Communion Of Dreams


It’s about Time

My wife and I have been big fans of the UK TV show “Time Team” for a long time, and a couple of years ago when producer Tim Taylor decided to try and revive the series using a Patreon model, we were happy to sign on and tell a number of our friends about it. Unsurprisingly, we discovered that the series was also popular in our friends group, especially those who share our interest in English/Welsh/Scottish/Irish history.

Well, about a year ago, one of our friends entered a competition hosted by Time Team about the series, and, well, I’ll let her tell the rest:

Maybe you remember back in October, Time Team asked people to tell them “What are you most excited about Time Team returning, and why?” Like many people I fangirled a bit to show my appreciation, then forgot about it.

So I was very surprised when Time Team contacted me around Thanksgiving to tell me they liked my comment so much they are sending a gift. I asked if they would send it to the friends who had introduced me to Time Team, and given Customs and all they thought it would be less confusing if it came to me.

And she sent it to us: Custom Time Team Trowel #400.

Well, we were thrilled. It’s really cool to hold that thing in your hand, feel a connection to the show we loved.

But we decided that after we’d kept it for a time, that it would be best to share it. To pass it on to someone else who shared our love for the show. For it to become a ‘traveling trophy’.

I spent some time thinking about it over this past busy (and eventful) year, and finally decided to make a simple journal for recipients of the “Traveling Trowel” to record some thoughts and dreams inspired by the show. And of course, there needed to be a box to hold the trowel and journal. I wanted everything to feel informal, yet professional. Sorta like Time Team.

This was the result:

Rich archival goatskin. Archival drawing paper interior.
Simple longstitch, flexible binding. Ribbon closure with a custom wood composite button. Natural edge to the leather.
Birch plywood box. Cover laser etched. Sides piercework trowel design. Lift-off cover.
Box interior. Trowel in signed linen bag, journal under.
Journal in box.

In order to set the stage for the journal, I asked my wife to write the following introduction:

This trowel is magical.

Take it in your hand. Feel the weight of it. The balance. How it fits into your palm. How your thumb and fingers curl around it.

Then close your eyes. Let your mind roam. To somewhere you love, even if you’ve never been there in person. Picture the place. Then channel your inner Phil Harding. Or Helen Geake. Or whichever member of the Time Team, past or present, comes to mind. See yourself exploring the past of the site you’ve chosen, trowel in hand.

Then, if you’re willing, share here where you’ve been. Where the Traveling Trowel has taken you.

And, as a record documenting the history of the Trowel, I mounted my friend’s letter next, followed by my own entry. For that entry I naturally pictured St Cybi’s Well

Ffynnon Gybi

There, in the valley below the hamlet of Llangybi on the Llŷn Peninsula, the old stone structures beckon. But behind them, the Holy Well itself springs forth.

It is here that the trowel leads me. Without disturbing the ground, I can visualize scraping away the upper layers of dirt. Removing the modern soil. Down past the traces of the 18th and 19th century structures that now dominate the site. Deeper, to the remaining imprint of the medieval surface where pilgrims knelt beside the water, seeking healing for body and soul.

Then deeper still, seeking the foundations of myth of the man who would become Saint Cybi. Perhaps his simple hovel where he meditated, seeking a connection with his God. Perhaps some small artifact which has survived the centuries, uncovered, pristine in my mind’s eye, a holy relic …

The Traveling Trowel will move on. I hope that each recipient will add their own bit to the lore of it. But I also hope that each recipient will give the next person some small memento related to their time with it. Here’s what I made for my friend, us, and the person that I have passed it on to:

Three acrylic inserts.
In the light base. White light, obviously.
And in blue.

Thanks for visiting. And if you haven’t yet, check out the Time Team Patreon page.



Jim Downey

Just a note: none of this is for sale. And yes, I took some minor liberties with the official Time Team design to better fit my personal aesthetic and the capabilities of my laser. No criticism of the original design is intended.



“If you’ve never experienced the magic that is Wales …”

I’m just going to post this entire review:

Reviewed in the United States on July 28, 2020

From the very first page, St Cybi’s Well steeps you in the rich culture and landscape of Wales. It has a feel of ancient otherworldliness—until the scientific and political realities hit you full-on.

