Communion Of Dreams


Three weeks in Wales, Part 11: end days.

 

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Part 9. Part 10.

The next day we were in a neolithic kinda frame of mind. This was by design, actually, since one of the sites we wanted to see is only open on weekends, if you want to see the inside of it. That’s the Barclodiad y Gawres burial chamber on Anglesey, and I love this aerial image of it from CADW’s site:

I actually mentioned this site in a blog post three years ago about St Cybi’s Well, and I’ve been wanting to see it since I did the research about the site. And this was another case where I had a false memory of having previously visited it, thanks to that research. But this time I knew full well that I hadn’t been there … even as the false memory played out as having been there when we went looking for it. A very strange feeling.

Anyway. We stopped at the little shop in the nearby town, as instructed on the CADW site, and collected the key for the chamber. The site was only about a mile away, and we parked there in the lot for a small beach, and walked out to the mound.

The mound was excavated in the 1950s, and when that research was done they capped it with a concrete dome and turf to protect it and to return it to something like what it may have looked like when constructed 4,000 – 5,000 years ago. The entryway you can see in the image above allows anyone to partially enter the mound:

Where you see this:

The original entry path of the cruciform passage grave.*

The gate is locked, and the key allows you entrance. We wanted to get inside because I wanted to personally see the neolithic art:

There are better images (and more of other carved stones at the site) at the site linked above and elsewhere online.

After exploring inside the chamber we locked it back up, then explored the exterior. There on the headlands the wind was brisk, but it was a wonderful location with excellent views:

We returned the key to the shop, and went off in quest of other neolithic sites there on Ynys Môn. First was Caer Lêb, a Bronze Age settlement which is little more than mounds now.

Then we stopped at another passage grave: the Bodowyr Burial Chamber.

From there we headed back to the mainland, stopping for some lunch before visiting friends of Martha’s for a couple of hours. When we headed back to our beachside hotel it was still a bit early, so we decided to to explore the substantial Iron Age hillfort overlooking our portion of the beach:

From the hotel parking lot.

That’s Dinas Dinlle, and there’s not a lot of information available about it, though the Megalithic Portal has a number of images of the site. Here are some more of mine:

At the top. I’d guesstimate the hill to be about 100 meters high.

 

Along one of the defensive earthen walls.

 

Path across the village ‘floor’ to the other defensive wall. To the right the sea has claimed approximately a third of the original hillfort.

 

During WWII there was a military airport just up the coast, so at the base of the hillfort it wasn’t surprising to see a small defensive pillbox of that era:

I thought that it was an interesting juxtaposition.

The next day was our final one in Wales. After a nice breakfast we packed up and headed east. We were driving back to Manchester (where we would fly out the next day), but we thought to hit several castles along the way. The first of these was Rhuddlan Castle. We had visited Rhuddlan some years previously, but at that time it was undergoing some restoration work.  CADW has a nice overview of the castle … in the form of an aerial fly-by:

It was nice to have a chance to really walk around the place and enjoy it.


 

From Rhuddlan we went to the first castle King Edward built to subdue Wales: Flint. Both Wikipedia and Castle Wales have good entries on Flint Castle, but I prefer my own images:

There were a number of these shadow-sculptures, which I really thought were striking. the images were drawn from history/Shakespeare.

Entry into the unusual large circular detached tower, called a donjon keep, which overlooks the main castle entrance.

 

The donjon had your typical central rooms, but it also had wide (7-8′) corridors in the walls, with defensive windows and arrow slits looking out.

 

Inner room of the donjon.

 

The lower inner corridor in the donjon keep. 

Top of the donjon. 

Inner ward of the castle.

 

Across the inner ward.

 

Our last castle of the trip was to be Ewloe. This small Welsh castle was one I’d never even heard of, as its history is both brief and unremarkable. But it is a surprisingly charming little place. I’ll add a couple of pics, but I like the ones at Castle Wales better, so would recommend that you check those out.

From there, it didn’t take us long to drive the rest of the way to Manchester, where once again we had reserved a room at Ash Farm:

It was a good trip. Thanks for sharing it with us here.

 

Jim Downey

* I’ve always been struck by the fact that the shape of these passage graves is a cross. Obviously, that was the shape which came to symbolize Christianity, and which was used to construct churches and cathedrals for hundreds of years. But I don’t recall having ever read anything where someone has drawn the obvious connection between the two. Evidently that’s a gap in my knowledge.

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Three weeks in Wales, Part 7: Like an aqueduct over troubled water.

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6.

It was the last day for my sister and her family, so we decided to hit a couple of interesting places on our way from Dolgellau to Manchester, where we had a B&B for the night.

First was Valle Crucis Abbey,  outside of Llangollen. Valle Crucis is another of the big Cistercian abbeys, and one of the best preserved, giving you a chance to walk through and really get a feel for what it must have been like to live in:

It’s a cool place.

