Communion Of Dreams


Pop-up phantasmagoria*.

This is completely delightful:

 

Lots of news from the world of my life. Most of it good. I’ll share in a few days.

 

Jim Downey

*Reference

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Ties in nicely.

This is a good short, and ties in nicely with the end of Communion of Dreams:

 

Jim Downey



Two visions.

This wonderful vision of the human future has been making the rounds recently, and I had to share it:

Wanderers is a vision of humanity’s expansion into the Solar System, based on scientific ideas and concepts of what our future in space might look like, if it ever happens. The locations depicted in the film are digital recreations of actual places in the Solar System, built from real photos and map data where available.

A somewhat more … cautionary … vision of what the future could hold can be found in this:

The Chernobyl Nuclear Power Plant melted down in 1986, creating a 1,000-square-mile exclusion zone that has been almost completely devoid of human interference for decades. Now you can take a tour, courtesy of a camera-carrying drone.

 

Mutually exclusive? Apocalypse versus brave new worlds?

I think not. In fact, the Communion of Dreams/St Cybi’s Well ‘universe’ contains both. If I ever decide to write them, I have books set in the 2020s, about 15 years following the fire-flu pandemic, and in the 2030s in the Israeli colonies on the Moon. In the first the world will feel much like what’s seen in the Chernobyl exclusion zone. And in the second I’ve envisioned how the 1/6th Earth-normal gravity would allow for playing something very much like Quiddich on small personal flyers in large domed stadiums.

It’s important to remember that the future isn’t either/or. It’s even more important to remember that we will have a role in creating that future, for good or ill.

 

Jim Downey



I am a bad man.*

‘Cause I damned near laughed my butt off at this:

 

Jim Downey

*Obligatory.



Artists lead the way.

One of my favorite characters in Communion of Dreams is the artist Duc Ng. Here’s the description of him when he is introduced in Chapter 2:

Duc Ng was an artist. A holo sculptor, whose specialty was slow-progression transformations. The works were beautiful, inspired, and appreciated by almost anyone who saw them. Ng had jacked-up cyberware to heighten his sensitivity, and used psychotropic drugs tailored to cause neurotransmitter activity to increase dramatically. This created an artificial synesthesia for a short period of time, during which the usual senses became blurredand intermingled, adding layer upon layer of perception.

 

Note the phrase “jacked-up cyberware”.  While it plays a role in the plot, I put this in there because I’ve always admired the way that artists are constantly pushing to adapt new technologies in the creation of their art. Here’s a passage from the beginning of Chapter6 when we first get a look at Ng using his skills:

There was just one other person in the room, standing at the side of the holo platform, hands dancing over a control board only he could see. It was Ng, dressed fittingly in a jumpsuit of the same black material from which the drapes and carpet were made.

“Isn’t that stuff hot?” asked Jon, nodding toward Ng’s clothing.

“Nah, I’ve got a coolpack plugged into it. Not as efficient as a real military stealth suit, but it works. Reduces the problems I have with creating my sculptures.”

Jon looked to the dance Ng’s hands played in the air. “About ready?”

Ng said nothing, but his fingers tapped a command in the air. Instantly, there appeared an image above the holo projector.

 

Check this out:

“These beautiful gloves help me gesturally interact with my computer,” says Heap, explaining how the wearable technology allows her to perform without having to interact with keyboards or control panels.

Pushing buttons and twiddling dials “is not very exciting for me or the audience,” she says. “[Now] I can make music on the move, in the flow and more humanly, [and] more naturally engage with my computer software and technology.”

 

There’s a brilliant video which demonstrates the potential of her gloves:

[vimeo 90252137 w=500 h=281]

 

And she has started a Kickstarter to help develop the technology to share with other performance artists:

 

Wonderful. I’m in to support it. And yeah, I think that’s another prediction from CoD coming true.

 

Jim Downey

Via BoingBoing.



Timescales.

One of the things which has always really interested me is how the perception/experience of time is so very … plastic. Partly that is because of curiosity about the nature of time itself, but partly it is also because the experience of time is so highly variable between species* and even individuals. Personally, I have been through experiences when subjective time dilation completely changed my perception of reality. There are some hints/references about this interest in Communion of Dreams, and there will be others in St Cybi’s Well, but I have yet to really get into dealing with the notion directly.

Anyway, that’s why things like this always fascinate me:

 

Jim Downey

*I went to college with one of Dr. Forward’s kids, and had the pleasure to hear him give guest lectures/chat with him prior to his first novel being published.



Traces of the fire.

The words we read are just traces of the fire burning in the mind of another.

This is lovely:

Sorry for the quick posts. Lots of interesting things happening. I should have more to share on all of that next week.

 

Jim Downey

*Via MeFi, where there are more good links related to this artist.