one such officer said, again from the Maple Ridge News article:

Maj. Doug MacNair, with Canadian Special Operations Forces Command, confirmed that Cramer made a presentation to special operations within the last few years.

But there’s been no decision to follow through.

“We didn’t pursue it further, at least not at this time anyway.

“It wasn’t something we were interested in pursuing at the time. It doesn’t mean we wouldn’t in the future, necessarily. “We’re aware of the company, we have the information. But we don’t have a contract in place at the time.”

Maybe Mr. Cramer is asking too much money for his technology. Or perhaps this is some kind of ruse on the part of the military, to make it seem like the technology ain’t that big a deal. Because the clever thing to do is to promote this all over the web, and then deny that it is something that any government would want. That way no one will pay attention to it. Right?

Er, right.

Don’t get me wrong — I think such technology is possible, and I use something very like it in Communion of Dreams. This is from Chapter 18:

Jon walked to the edge of the pool. He heard a noise behind him, turned slowly to look at it.

From beside a large bush a pile of boulders shifted. The air shimmied, light danced, and a crouching figure emerged, covered in a fabric drape that tried to keep up with the changing surroundings. One hand pulled the drape to the side. Another was holding a very
large sidearm.

But that’s 40 years in the future. I don’t think that this is a tech which has come to be real quite so soon.

Jim Downey

 



Transformation.

There is truth in this:

The No. 1 question I get at readings is: “How many hours a day do you write?” I used to stumble on this question. I don’t write every day, but when I first started going on book tours I was afraid I’d be revealed as a true fraud if I admitted that. Sometimes I write for 20 minutes. Other times I don’t stop writing for six hours, falling over at the end like an emotional, wrung-out mess, simultaneously exhausted and exhilarated. Sometimes I go months without putting a word on the page.

One night, however, I was asked that question and the right answer just popped out, unknown to me before it found solidity on the air: “I write every waking minute,” I said. I meant, of course, that I am always writing in my head.

I’m lucky.

OK, actually I’m very lucky, because I am lucky in many ways. But what I am thinking of right now is that my chosen profession allows me time to think — to write in my head, as it were.

To write in my head as I preserve the words of others. The written words.  Specifically, the *printed* words.

Like this:

Joined sheets.

Joined sheets.

 

That’s the next step from my last report on the 1470 text. I got all the individual sheets attached, creating “sections” of the book. Or, I should say, re-creating the sections which once were.

Sections "punched" to create sewing stations - where the sewing thread will join them one to the other. And the start of that sewing process.

Sections “punched” to create sewing stations – where the sewing thread will join them one to the other. And the start of that sewing process.

 

Then moving on, linking not just words, not just pages, but whole passages, whole section, one to the other:

Linking, one to the next.

Linking, one to the next.

 

What you see there is called a “chain stitch”. A curious term, implying not just links, but connections, even slavery.

Can words be enslaved?

Clean edges. Clean definitions.

Clean edges. Clean definitions.

 

And this shows — proves — that my technique works. All the sections line up properly.  Almost perfectly.

And so the pages are transformed, from individual pages, into a book.

Like writing.

 

Jim Downey

 

 



That don’t seem right.

Pearl Harbor” was 71 years ago today.

The launch of Apollo 17 was 40 years ago today.

That means that there was less time between the start of WWII (well, our involvement in it) and the end of humankind’s time on the Moon than there is between now and when Apollo 17 left the Taurus-Littrow valley.

That don’t seem right.

Yeah, sure, there’s a company saying that they want to send commercial flights back to the Moon.

Somehow, I doubt that it’s quite that easy.

 

Jim Downey



Making lemonade.

A couple weeks ago, I wrote this:

If I wanted to, I could actually bind the book so as to read ‘backwards’ like a Hebrew Bible, though the page numbers are all in the wrong location for that.

I must admit, I’m tempted, just for giggles.

And as I posted yesterday, I gave in to the temptation. Yup, I made a ‘backwards book’, one which has the spine on the right side, and in which you turn the pages from left to right. And I’m going to make a few more.

Why? Well, for the fun of it, mostly. But also because when things like this happen, I’ve learned to roll with it. It’s like a little surprise, something special the universe gives you — serendipitous art.

And for some people, such things are quite collectible. Think of philately or numismatics, where errors of one sort or another make for highly-valued stamps and coins.

Errors are part of the handmade process. In this case, the error wasn’t mine, but came from the printer. Whoever set up the print run managed to load the pages backwards, and in the process opened an unexpected door.