Next up was the Pontcysyllte Aqueduct outside of the town of Llangollen.

Most Americans know very little of the early industrial revolution in Great Britain, and the role which the early canal system played in helping launch that fundamental societal change. Prior to the development of railroads, canals were crucial for moving goods and materials in the UK. And Thomas Telford was one of the greatest civil engineers of the era, who helped to construct the network of canals.

The canals no longer play a critical role in the economy of the UK, but they have become a popular holiday destination, and people often take tours on narrowboats or even rent them as a short-stay vacation home. Narrowboats like these:

After walking across the aqueduct, we decided to take a ride on one of the narrowboats from “Jones the Boats.” We got tickets, then went and had a nice lunch at the Telford Inn  while we waited for our turn.

The trip back and forth across the aqueduct takes about 45 minutes, and the views over the Dee River (the river is some 125′ below) are quite lovely:

Heading out.

Note the lack of any kind of rail or ledge on the one side. And the edge of the trough is only about 6″ up out of the water. You can hang right over the edge of it if you want.

There were dogs …

… and cats.

Heading back.

Everyone seemed to enjoy it.

I certainly did. And I could see doing a couple days on one of the fancy narrowboats.

After the aqueduct we continued on to Manchester. Our B&B (which we’ve used on previous trips) was a charming place: Ash Farm Country House. After getting settled in, we popped next door to a fantastic gastro-pub for dinner and some real ale: The Swan with Two Nicks.

It was a great way to close out the portion of the trip which Celeste, Steven, and Haley shared with us. The next morning we dropped them off at the airport, and Martha and I headed back into Wales.

 

Jim Downey



Three weeks in Wales, Part 5: water and old stone.

Part 1. Part 2. Part 3. Part 4.

“Water and old stone” pretty much sums up Wales, for me, I think. But I have an admittedly biased perspective.

We started the next morning with a trip to Pennant Melangell, a small pilgrimage church in the Tanat valley in north Wales. Here’s the preamble I use in the first chapter of St Cybi’s Well, which is titled ‘Pennant Melangell’:

Melangell was a female saint of the 7th century. According to tradition she came here from Ireland and lived as a hermit in the valley. One day Brochwel, Prince of Powys, was hunting and pursued a hare which took refuge under Melangell’s cloak. The Prince’s hounds fled, and he was moved by her courage and sanctity. He gave her the valley as a place of sanctuary, and Melangell became Abbess of a small religious community. After her death her memory continued to be honoured, and Pennant Melangell has been a place of pilgrimage for many centuries. Melangell remains the patron saint of hares.
– St Melangell’s Church website

It’s a wonderful little place.

Here’s the entrance to the churchyard, with the classic lych gate:

Interior of the church:

The 15th century rood screen.

 

Chancel, with the (reconstructed) 12th century shrine of St Melangell.

 

Detail under the shrine.

 

Inside the Apse.

 

Back of the tympanum, containing a plaster panel with The Lord’s Prayer and Ten Commandments, all in Welsh.

In the churchyard:

I love this place. Maybe it shows:

We got some lunch in the charming little town of Llanrhaeadr-ym-Mochnant (where parts of this favorite movie was shot), then went to visit Pistyll Rhaeadr, one of the “seven natural wonders of Wales.”  The waterfall is mentioned in Communion of Dreams, and one of the major chapters of St Cybi’s Well is titled ‘Pistyll Rhaeadr’. Here it is:

That’s almost 250′ tall.

 

My sister and her family before we climbed to the top.

 

Up on top.

 

Steve, getting some images of the falls, looking down.

I did the same:

Here’s a description of the top of the falls, taken from St Cybi’s Well:

As he came around past the rock outcrop, the sound from the falls increased. There was the distant rumble from the bottom of the first long drop, but closer now were the sounds of water scrambling over rock and root, gathering in the small pools at the top before the plunge. Darnell made his way to the last of these pools, near the edge of the cliff, and stood there, listening.

He closed his eyes, took a deep breath, and relaxed, opening himself as he had tried to do at St Cybi’s and St Seiriol’s, allowing rather than reaching, feeling rather than thinking.

And he felt something. A whisper in his mind. A whisper as though someone were speaking his name. A whisper of invitation, to step through the wind and over the edge of the cliff, to come to freedom. It was a beckoning, a subtle and supple call to pass through to the other side.

This was the thinness Megan spoke of. He understood it now, at least a little.

Releasing the breath, he slowly opened his eyes, then knelt down to the pool in front of him. The silver-grey sky reflected in the pool had a new shimmer to it, an intensity he had not seen before. He reached out, as he had done before, and placed the palm of his hand against the surface of the water.