This book sounds uncanny echoes of our present predicament: Pandemic. Police. Politics. Racism. Rioting. Revolt. You can hear the ripping of the social fabric as fear overcomes reason.

And yet, there is hope. Hope for healing. Hope for a better future. Hope for us all.

With protagonist Dernell Sidwell’s quest for hope/healing/redemption set in the mystical, ancient sites of Wales, the reader feels deeply drawn to the power of the past—all while checking over their shoulder for what new nightmare the present has to offer.

You’d think the author was a time traveler, considering how closely Sidwell’s journey parallels the challenges we now face. You will appreciate Sidwell’s determination, his acute survival skills, and his willingness to consider, confront, and accept some things that stretch his perceptions of what is possible.

If you’ve never experienced the magic that is Wales, take the trip now. This is an urgent adventure that will linger with you long after you’ve finished the last page. I’ll see you at St Cybi’s Well.

St Cybi’s Well, and my other books, will be available for free download this coming Saturday, as it is on the first of each month. Please download & share! And as I’ve said before: “And please, if you do read it, leave a review.”
Jim Downey


Comet NEOWISE over Carreg Cennen

I Love this image:

Image may contain: night, sky, outdoor and nature

That’s from a Facebook post by Alyn Wallace Photography.  It’s an image of Comet NEOWISE over Carreg Cennen Castle in Wales.

Carreg Cennen has long been one of my favorite castles, and plays a role in “Chapter 10 — Y Garn Goch” of St Cybi’s Well. The view of the castle seen above is from the south.

Jim Downey



An excerpt from Chapter 14

I mentioned the other day that many of the early reviews of St Cybi’s Well talk about how eerily prescient the book seems now.

Well, judge for yourself. This is an excerpt from the book (Chapter 14: Llangelynnin) when news of the pandemic is just really getting started. The main characters are discussing it, and their plans to collect medical supplies since the St Melangell Centre is a designated rural care center. I first wrote this portion of the book about two years ago, did major revisions last fall.

“The government here is asking people to just stay home if they have any indications of illness. They’ve implemented a week-long ‘bank holiday’, so people don’t go in to work or school, and declared that only essential government employees and emergency workers are to report in. All the bus and train lines have been shut down. They’re even talking about closing all the restaurants and pubs. We’ll probably hear more about that later today. And there have been more anti-immigrant riots in London and some other places. And not just the so-called ‘Tommys’.”

“People are frightened.”

“Yeah, no surprise.” Darnell nodded at the stereo again. “There was also some science reporting about VCS itself. Looks like it is caused by a flu strain which is similar to the 1918 virus, the Spanish Flu, but one which is even more virulent.”

Megan paused, her hands lowered. The towel hung limply by her side. “Didn’t that kill millions, world-wide?”

“Yeah, something like fifty million.”

“And this looks to be worse?”

“Yeah,” Darnell repeated. “This seems to spread just as easily, but kills faster. Well, kills healthy adults faster – that cytokine storm thing, which is basically the immune system going crazy, creating high fever and complete exhaustion, leading to the inability to get enough oxygen and general system collapse. Victims often develop cyanosis – a blueish tint to the skin, particularly on the face and hands. Anyone who is very young, or old, or otherwise has a compromised immune system, can still get the flu, but don’t generally have the VCS reaction. But there’s a good chance that they’ll develop pneumonia which can kill them in a week or so without proper treatment.”

“But there are treatments for pneumonia.”

“There are. And even some things that can be done for someone with Cytokine Syndrome, if you get to them soon enough. Or anti-virals, like Theraflu.” He sighed. “But there’s not nearly enough of those stockpiled. And how well do you think the health system here or anywhere will be able to handle such a fast-moving epidemic, particularly if health workers are among the most vulnerable group because of massive exposure? Do you remember how devastating hemorrhagic fevers like Ebola have been in isolated areas, because health workers are often among the first victims of the disease? And those require direct contact with bodily fluids . . . this flu is airborne.”

There was a wild look in her eyes, and for a moment Darnell thought he even saw fear. Then Megan closed her eyes, clasped the small crucifix necklace she wore, and muttered what he assumed to be a prayer. When she opened her eyes again, the wildness was gone, replaced with a cold determination. “We already have basic personal protection gear – surgical masks, gloves, even disposable gowns – and it sounds like we should wear them when we go to Llandudno. I’ll get them and meet you downstairs when you’re done with your shower.”