Now, this isn’t something that appeals to a lot of people. So I’m only going to make 15 of these books — thirteen ‘lettered’ copies (A – M), and two artist’s/author’s proofs, all covered in book cloth as shown. Those who have opted to get one of the “archive” sets will have it included in the set at no additional charge as long as the copies last. Others may opt to buy a single copy for $150.00. But there are only 13 copies, and of those four are already reserved. Meaning that there are only nine remaining, and are first-come, first served.

So, there ya go.

 

Jim Downey

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

What follows is a little photo-essay showing the process by which I bound the first book (and will bind the rest). This will also be the same process for binding the ‘normal’ hardcover cloth edition.

Sheets gathered into sections, then folded.

Sheets gathered into sections, then folded.

 

Sections punched for sewing.

Sections punched for sewing.

 

Starting the sewing onto linen tapes.

Starting the sewing onto linen tapes.

 

Sewing complete.

Sewing complete.

 

Text block trimmed, ready for adhesive & spine liners.

Text block trimmed, ready for adhesive & spine liners.

 

 

Gluing up the text block.

Gluing up the text block.

 

Checking fit of the boards.

Checking fit of the boards.

 

Making the cloth-bound case (hardcover).

Making the cloth-bound case (hardcover).

 

Case done, checking fit with text block.

Case done, checking fit with text block.

 

Cover sheet next to case.

Cover sheet next to case.

 

Me cutting the cover sheet to size.

Me cutting the cover sheet to size.

 

Cutting the cover sheet - this is how it would normally be laid out for a conventional book.

Cutting the cover sheet – this is how it would normally be laid out for a conventional book.

 

Re-arranging the cover for this 'backwards' book.

Re-arranging the cover for this ‘backwards’ book.

 

Cover completed.

Cover completed.

 

It's a backwards book!

It’s a backwards book!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Sneak peek.

Remember how I said that I was “Tempted”?

Well, have a sneak peek at what I just finished:

It's a backwards book!

It’s a backwards book!

I’ll have a full post, along with a lot of images of making the book, up later today or tomorrow.

 

Jim Downey



A small matter of perspective.

This is not unlike the tricks that a good story-teller uses, though manifest in a brilliant visual form:

From NPR’s Robert Krulwich, who has this to say:

These illusions were created by an artist who calls himself Brusspup.What he does is an exercise in anamorphosis, a conjuring trick that takes advantage of how our brains make sense of the world. If you know how, you can create an image which makes no sense until the viewer happens onto a particular — and it’s a very particular — spot. Once the viewer finds the right angle — the only place where he or she can see what the artist intended — suddenly, boom!- the drawing leaps into three dimensions.

Getting a reader to that precise point of view in a novel is the hard part. Willing suspension of disbelief is a kindness all readers give any author.

Jim Downey



Next level.
November 29, 2012, 11:38 am
Filed under: Writing stuff | Tags: , , , , ,

Interesting. I noticed this morning that a shift has occurred in my thinking about St. Cybi’s Well over the last day or two. Oh, I’m still thinking about plotting and scenes, but now I find myself increasing working through bits of dialogue.  *How* one character or another would phrase something, how the pattern of sounds with another would play out.

Meaning that I’m reaching some kind of saturation point, the moment when things, er, “gel”.*

And meaning, based on my previous experience, that I’m about to shift from spending the majority of my energy from making notes/plans/plots to actually constructing sentences and paragraphs, perhaps even chapters.

Interesting.

 

Jim Downey

(*Those who have read Communion of Dreams will get the joke. If you haven’t — why the hell not?)



Pain.*
November 27, 2012, 9:45 am
Filed under: Health, Science Fiction | Tags: , , , , , , ,

There is no pain.

Pain is the mind-killer.

Pain is the little-death that brings total obliteration.

I will face my pain.

I will permit it to pass over me and through me.

And when it has gone past I will turn the inner eye to see its path.

Where the pain has gone there will be nothing.

Only I will remain.

 

Jim Downey

*With apologies to Frank Herbert, for all my friends who suffer chronic pain of any sort.



Just … eeew.

In something of a follow-up/companion piece to my earlier post about FaceWatch, I offer this:

Porn companies adopt facial-recognition technology, encourage Instagram photos

Two porn companies are courting web surfers to upload photos they find online to the companies’ free facial-recognition, face-matching database services.

With SexFaceFinder.com and Naughty America’s “Face” anyone can upload an image and have the services match it with images and faces in image databases.

SexFaceFinder positions its service as a way for users to find a performer that looks like a specific person.

 

Not only does this have the potential to be a privacy nightmare … eeew. Just … eeew.

 

Jim Downey




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