There was no slight electric thrill, but neither was there just the crisp coldness of a mountain stream. Rather, there was a vibrancy, almost a … depth … there, more than the few inches of water in the pool would suggest. And while the roar of the falls to his left called loudly, it was the trickle of water coming from his right which whispered to him. He stood, and followed it further up the mountain.

After hiking back down to the base of the falls, we enjoyed a snack in the little tea shop, then headed back to our cottage. The magic of the day continued, as we watched clouds form midway down the mountain:

The next day we decided to visit Caernarfon castle, the massive fortress in the north Wales town of the same name. This one:

Some of my images:

And from displays inside one of the main towers:

Time enjoying the castle was followed up with lunch on the castle square:

That afternoon, we went to St Cybi’s Well, itself:

The main bathing pool.

 

The well source, itself, behind the bathing pool.

 

“Author’s selfie.”

 

Jim Downey

 



No escape from reality.*

For fun, and to make someone’s year a little better, I recently rebound a friend’s SF novel, converting the paperback edition into a hardcover binding.

With my bookbinding skills it’s a fairly simple and straightforward process, but not a cost-effective one (so don’t ask me to rebind your favorite paperbacks). The result is usually very satisfactory and striking, and makes for a nice little present when I am in the mood to do something different from my usual conservation work.

Anyway, I made this book and mailed it to my friend where she works. She opened it and shared it with her co-workers, who thought it was “pretty darn cool.”

Which, you know, is cool and all. But consider: making that book, that physical object, took me maybe an hour and a half actual labor time. But I’m sure that it took my friend hundreds, if not thousands, of hours of labor to write that book. To conceptualize it. To make notes. To research. To stare at the blank computer screen in abject terror. To write the first draft. To edit.  To stare at the words there in horror and disgust at how horrible her writing was (I assume this happened anyway, since almost every serious writer I’ve known goes through this multiple times with any book). To write the second draft. And then the third, after getting feedback from friends and editors. Et cetera, et cetera.

But what her co-workers thought was “pretty darn cool” was a simple physical object.

Now, I’m sure that if you asked them, her co-workers would say that her book — the written words — was also pretty darn cool. And maybe some of them have even read it.** Still, the fact remains that for most people written work is mostly an abstraction, one which takes real effort and time to understand and enjoy. Whereas a tangible artifact like an artisanal hardcover book can be handled and appreciated as reality.

People are funny, aren’t we?

 

Jim Downey

*Naturally.

**A confession: I haven’t yet myself, since I am still in the middle of doing battle with St Cybi’s Well, and I just can’t read long fiction when I am trying to write it, since it just messes up my own writing. But you can bet I will when I finally finish this book.



And then one day you find ten years have got behind you …*

Happy anniversary!

Yeah, ten years. More than 1850 posts here (though not many in the last year). Big changes in both the history of the novel and in my life. Mostly good changes, though it has been a rough road at times.

Thanks for being part of the journey.

 

Jim Downey

*Of course.

 



Pop-up phantasmagoria*.

This is completely delightful:

 

Lots of news from the world of my life. Most of it good. I’ll share in a few days.

 

Jim Downey

*Reference



Progress report and excerpt.

As I noted I probably would a little over a week ago, I’ve just wrapped up work on Chapter Fourteen: Llangelynnin of St Cybi’s Well. It’s a long chapter — twice as long as most of the chapters are — and a pivotal one, since it includes the first instance of the faith healing/psychic abilities as referenced in Communion of Dreams. Here’s a critical passage, which will resonate for those who have read CoD already, where Darnell Sidwell’s sister Megan first encounters the healing energy just as the fire-flu is becoming a pandemic:

She stepped into the small room of the well, her arms opening wide, her face lifting to the heavens. It was indeed as though she were drinking in the light he still saw there, or perhaps like she was drinking in rain as it fell. She stood thus for a long minute, perhaps two. Then slowly she knelt before the opening of the well, her hands coming together and plunging into the cold, still water. The light filling the small space seemed to swirl around, coalescing into her cupped hands as she raised them out of Celynin’s Well.

Darnell stepped inside the small roofless room, bending to help Megan stand. As she did, he looked down and saw that she had water in her hands, but not filling them. Rather, it was water as he knew it from his time in space: a slowly pulsing, shimmering sphere. It seemed to float just above the cradle made by her hands.

 

That brings me to a total of approximately 95,000 words. I still have one short transitional ‘interlude’, then three named chapters, then a brief ‘coda’, and the book will be finished. Probably another 25,000 – 30,000 words. Which will put it right at about the total length of Communion of Dreams.

What’s interesting for me is that this chapter has proven to be a pivotal one in another way: it feels now like I really am on the home stretch of this project. Just finishing this chapter has changed the whole creative energy for me. There’s still a lot of work to do, but it no longer feels … daunting.

We’ll see.

 

Jim Downey