 

Jim Downey



Scotland 2018: 4) In another reality …

Being a photo-heavy travelog of our 2018 trip to Scotland.

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Monday, May 7.

We had a lovely early breakfast at the B&B, then popped down to the railway station. We were early because we wanted to queue up for non-reserved tickets for The Jacobite, a steam train that runs out to the coast and then up to the charming little fishing village of Mallaig. But in another reality, the train is known as the Hogwarts Express, and yes, it does cross over the wonderful curving Glenfinnan viaduct:

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We were lucky, and got tickets. They even had a Harry Potter giftshop on the train. And served HP-themed snacks from the food trolley. Seriously.

Mallaig was a small, but pleasant place. The weather this day was cold and wet, so first thing we opted for was a hot lunch at The Fishmarket Restaurant, then we walked about a bit looking at the town and harbor before it was time to head back to Fort William.

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It was a pleasant two-hour ride up, and then back, with wonderful views all along the route. I could have done without the idiots who had their windows open while the train went through a couple of tunnels, which brought in loads of coal smoke into our car and liked to asphyxiate us all, but otherwise it was a delight.

It was still early in the day when we got back to Fort William, so we decided to jump in the car and do some more exploring. As it turned out, there was a very nice castle ruin there: Old Inverlochy Castle.

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These are the kinds of ruins you can find all over Wales. But they were relatively rare in Scotland. Because it seems that through Scottish history, there had been a tendency to keep rebuilding and updating castles and other strongholds at least well into the 1600s, subsuming the earlier structures into the new in whole or part.

From the castle we went to look over Neptune’s Staircase:

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This does it much better justice:

Driving back from the Locks, we passed a Marks & Spencer, and stopped in to pick up some salads and nibbles for dinner — while the food we’d had all along the trip so far was generally quite good, both Martha and I were feeling like we really had to make an extra effort to get as much fresh fruit and veg as we were used to.

 

Jim Downey



Scotland 2018: 3) It’s more than a famous film location, but … pass the coconuts.

Being a photo-heavy travelog of our 2018 trip to Scotland.

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Sunday, May 6th.

We had a lovely breakfast at the B&B, and for the first time I had real, actual, haggis … and discovered that I quite liked it. It was our host’s own home-made, and the slice I had with breakfast was buttery, crunchy, full of flavor. Yum. The haggis I had a couple of additional times during the trip was similar, and likewise quite tasty.

Following that, we packed up, then went up to Stirling Castle, just up the hill. Stirling is a very substantial royal castle, on the order of such Edward I castles in Wales as Caernarfon or Conwy. But as with a number of additional castles in Scotland, Stirling had been renovated and updated repeatedly after the medieval period, serving different functions both personal and military up until almost the current time.

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The Great Battery.

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Nothing quite like commanding the heights.

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The Great Hall.

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Hmm … feels oddly familiar …

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Royal Chambers.

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King’s and Queen’s Knots, seen from the walls of the castle.

It was good that we were able to get there first thing, because by the time we had enjoyed our tour of the castle, the crowds were starting to get thick. We headed off on our way.

To Doune Castle. Doesn’t sound familiar? Maybe this will help:

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I love that they sell coconut halves there.

Yeah, Doune was used for multiple different ‘castles’ in Monty Python and the Holy Grail. As Wikipedia outlines:

  • At the start of the film, King Arthur (Graham Chapman) and Patsy (Terry Gilliam) approach the east wall of Doune Castle and argue with soldiers of the garrison.
  • The song and dance routine “Knights of the Round Table” at “Camelot” was filmed in the Great Hall.
  • The servery and kitchen appear as “Castle Anthrax”, where Sir Galahad the Chaste (Michael Palin) is chased by seductive girls.
  • The wedding disrupted by Sir Lancelot (John Cleese) was filmed in the courtyard and Great Hall.
  • The Duchess’ hall was used for filming the Swamp Castle scene where the prince is being held in a tower by very dumb guards.
  • The Trojan Rabbit scene was filmed in the entryway and into the courtyard.

As well as also having served in other films and television shows, including Game of Thrones and Outlander.

Recognize any of these shots from the castle?

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Sir Galahad almost slept here.

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“You must spank her well, and after you are done with her, you may deal with her as you like… and then… spank me.”

