Communion Of Dreams


Machado-Joseph Disease: Who am I?

For about 30 years, I’ve been a conservator of rare books & documents.

That came to an end yesterday when I met with my last institutional client and explained that I need to retire officially as a practicing conservator. Since they follow my blog posts and social media presence, this did not come as a surprise.

As I was driving home from the meeting, I was working through a fairly predictable mix of emotions. Guilt, because I know that this means that important works in their collection won’t get the treatment they need anytime soon. Relief, because now I won’t worry about accidentally damaging some important/valuable book or document. Loss, because my career was now over. Pride, because I know that I have done good work over the years, and made a real difference. And disorientation, because for some 30 years a big part of my identity was being a Book Conservator in private practice — something almost as rare as many of the items I have worked on over the last four decades.

I think anyone who reaches retirement age probably has some mixed emotions about actually retiring. But for most people, they’re ready to retire — to live life on their own terms, to travel, to just get out of the office, to get away from annoying co-workers.

The problem is, I wasn’t ready to retire. And I had already arranged my life so that I lived it largely on my own terms. I’ve traveled. I didn’t have an office I had to go to. I don’t have co-workers who annoy me. I had honestly expected that I would continue to do conservation work until old age claimed me, since the work is typically not strenuous.

MJD had other ideas, as I’ve noted.

So, officially, I am no longer a Book Conservator.

Yes, I am still many other things. An artist. A writer. A cool, handsome guy who is just 64 and certain that he’s still a babe magnet.

OK, maybe not that last one.

But the point remains that there are still many facets of my identity that remain, even though I have of necessity set aside the title “Book Conservator”.

I suppose “Retired Book Conservator” still sounds pretty cool.

Jim Downey



Machado-Joseph Disease: As one chapter closes, another is begun.

Recently I drove out to Las Vegas, for the first post-Covid national meeting of the Liberal Gun Club (I can be seen at several points in the video, wearing a red & white flannel shirt). It’s a drive I’ve made previously in two days (about 12 hours each day), but I decided that it would be wise for me to split it up into three days each way, to better reduce my stress and better accommodate the unpredictable episodes of MJD symptoms (since I didn’t want to take any of the painkillers or MMJ stuff that help me manage those episodes while I was driving).

It was a good decision. When I had an flair-up of symptoms, I knew that I could take a break without feeling a lot of time-pressure.

And it gave me more time to think.

To think about this past year, and where I’ve found myself. To think about the LGC event (particularly after it was over, and I could reflect upon what happened there). To think about the near-term future.

As I noted yesterday (and in this series of MJD-related blog posts generally), it’s been a challenging year. And there’s nothing like going naked (in the sense of not taking any meds) for a prolonged period of time to show you, honestly and clearly, what your real condition actually is.

Mine isn’t bad. But it is perhaps a lot worse than I had realized, in my day-to-day life. That’s because being able to take things that help manage it means that I can largely ignore the symptoms. Without those meds, though, the truth tends to be a little sharper edged (as is the pain). While teaching a black powder workshop I had hand spasms that were so bad I couldn’t hold onto the gun I was using at the time, let alone manage to load it. So much for the idea that being focused on a given task (which I was) would be enough to set aside that symptom. I verbally walked my students through the process, and we got on the other side of it fine. But it was a sobering moment.

A moment that drove home the idea that it was time for me to make some changes. Specifically, that it is time for me to pretty much completely retire from conservation work. As I noted in this blog post last May:

As a conservator, I can’t afford to celebrate my mistakes. There will of necessity come a time when I need to stop doing conservation work, out of respect for the items entrusted to my care. That time is rapidly approaching; indeed, it may already be here.

I think I crossed that line sometime this summer. So the time has come for me to (mostly) stop doing conservation work altogether, at least in terms of being hands-on.

That’s a big change for me. I’ve largely defined myself as being a book conservator for 30 years.

* * *

Western Utah is stunning. But also bleak. And more than a little alien to my Midwestern eye.

I think those vistas, and the mental space I was in on my drive home, helped me realize something else.

That I’m ready to start writing a sequel to Communion of Dreams.

I hesitate even mentioning this, since I had so many people after me about the long delays in writing St Cybi’s Well. But I decided to share it to help offset the seemingly ‘bad’ news that I need to retire as a conservator.

So here’s the deal: don’t ask how it is going, or when I expect it to be done. I’m at the very beginning of the whole process, and it is likely to take years. I may occasionally mention things about it. Or not. But asking me about it is not going to get any additional information beyond what I volunteer, and will just annoy me. You can wish me well with the writing, but leave it at that, OK?

Thanks.

Jim Downey



Turning words into books.

As I noted a couple of months ago, I found a printer to produce the pages for a hand-bound copy of St Cybi’s Well. This is a photo-essay of the process of turning those pages into finished books. This is not intended to be actual instruction on how to bind books.

My printer for Communion of Dreams had been bought-out and was no longer capable of doing the printing for St Cybi’s Well. I was able to source a new printer after some trouble. Everything was slowed down due to Covid, of course. Eventually I was able to drive over to Wichita KS to pick up the printed pages.

Printed pages and color cover stock. Note that these are oversize. This is necessary to make sure the ‘grain’ of the paper runs the correct way, so that the pages will turn properly once the book is bound. They get trimmed down after binding.

Each section (group of pages) has to be folded, then punched consistently to allow for sewing.

It’s easier to do the laser-design work on the section before binding. The design is that of the St Melangell Centre, of a hare, at Pennant Melangell. This is the location in the book where much of the action takes place.
Once the individual sections are all punched, they are gathered into books and then sewn. This style of binding is “sewn on tapes”.

Sewn text blocks. Note that these are oversize, using the full printed sheets.
The sewn text blocks, now cut down to finished size. This is done individually, using a c. 1915 guillotine.
I designed a simple thin-board jig using my laser, which allowed me to mark on the cut bookcloth where to mount the archival bookboard.
The marked sheets of bookcloth.
Mounted bookboard on the bookcloth.
Completed case, with the edges of bookcloth turned in and additional liners added. Those liners are needed to balance the strain on the boards cause by mounting the color cover stock label.
Exterior of the case, with color cover stock mounted.
Text blocks now lined with support paper along the spine, and endbands added at the head and tail. The outer page of the first and last section has been cut down to function as an additional hinge. This, combined with the sewing tapes, is sufficiently strong to mount the text block to the case covers.

Text blocks mounted into case covers, and allowed to dry under weight.
Finished books. If you look closely you’ll note a slight wedge shape to the text blocks. I wanted a flat spine to match the hand-bound copies of Communion of Dreams, but St Cybi’s Well is longer, and so required more sections. This made the swelling at the spine more noticeable. Once the books are opened and read once or twice, the wedge shape should disappear.
Finished copies.

If you would like your own hand-bound copy of St Cybi’s Well or Communion of Dreams, click the links. Each edition is limited to just 53 numbered copies, plus two Artist’s/Author’s proof copies. At either link you can also order one of the remaining copies of the Amazing Koob, as well as signed paperback copies. And of course, you can always download the books from Amazon (remember, they’re free on the first of each month).

That completes the next-to-last phases of my Kickstarter. The final phase will be the design and completion of the leather bindings.

Jim Downey