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We’re knights of the Round Table, we dance whene’er we’re able. We do routines and chorus scenes with footwork impec-cable.

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In his own particular idiom.

And some other pics:

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From Doune we headed northwest through Loch Lomond & The Trossachs National Park to Fort William at the foot of Ben Nevis. Driving through the beautiful Trossachs was wonderful, and reminded me very much of the area around Snowdon in Wales or parts of the American West in the Northern Rockies.

We had a very substantial lunch at a nice pub along the way, so weren’t very hungry that evening. We popped into a grocery store and got some snacks and cold cuts to make a light dinner. I was amused by the selection of decent scotches (at absurdly low prices) there in the little store:

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Mmmmmmmmm …

Jim Downey

 

 



Forward, into the past.

I sewed up a book yesterday.

* * *

It’s been a rough year.

Oh, a good one, in many ways. The delightful trip to Wales was certainly wonderful. And I was pleased to finally wrap up our two-year work on the brick walkway; I recently used it, and it was nice to see how it has settled solidly after a couple of months weather. There have been other highlights, time spent with those I love, sharing & caring.

But it’s been a rough year. Mostly, because back in early spring I started my slow bipolar descent, and then got stuck stumbling along the bottom of my personal trough for the last six weeks or so. And, while I haven’t talked about it (or anything else) much here, the political situation has been extraordinarily depressing. It’s been a weird combination of things I have long dreaded and things I was writing to warn people about in St Cybi’s Well, and after significant effort to re-write the draft of that book to reflect the new political reality I found myself without the energy or inclination to continue. I felt paralyzed.

* * *

But, as these things go if you are lucky, the wheel continued to turn.

Even if the progress is steady, and consistent with my previous personal experience, it’ll be some 4 – 6 months before I completely climb out of the depressive part of my bipolar cycle.

But I sewed up a book yesterday. This one, for the first time in at least a year and a half:

Yeah, it’s one of the premium leather bindings of Communion of Dreams.

Finally.

For whatever reason, completing those books got mixed up emotionally with completing the writing of St Cybi’s Well. I think I understand it, but I don’t think that I can explain it. Well, I understand it now. At least part of it.

That’s how you solve art, sometimes. And how you walk out of depression: one part at a time, one step at a time.

The writing wants to start again.

In the meantime, I sew books.

Happy New Year.

 

Jim Downey

 



The St John’s Bible

In 1998, Saint John’s Abbey and University commissioned renowned calligrapher Donald Jackson to produce a hand-written, hand-illuminated Bible. We invite you to explore this work of art that unites an ancient Benedictine tradition with the technology and vision of today, illuminating the Word of God for a new millennium.

The Saint John’s Bible homepage.

This was no small project. The finished bible, produced on animal skin vellum, was in seven volumes. Each volume was two feet tall, and three feet wide when opened.

Recently Special Collections and Rare Books at the University of Missouri — Columbia asked me to archivally mount special dedication pages to six of the seven volumes in their Heritage Edition set of the book. Since this very limited edition (just 299 copies) is the full-size, fine art version which very few people will ever have a chance to see in person, I thought I’d take some pics and share them here, along with some notes and observations.

Each volume comes in its own conservation clamshell box:

As you can see, these things are huge. They’re so big, I couldn’t store them in my large safe — so I picked up a pair of the books at a time, did the mounting (which takes two days to do properly), then returned them to Special Collections.

And that style of clamshell box is a work of art itself. I occasionally do (smaller) ones for clients, and they can take three or four hours of labor for me. Doing one that size would take special equipment and workspace I just don’t have.

Here’s the first volume in the set, in gorgeous hand-bound red calfskin:

Click, then follow the link at the bottom, if you want to take a close look at the calligraphy.

 

Likewise.

And here’s the dedication page, along with the facing colophon:

The calligraphy for the dedication page was done by Diane M. von Arx, who was part of the team which worked on the St John’s Bible. If you look closely, you can see some of how I mounted the dedication pages: in the gutter there’s a slight discoloration from the Japanese Kozo tissue paper. The process of mounting the pages was easy: first mount the Kozo strip along the back of the dedication page, then allow to dry under restraint overnight; the next day, position the page and then paste out the Kozo ‘tab’, and secure it to the facing page and again allow to dry under restraint. This kind of mounting allows for a very natural movement of the page, as though it was part of the original binding, with minimal chance of the additional bulk of a page causing long-term problems. I also had to trim each dedication page to the specific dimensions of each respective book (they vary by a couple of millimeters — no surprise, given the size of the things and the fact that they were bound by hand).

And here are some additional images from the books, again available in full scale:

A fun project.

 

Jim Downey

If you are interested in supporting conservation work at Special Collections and Rare Books at the University of Missouri, here is their “Adopt a Book” page. And if you might be interested in sponsoring the last of the seven volumes of the St John’s Bible, you can contact MU Libraries Director of Development, Matt Gaunt.



Three weeks in Wales, Part 11: end days.

 

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Part 9. Part 10.

The next day we were in a neolithic kinda frame of mind. This was by design, actually, since one of the sites we wanted to see is only open on weekends, if you want to see the inside of it. That’s the Barclodiad y Gawres burial chamber on Anglesey, and I love this aerial image of it from CADW’s site:

I actually mentioned this site in a blog post three years ago about St Cybi’s Well, and I’ve been wanting to see it since I did the research about the site. And this was another case where I had a false memory of having previously visited it, thanks to that research. But this time I knew full well that I hadn’t been there … even as the false memory played out as having been there when we went looking for it. A very strange feeling.

Anyway. We stopped at the little shop in the nearby town, as instructed on the CADW site, and collected the key for the chamber. The site was only about a mile away, and we parked there in the lot for a small beach, and walked out to the mound.

The mound was excavated in the 1950s, and when that research was done they capped it with a concrete dome and turf to protect it and to return it to something like what it may have looked like when constructed 4,000 – 5,000 years ago. The entryway you can see in the image above allows anyone to partially enter the mound:

Where you see this:

The original entry path of the cruciform passage grave.*

The gate is locked, and the key allows you entrance. We wanted to get inside because I wanted to personally see the neolithic art:

There are better images (and more of other carved stones at the site) at the site linked above and elsewhere online.

After exploring inside the chamber we locked it back up, then explored the exterior. There on the headlands the wind was brisk, but it was a wonderful location with excellent views:

We returned the key to the shop, and went off in quest of other neolithic sites there on Ynys Môn. First was Caer Lêb, a Bronze Age settlement which is little more than mounds now.

Then we stopped at another passage grave: the Bodowyr Burial Chamber.

From there we headed back to the mainland, stopping for some lunch before visiting friends of Martha’s for a couple of hours. When we headed back to our beachside hotel it was still a bit early, so we decided to to explore the substantial Iron Age hillfort overlooking our portion of the beach:

From the hotel parking lot.

That’s Dinas Dinlle, and there’s not a lot of information available about it, though the Megalithic Portal has a number of images of the site. Here are some more of mine:

At the top. I’d guesstimate the hill to be about 100 meters high.

 

Along one of the defensive earthen walls.

 

Path across the village ‘floor’ to the other defensive wall. To the right the sea has claimed approximately a third of the original hillfort.

 

During WWII there was a military airport just up the coast, so at the base of the hillfort it wasn’t surprising to see a small defensive pillbox of that era:

I thought that it was an interesting juxtaposition.

The next day was our final one in Wales. After a nice breakfast we packed up and headed east. We were driving back to Manchester (where we would fly out the next day), but we thought to hit several castles along the way. The first of these was Rhuddlan Castle. We had visited Rhuddlan some years previously, but at that time it was undergoing some restoration work.  CADW has a nice overview of the castle … in the form of an aerial fly-by:

It was nice to have a chance to really walk around the place and enjoy it.


 

From Rhuddlan we went to the first castle King Edward built to subdue Wales: Flint. Both Wikipedia and Castle Wales have good entries on Flint Castle, but I prefer my own images:

There were a number of these shadow-sculptures, which I really thought were striking. the images were drawn from history/Shakespeare.

Entry into the unusual large circular detached tower, called a donjon keep, which overlooks the main castle entrance.

 

The donjon had your typical central rooms, but it also had wide (7-8′) corridors in the walls, with defensive windows and arrow slits looking out.

 

Inner room of the donjon.

 

The lower inner corridor in the donjon keep. 

Top of the donjon. 

Inner ward of the castle.

 

Across the inner ward.

 

Our last castle of the trip was to be Ewloe. This small Welsh castle was one I’d never even heard of, as its history is both brief and unremarkable. But it is a surprisingly charming little place. I’ll add a couple of pics, but I like the ones at Castle Wales better, so would recommend that you check those out.

From there, it didn’t take us long to drive the rest of the way to Manchester, where once again we had reserved a room at Ash Farm:

It was a good trip. Thanks for sharing it with us here.

 

Jim Downey

* I’ve always been struck by the fact that the shape of these passage graves is a cross. Obviously, that was the shape which came to symbolize Christianity, and which was used to construct churches and cathedrals for hundreds of years. But I don’t recall having ever read anything where someone has drawn the obvious connection between the two. Evidently that’s a gap in my knowledge.



Three weeks in Wales, Part 10: Welsh Rover.

 

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Part 9.

Took this the next morning at breakfast in the Black Lion pub, just had to share it:

While we’d had exceptionally nice weather through most of our trip, the next day we woke to more low-hanging clouds, light rain, and mist. In other words, characteristically Welsh weather.

We next had an Air B&B up outside of Caernarfon. Charming place. Lots of character. Bit too much for my tastes, actually. Would have been fine if I were a grad student again, but I’ve now come to like more luxury when on vacation. Like a bed which isn’t a foot off the floor. A bathroom which isn’t down the hall, up some stairs, then down another hall. And a door which *doesn’t* lock from outside the room.  It made me … uncomfortable. At least the host was pleasant, though in a way which a murder mystery writer might describe. Yes, I have an over-active imagination, but still. We stayed the one night, but high-tailed it to a conventional holiday hotel elsewhere in the area the next day.

But before we went there, we took a trip south to pay homage to Number 6. Yup, we went to Portmeirion:

Even The Village needs maintenance work now and again.

Rover! Here boy!”

 

OK, this is hard to make out. But there in the middle of the image is a modern security camera. Given how Portmeirion was used as the setting for The Prisoner, with it’s all-encompassing monitoring, I just thought it a bit ironic to actually see this.

 

After a nice afternoon in Portmeirion we went up to Caernarfon and strolled around a bit. I was surprised at just how much the city shuts down at the end of the business day — they really roll up the sidewalks.

But there was still one pub going strong, at least: The Anglesey Arms.

Where we saw this. I thought the paint job would appeal to a number of my friends.

The next morning we decided to go out onto the Llŷn Peninsula, first going to Criccieth Castle.   Here’s the description of Criccieth from St Cybi’s Well — see if you think it fits with the image from Castle Wales below.

Darnell went across to the exit into the castle grounds proper. The path turned left, then right into a copse of trees. When he emerged from these, the massive gatehouse seemed to loom directly overhead. The path cut up the hill at an angle on the north side, climbing steeply, then switched back before coming around to the front of the gatehouse. There was little doubt that when the castle was in operation, taking this path would mean that any attackers would be under constant fire from arrows, bolts, and heavy stones coming from the walls and the outer gatehouse. Trying to go straight up the hillside would have been even worse, because while it was a shorter path, it was much more precarious footing, and still under direct fire from the outer gatehouse tower and curtain wall.

And of course, if you made it past the outer gatehouse, then you had to contend with the huge inner gatehouse, a massive structure of twin D-shaped towers sporting a delightful array of arrow loops and murder holes.

Do go and check out the castle itself: it’s damned impressive, even in its ruined state. And the lump of hill it sits on is a stunning site, with fantastic views of the town and country around:

From Criccieth, we did some exploring on the peninsula, then thought to go find a small church we had heard about from friends years before. This is St Beuno’s at Pistyll, on the north shore, and its so small that it doesn’t even have a Wikipedia entry:

St Beuno’s is a 12th century structure, though it has seen some updates and repairs over time. Still, it’s largely intact, and feels like it both inside and out:

Note the rushes on the floor.

 

If you look carefully, you can see the holes in the rafters for where thatch was held in place. The slate roof is only about 100 years old.

I love these two pans of moss & stone in the window ledges, an old tradition related to Easter:

Moss pan in the window, 12th century stone font for holy water in the foreground.

Outside:

The narrow window is called a “Leper’s squint”, where those who were not permitted inside the church could witness mass.

And around:

Lovely.

Jim Downey